Do not hit baseballs against the fence Yashica-12 Kodak Vericolor III (expired 7/86) @ EI 80 2021
What the heck happened that made Zionsville Little League need to post a sign like this?
But this post is actually about printed words. It’s a mental quirk of mine, but I’m drawn to them. Signs of all kinds draw me in. I study the letterforms and the way the words are arranged. I consider the message; why was it written in the way it was?
It’s sometimes a problem. When I was dating my wife, the word GATHER was painted on the kitchen wall. I had to make myself not look at it, even though I’d studied it dozens of times. I was relieved when she repainted the kitchen and it disappeared.
I’m sure a psychologist would have a field day with this.
When I made my recent Friday-day-off trip up the Michigan Road to see the Sycamores, I also brought my Yashica-12 along, loaded with Kodak Vericolor III expired since July of 1986. I shot this ISO 160 film at at EI 80 to tame the ravages of time. Here’s the Carnegie library in Kirklin.
This is the Mathews house, in southern Carroll County. It’s part of a farm that’s been in the same family for more than 100 years, which makes it a Hoosier Homestead.
I should have moved in closer to this barn, as it’s the star of this show and who needs to see all of that flat blue sky? This is in Clinton County, I think.
Naturally, I made several photos of Sycamore Row with the Y-12.
Finally, not many people know that this grassy lane that heads west from the south end of Sycamore Row was once State Road 218. It hasn’t been that highway in a very long time. SR 218 still exists. It was moved decades ago about a quarter mile to the north, just past the north end of Sycamore Row, so it didn’t have to cross Deer Creek.
The Vericolor III performed pretty well at EI 80 — much better than it did at EI 100 and 125, as I shot it last time. Still, some photos suffered from a little haze and grain that I couldn’t Photoshop away.
I had an errand to run Downtown along Massachusetts Avenue, or “Mass Ave,” as everybody here calls it. This diagonal Downtown street is loaded with hip restaurants, bars, and shops. I loaded some Ilford FP4 Plus into my Yashica-12 and brought it along. I walked up and down Mass Ave photographing storefronts.
I developed the roll in L110, Dilution B, and scanned the negatives on my Canon CanoScan 9000F Mark II. These are easily the best results I’ve ever gotten from home developing and scanning. I got exposure right in the camera, developing led to negatives of good density, and repeated practice with the VueScan scanner software is starting to pay off. I’ve shot a fair amount of FP4 Plus over the years and finally it’s looking like I expect it to, compared to the results I got from the pro labs I used to send it to.
The Rathskeller is technically on Michigan Street, but its imposing entrance is fully visible to and accessible from Mass Ave. This building is also known as the Athanaeum and, as the sign over the door says, Das Deutsche Haus. Built in the late 1800s, it was originally a social club for German immigrants. Today it’s a restaurant, beer hall, and coffee shop.
The rest of these images are not as architecturally interesting. Over the last 20 years or so, entire blocks of Mass Ave have been demolished so enormous apartment and condo complexes could be built, with retail on the ground floor. Silver in the City, a kitshcy gift shop, is in one of the early-20th-century buildings that remains.
Global Gifts is a few doors down, in the same building. It’s a non-profit organization that sources its items ethically from around the world.
In the same building as the previous two businesses, Three Dog Bakery has been around for at least 15 years now. I remember when they opened — I thought this business surely couldn’t last. Home-baked dog treats? Really? They have several locations today.
I worked Downtown the first time in 1996-97, when Mass Ave was a very different place, not yet hip and cool. It was just starting to recover from a period when it was Indianapolis’s Skid Row, and many of its businesses remained from that era. I don’t know how long The Frame Shop has been here, but it strikes me as a 1990s-era Mass Ave business.
Lots and lots of bars line Mass Ave now. This one opened a couple years ago, replacing a longtime Mass Ave bar called the Old Point Tavern. It was one of the last old Mass Ave businesses to throw in the towel, and I miss the place. When I worked Downtown in the 1990s, I sat at the bar many a lunch hour in front of a bowl of chili. It was the kind of chili you might make for yourself at home. I didn’t make much money in those days, and the $3 (as I recall) bowl was a filling, delicious lunch for very little money. I miss the Old Point Tavern.
I’ve never set foot inside the Burnside Inn, despite its inviting facade. It’s been open for only a few years, replacing a hair salon that operated here for a long time.
Nine Irish Brothers is a chain restaurant that opened in this new building some years ago. In this case, nothing was torn down to build this building — it was a green space. I’m sure some other building once stood here, but it was torn down long before I ever set foot on Mass Ave. Margaret and I have stopped in here a number of times because the Guinness is fresh and good.
Finally, here’s my favorite Mass Ave bar, Liberty Street. They have the widest whiskey selection in town, and a massive mahogany bar. I’ve met my brother here for a tipple many a time. He lives just a couple blocks away, so it’s easy enough for him to get here!
I hope I’m settling into a successful groove with my home developing and scanning. It’s been frustrating to have gotten such mixed results over the year and a half I’ve been doing it.
I was recently gifted a bunch of expired film that had always been stored frozen. I got some Fujicolor 200 in 35mm, some FP4 in 120, and, most interestingly, some Kodak Vericolor III in 120. Vericolor was the film that Portra replaced, more or less.
I expected that because the film was properly stored that it would perform okay at or near box speed, despite having been expired since July of 1986. When I shot the first roll in my Yashica-12, I made each photo twice, once at box speed of 160, and once slightly overexposed at 125. The photos shot at 125 all looked better to me, but none of them looked like fresh film. I was prepared to say that these shots would have looked even better at 100 or 80. But after finishing this roll, I transferred the battery to my Spotmatic F for a roll — and the meter was all jumpy. A fresh battery corrected that. So now I’m not sure that this battery gave accurate meter readings in the Y-12. This whole experiment might have been moot.
But what the hell, here are some of the photos. Slide each slider to the right to see the EI 160 image, and to the left to see the EI 125 image.