In the last couple years a new generation of students realized they could make something much more of their online stream. They’ve revitalized the online “station” with new studios and office space. It’s down the hall from the original space. The original studios and office have been removed and that space repurposed. The school also repainted the entire floor, which means the giant WMHD logo I painted on the wall in 1988 is finally gone.
About a year ago, current General Manager Katana Colledge found my posts about WMHD here and reached out via my contact form. We’ve corresponded ever since, me telling my old WMHD stories and Katana telling me all the great stuff the station is working on.
They’ve continued their stream, but have improved the software that runs it for better sound quality. They have also returned to having some DJs, but rather than them being live as back in my day they all prerecord their shows and queue them up in the stream for the right time. They also upload those shows to Mixcloud; see them here. You’ll also find several shows from the old days there, including all of my shows that I recorded.
WMHD has also added a podcast recording room, offers guitar lessons, and holds jam sessions for students, staff, and faculty. They also bring their DJ equipment to campus events and provide music. Or at least they did before COVID-19 paused it all; they’re finding creative ways to stay connected with students online now.
As Katana told me all about it, I could feel the same level of excitement and commitment as students had in my time. That energy has waxed and waned over the years. It’s great to see it back.
The station put together a show to relaunch WMHD, and asked a few alumni to choose three songs and introduce them. I was one of those alumni! Here is the entire launch show. My intro and three songs begin a few seconds before the 40 minute mark.
Go here to read my alma mater’s news story about the relaunch, in which I’m quoted!
The station went on the air in 1981, and off the air for good in 2013. Who could have foreseen how radio would be come less and less vital? Fewer and fewer students wanted to be on the air, and finally the school threw in the towel.
A small group of students shifted the station to online streaming and still operate it that way. You can listen here. Over the summer, the current station manager found some of my old blog posts about WMHD and emailed me to ask about the old days. She described a small but vibrant group that keeps WMHD streaming, but also involved in providing live music at campus events. It’s exciting to see.
I was looking through some old files the other day when I came upon these two WMHD bumper stickers from around 1987. I designed them myself.
It’s crazy to imagine it now, but in 1987 computers were primitive compared to what we have today and they lacked the tools to design such things. I used paper and pencil to design this sticker. I used a straightedge to draw the WMHD logo. If I recall correctly, I traced some curved object to get the D right.
I used rub-on letters for “Rose-Hulman 90.5FM.” These were sheets with lots of letters on them. You could get them in a bunch of different fonts, but I chose this typewriter font because it looked clean. I drew a faint line and then, letter by letter, put the sheet down onto the paper letter side down, lined up the letter on the line and next to the adjacent letter, and used a pencil to scribble across each letter to transfer it from the sheet to the paper. It was exacting work.
Then I sent the finished artwork off to a bumper-sticker company with written instructions to make the background black, the WMHD and 90.5FM letters yellow, and Rose-Hulman white. I forget how many we ordered, probably 1,000. They came back perfect.
After I graduated I put one on my new car. Looking at it now, I see that it is a slightly different design. We must have run out of the original stickers and lost the original artwork. I would have had to recreate the artwork for a second sticker run!
This wasn’t the only time or way I rendered the WMHD logo. The school let me and some buddies paint the hallway in the dormitory our station was in. We chose this red-stripe-on-white scheme to replace a drab beige. I painted our logo on the wall next to the broadcast-studio door. Because I always did our logo by hand, they came out a little different every time. We painted these walls in 1988 and they stayed this way for nearly three decades. My son made this photo of me next to the logo in 2012.
I loved my time on WMHD. It gave me pleasure and joy as I ground my way through engineering school. I used to do the morning show (story here), and I was on the air when Space Shuttle Challenger exploded (story here).
So many children dream of being a fireman or a policeman when they grew up. Not me. I wanted to be the voice on the radio. And look: here I am! Microphone before me, Sennheiser HD40s hanging around my neck, my finger on the turntable’s go button. Let’s do this!
I’ve written many times about my time at WMHD (click here to read every story) but have shown few photographs. I dug through my archives to find some. While you’re looking at what I found, here’s 45 minutes of my show from Dec. 8, 1987, to provide the soundtrack!
WMHD was the student station at Rose-Hulman Institute of Technology, a tough engineering school in Terre Haute, Indiana. Students built this station from the ground up, including its studios.
Here are our station’s engineers, Steve and Tim, doing some late-night work to keep the equipment in fine tune. It was their custom to take over the station on Saturday nights, playing album sides into the wee hours as they worked.
This was the lobby of our broadcast studio. If you know your rock album covers you’ll recognize our mural as being a reproduction of the 1981 Yes album, Classic Yes.
The station’s office was across the hall. I became station manager in 1987; this was my desk.
Here’s the rest of the office. That’s the Program Director’s desk, our cabinet full of public files behind it. I remember the discussion that led to the drawing on the chalkboard: this is the layout for the booth in the production studio we were building.
My buddies tolerated my random photography but I don’t think they understood it. I simply wanted a record of this place so I could remember it better. Mission accomplished; seeing these images puts me right back in that studio, keeping my good memories fully intact. I feel incredibly fortunate that I got to be a part of WMHD, and to fulfill my childhood dream of being on the air.
Times change. Radio started to lose its luster with the millennial generation, and Generation Z abandoned it in favor of streaming. Student interest in WMHD flagged; the station quit broadcasting over the air in 2013. Rose-Hulman sold the license to crosstown Indiana State University, which operates the station now as WZIS-FM from studios on their campus. The former WMHD studios don’t exist anymore.
The desire to broadcast hasn’t died entirely, however. A small group of Rose students operate an Internet music stream that they call WMHD. You can listen here if you’re curious.
I first shared this in 2013 as my older son was about to apply to colleges. Now he’s weeks away from his final year of college, and I’m thinking about this message again.
I overheard my sons talking the other day about college. I found that to be encouraging, because I think they’re both bright and capable and should go to college.
My youngest said, “Elementary school prepares you for middle school, which prepares you for high school, which prepares you for college. And then college prepares you for life.” I was with him right up until the last link in his chain.
My degree itself didn’t prepare me for life. My overall college experience helped prepare me for life a little. But after I graduated college and lived on my own, my adult life was significantly new and different from anything I had experienced before. I had to figure it out as it happened.
Now, I loved my studies. I majored in mathematics and minored in German and sociology, and exploring these subjects made my heart sing. A few things I learned in class have directly helped me in my software-development career, but otherwise, my studies have benefited my life and career only intangibly.
Surprisingly, my time working at the campus radio station gave me much better clues about life and career. I had fun doing my regular air shifts. I learned a lot about working as part of a team and taking care of my commitments to them. When I became station manager, I led an executive board and had responsibility for about 100 staff members. I also learned to deal with difficult people (primarily the chief engineer, who seemed always to look for reasons to clash with me) and still get the job done.
There were no tests and no grades; there was no end goal. We meant to stay on the air indefinitely. (Sadly the station shut down in 2013.) We aimed to deliver the best on-air work we could today, and do it a little better tomorrow.
What I didn’t see very well at the time was that this was a lot like real life. When you run out of things to graduate from, you need to set your own goals and live to make each day as good as it can be.
I’ve lived more than 8,700 days (in Sept. 2013 when I first published this; it’s 10,600 now) since I graduated college. There have been some great times and some really awful times as I’ve figured out what works for me and what doesn’t. I feel like I’ve got a pretty good handle on it now that I’m middle aged. With good health and good fortune, my sons will have many thousands of days after they graduate from college, too. I hope they figure this out faster than I did.
Did college prepare you for life? What prepared you best? Tell it in the comments, or write it on your own blog and link back here.
I think you just know when it’s time to quit. Quit anything, really. Look back at your life, at the things you’ve quit. I’ll bet that you can pinpoint the moment when you knew. Even if you didn’t recognize it at the time.
It was 1992. I had graduated from engineering school almost four years before and had a job with a local software company. I’d even picked up part-time work in pro radio thanks to my experience at my alma mater’s station, WMHD. But I was still doing a weekly show there, too. I had been station manager while I was a student, and was well known and liked by staff and listeners. And so when I asked the next station manager if I could still do a show even after I graduated he was thrilled. “You’d do that? Really? Well, of course you can!”
It was exciting and weird to keep playing records on that little 160-watt pea shooter. Thursday right after work I’d drive over to the station and park in visitor parking, a clutch of records from home under my arm as I headed into the basement studio. Students who remembered me, themselves now about to graduate, would come by to say hello. The phone would ring with longtime listeners on the other end telling me they were glad to hear me and hey can you play a song for me?
For a couple years it was great fun and I felt like a local celebrity. And as the coaching I got in my pro gig made me a better disk jockey, my work on WMHD sounded better and better too. Here’s 45 minutes from a show on a late-January day a quarter century ago.
But it was about this time it started to feel different, like it was time to move on from it. I had the time to do it. It was still fun. And management told me that I could keep doing it for as long as I wanted. But I was just playing the same classic and progressive rock I’d always played, even as the youngest students were starting to introduce hip hop on the station. Students from my era would have had none of that nonsense! But I was about to turn 25. I couldn’t even pretend to feel like a college student anymore. My world had moved on, even if I hadn’t from here yet.
So I quit. I don’t remember when my last show was; probably in February at the end of that academic quarter. I wish I had recorded that show. But I remember telling listeners that this was it, and getting their very kind phone calls telling me they enjoyed hearing me and wished I’d stay. But then the time came, and I played my last song, and walked out of the studio for the last time. And while it felt odd to know it was over, it didn’t feel bad. I could tell: it was time, and this was right.
There have been other times I knew it was time to quit and I didn’t honor it.
I knew it was time to quit collecting coins, a hobby I’d had since childhood, when checking my change stopped being an exciting hunt and started feeling like an obligation. I hung on anyway for years, hoping it would become fun again. It never did.
I knew it was time to quit that first career job when one day the controller, who was kind of a friend, stopped by my desk to tell me that I should go straight to the bank and deposit the paycheck I had just received, as not everybody’s check would clear that day. I made a beeline for the bank. Yet I had been comfortable there, and I hoped in futility that it would become comfortable again. And so I hung on for two brutal years as the company circled the drain.
I knew it was time to quit being a technical writer when I grew weary of writing things like, “Open the File menu and choose Print,” over and over. Yet I did it for a couple years more as it took me that long to push through fears that I couldn’t successfully shift my career into something different.
I knew it was time to quit my first marriage one afternoon when my wife did something particularly ugly to me, something I don’t particularly feel like sharing. There are two sides to every story anyway. Yet I hung on for a couple more years for a whole bunch of complicated reasons, and it about put me into a rubber room. I quit only when she filed for divorce.
I knew it was time to quit riding my youngest son’s butt about doing his homework when I recognized that homework was all we ever talked about. It drove a wedge between us. Yet my fears that he would fail to launch kept me at it for months after I recognized that. I finally forced myself to quit, regardless of my fear. Our relationship rebounded quickly. And then he figured his focus challenges out on his own.
Sometimes even when you know it’s time to quit, you can’t. Not just yet. Maybe it’s a job, and you can’t live without that income. Maybe it’s a marriage, something not to be quit lightly, something to be quit only after all alternatives are exhausted.
Or maybe you simply forget that you have agency, that you get to choose your life, that you are not actually enslaved to the choices you made. Even if you feel enslaved, because you’re addicted to something, there is help out there for you.
Because you can lay plans. You can get help if you need it. You can keep trying to make the changes necessary so that you can quit. And move on into the phase of your life you’re meant to be fully living.
Blogging today is like radio was for me 30 years ago, when I was a disk jockey.
Does anybody listen to the radio anymore? Even for the listeners who hang on, it’s not like it was even 20 years ago. Stations increasingly automate everything. A computer runs the show, playing both songs and commercials. The disk jockey in Denver might actually have been recorded yesterday in Albuquerque. The computer knows when to make the recorded disk jockey speak, too. It’s driven the feeling of connection out of the medium.
I got my start in radio long before all that, at my college’s station. Our biggest audience tuned in weeknights after 6 pm, which was when students settled in for a long night of homework. It was an engineering school, an they worked us hard.
Sometimes I’d break from my own homework and walk through the residence halls. I’d hear our station coming from dozens of rooms. Or I’d visit the broadcast studio, where the phone rang off the hook with students and townies calling to request their favorite music.
Radio was still live and local everywhere then, not just at college stations like ours. We engaged with our listeners, and they responded. It made the evening shows so much fun! Our best jocks lined up to take them. Afternoon shows were next most popular, but shows before noon were hard to fill. The morning show was nearly impossible to staff, as it meant being on the air at 7 am.
I was station manager, the top dog, and I could have any show I wanted. But I chose the morning shift whenever my class schedule allowed. I loved it.
WMHD was in the basement of a residence hall. I lived in a room about a hundred feet away. When my alarm went off at 6:45 a.m., I’d put on my glasses and head right for the station, barefoot and in my nightclothes, stopping only to answer nature’s call. I’d pick out the first four or five songs, fire up the transmitter, and play the sign-on message. The Electric Breakfast was on the air!
Our station’s hallmark was that each disk jockey got to play whatever he wanted. For the morning show, I chose mellow acoustic music to gently ease listeners into the morning. It really stood out against the station’s regular alt-rock and heavy-metal programming.
I figure that most mornings I had at most a handful of listeners. I am sure that sometimes I played music for nobody at all. At 160 watts, WMHD could be heard within only about a two-mile radius, half of which was a cornfield and a horse farm.
I would have been thrilled for hundreds of people to hear my show, but I was plenty happy with the way things were. You see, I loved to match key, tempo, and mood, mixing songs so that each one seemed a natural extension of the one before. I did it all by feel, and was supremely satisfied each time I nailed it.
But more importantly, once in a while the phone would ring. It was usually a fellow from Seelyville, a nearby tiny town. He often listened to me as he got ready for work. He enjoyed the tapestries of music I wove and would call to tell me when he especially enjoyed a transition I made between songs. And once in a while someone would stop me on my way to class to say that he heard me that morning and liked it.
This occasional praise was all I needed to keep at it.
I am so glad I recorded a few Electric Breakfasts. Here is the first 45 minutes of the show from Wednesday, April 6, 1988. You can hear pops and scratches in the records I played – unlike most radio stations, we didn’t compress our audio to eliminate noise and make the music seem louder. You can also hear the sleepiness in my voice; it usually took me most of the first hour to shake it. But I was not so sleepy that I couldn’t manage a few good transitions between songs. Check it out.
My blogging experience has been very much like The Electric Breakfast. Down the Road is a mere blip in the blogosphere, barely a whisper among the Internet’s clamoring voices. This post might find 25 views today, and maybe that many more the rest of this week. Thanks to the Internet’s long tail, it might find another 50 readers in the next year.
But I love the writing process and find it supremely satisfying when my sentences flow seamlessly into powerful paragraphs, which build an engaging story. And I love it when you leave comments, sharing your experiences or challenging my assertions or just saying that you enjoyed what I wrote. This is enough to keep me blogging indefinitely.
I never thanked that guy from Seelyville for listening. But I thank you for reading!
I first published this story in 2010. I revised it significantly for this retelling.