30th St. Bridge

The 30th Street bridge
Canon EOS A2e, 50mm f/1.8 Canon EF
Kodak Tri-X 400
2016

The condition of this bridge breaks my heart a little. Built in 1907 and last rehabilitated in 1979, this concrete-arch bridge carries 30th Street over the White River in Indianapolis. But its railings are crumbling, and tall weeds grow through every crack in the pedestrian walkway.

I suppose a city the size of Indianapolis can’t perfectly maintain all of its infrastructure. But we are fortunate to have a number of ornate concrete-arch bridges in our city, and I wish they were first in line for maintenance.

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Photography

single frame: The 30th Street bridge

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Closed

Closed
Nikon F3, 35mm f/2.8 AI Nikkor
Kodak Tri-X (very expired)
2017

I’m giving myself a short break from blogging this week by running nothing but single-photo posts. They’re fun and fast to write and will let me keep to my self-imposed six-days-a-week posting schedule. I know the world would not end if I took a legitimate break and let the blog lie fallow for a week. But I want to keep my solid unbroken posting streak!

I’ve spent most of my spare time lately doing the last home repairs and painting the last couple rooms so that I can put my house on the market. And this past Sunday I preached my first sermon in church! That took considerable time in study and preparation. And my new job (at which I’ve worked three months now) is fabulous but consumes considerable energy. And the commute still stinks.

And then in the middle of all this the hard drive on my main computer failed, as I said on Friday. For years I’ve used a tool called Second Copy to shadow my files to an external drive, so I lost no files. But doing a clean install of Windows 10 on a new hard drive turned out to be frustrating and time consuming. Using my laptop I loaded a bootable Windows 10 installer onto a thumb drive I had lying around. I booted my main machine to that thumb drive and the installer fired right up. It could see the new hard drive, but insisted that there was no valid partition on it.

With lots of help from the Internet, I spent hours troubleshooting. I have good hardware and command-line skills, but nothing I tried worked. I was about to give up and go buy a new computer when I read a side comment at the end of a long forum thread, where a woman said she got around this problem by running the installer from a different thumb drive. I didn’t understand why that would work, but I’d exhausted all other options. And $8 for a new thumb drive is way cheaper than buying a whole new computer. So I bought a new thumb drive and put the Windows installer on it.

It worked, lickety split. Voodoo, I tell you, voodoo.

I hadn’t yet finished installing all of my software when I dismantled my office last weekend to paint it. That took the computer out of commission yet again, as I use it in that office. And so all posts last week and this week have been written on my laptop, where I lack my photo library, my scanner, and all my photo software. I have negatives to scan, photos to share, cameras to review — but it will all have to wait until my backlog of other priorities clears and I can get my main computer fully set up again.

So enjoy the photos this week!

Photography

single frame: Closed

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Cameras, Photography

Repaired: Certo Super Sport Dolly

Certo Super Sport DollyWoot! Woot woot woot! I’ve licked all of the problems with my Certo Super Sport Dolly.

First it was a broken element in the focusing system. And then there was a pesky light leak. I’ve vanquished both.

The light leak was caused by some tiny holes in the bellows where it attaches to the body. A little black fabric paint closed those holes.

And so I dropped in some Kodak Tri-X 400…and then did nothing with the camera for weeks. I chose Tri-X because we were in a stretch of lousy weather, and I figured a fast film would work fine in the gloomy light. But the very moment I loaded the roll, the sun came out and blazed bright for days. Does Tri-X control the weather? Given the camera’s 1/250 sec. top shutter speed, my exposure options would be strictly limited.

When I had to drive up to Burlington for a meeting of the Historic Michigan Road Association, I decided to heck with it and took the SSD with me. I shot two thirds of the roll on the Michigan Road at the minimum aperture, f/22, and fastest shutter speed, 1/250 sec., and even that overexposed the film by a stop. But Tri-X is resilient.

Burlington, IN

After the meeting we toured the 1848 “American House,” which is being restored and will eventually be a museum and maybe a B&B. Boy, the house is in rough condition inside.

The 1848

I drove up to Michigantown, where this tidy Christian Church lurked on a side street.

Christian Church

And of course I stopped in Kirklin. It might just be my favorite little town on all of the Michigan Road. I’ve photographed this building many times.

Truck Parked

I wanted to see how the camera performed in light better suited to the film. As dawn broke one morning, I stepped onto my porch to photograph my garden. There was scarcely enough light; the in-focus patch was narrow.

Front Garden

A little past sunrise, the sky overcast and gray, I photographed my car just beyond my blooming peonies.

Ford Among the Peonies

Many thanks to Mike Connealy for his assistance making this Super Sport Dolly work again!

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Church bus

Church bus
Nikon N8008, 28-80mm f/3.3-5.6 AF Nikkor
Kodak Tri-X 400
2017

I went on my first of three mission trips to Mexico 13 years ago, riding this bus nonstop from Indiana. We even slept, badly, on its cramped seats. But now this bus is discarded, moldering in a field.

Hazelwood church is in farm country about a half hour west of Indianapolis and a few minutes south of US 40. It’s a surprisingly large and active church for being so rural.

Photography

Photo: Church bus.

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Cameras, Photography

Nikon N8008

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I did not need another auto-everything 35mm SLR. But in what is probably my greatest guilty pleasure, which says something about my buttoned-down life, I really enjoy them. I’m no less devoted to my first love: all-manual, all-metal SLRs! Yet I was deeply tempted when I came upon this Nikon N8008 body at KEH for $13.

Nikon N8008

I resisted. But that afternoon KEH emailed me an offer of 12% off used gear and I was a goner. Twenty dollars shipped for a body that cost $857 new. Pennies on the original dollar! Now is the time to buy these higher-end auto-everything film SLRs. And the N8008 (known as the F-801 in most of the rest of the world) was higher end, as it rested just below the pro-grade F4 in Nikon’s pecking order.

Nikon N8008

Befitting its station, its specs are solid. They begin with a big, bright, high-eyepoint viewfinder, which means you can see through it perfectly even when you’re wearing glasses. It offers both matrix and 75% center-weighted metering. Its shutter operates from 30 seconds to 1/8000 second and it takes film from ISO 6 to 6400 (and it reads the film’s DX coding). It syncs with flash at 1/250 second. And common AA batteries power it all.

Nikon N8008

It offers all of the modern modes: manual, programmed, aperture-priority, and shutter-priority. But as you can see, it was designed before the mode wheel became idiom. You expect that from a camera made from 1988 to 1990. To set mode, you have to repeatedly press the Mode button and look at the LCD. It works fine and isn’t cumbersome. It just takes a minute to adjust to it.

The N8008 also offers depth-of-field preview, allows multiple exposures, and boasts a self timer that can take two shots in succession. And its focusing screens exchange. Three screens are available, including the matte Type B screen that shipped with the N8008. You could also get the gridded Type E screen and the microprism Type J screen.

This camera also takes most F-mount lenses. Nikon lens compatibility requires a secret decoder ring (Ken Rockwell keeps his up to date) but with a few exceptions and caveats (pre-AI lenses won’t mount, AF-S lenses won’t automatically focus, AF-G lenses work only in programmed or shutter-priority mode, the latest AF-P lenses won’t focus) you can use your legacy lenses on the N8008.

I considered mounting my 50mm f/2 AI Nikkor to this camera just to test that compatibility. The moment passed quickly, a fleeting shadow. I reached instead for my 28-80mm f/3.3-5.6G AF Nikkor, a “gelded” lens that has no aperture ring. The N8008 drives this lens beautifully in P (program) or S (shutter-priority) modes. Even though Nikon shipped this lens with bajillions of its entry-level film SLRs, don’t underestimate this solid performer.

I loaded some fresh Kodak Tri-X and went to work at home, right next to my easy chair. I’d just finished a finger of whiskey. Photograph drunk, Photoshop sober?

Empty whiskey glass

I stepped back and zoomed out, revealing this lens’s one major fault: barrel distortion at the wide end. I reduced the effect in Photoshop.

Illuminated whiskey glass

These well-made auto-everything SLRs appeal to me, I think, because I can get high-quality images with almost zero thinking. That’s not to say I don’t like thinking. I get full joy from shooting my manual-exposure, manual-focus cameras. But sometimes it feels good to let the camera do all the work for you, all the while leaving you confident of good results. And with the N8008, I could have full control if I wanted it.

I never wanted it on this test roll. Good thing, as the gelded lens sharply limited my options. But on a stroll down Zionsville’s Main Street I didn’t much care. I twisted in my zoom level, pressed the button halfway to focus, and then pressed the button the rest of the way to get the shot. With a loud zip, the camera wound to the next frame and I was ready to go again.

Black Dog Books

I did, however, fall pray to one pitfall of easy-peasy shooting: I shot indiscriminately. Lots of uninteresting photos was the predictable result. This post shares almost all of the photos I think have any merit from this 36-exposure roll.

Brick Street Inn

Here Margaret stands between our two Fords in the parking lot at work. I used to work not far from her workplace, a large suburban church where she’s in charge of buildings and grounds. She wears dresses on Mondays to remind her co-workers that she’s a woman after all, as otherwise it’s jeans and T-shirts because a Director of Facilities never knows when she’ll find herself cleaning up after a sick child or crawling around a failed baptistry heater.

Margaret on Dress Monday

My sons have always been curious about my cameras. When they were very small I used to get the boxes down from my closet and we’d play with them together, cameras strewn across the living room. As I got serious about my collection again in my 40s and began to shoot my cameras more, my sons often asked if they could shoot them too. Frankly, I wasn’t always thrilled to say yes. They showed no real interest in exposure and focus, so explaining it to them got us nowhere. I took to setting the camera for them, but they were often impatient as I read the light and guessed distance and all. But a camera like the N8008 is perfect for kid use, even if that kid just turned 18. It requires no explanation beyond “press the button halfway so it can focus and then the rest of the way to get the shot.” My son did that perfectly while we waited for dinner at a Perkins one evening.

Me, taken by my son

Finally, I took the N8008 along the day I visited this abandoned bridge. It’s the one that cemented my love of exploring the old roads, because finding abandoned infrastructure is strangely exciting.

Abandoned US 40 bridge near Plainfield, IN

The N8008 is not without its flaws. It’s a little heavy for all-day use. The loud winder was annoying. Autofocus is slower than on a modern camera. But so bloody what? I don’t shoot sports anyway. This camera worked great, full stop.

But I still own a Nikon N90s, also a wonderful auto-everything 35mm SLR. One does not need both cameras. One does not need a hundred cameras stuffed into every nook and cranny of one’s house, either, but that’s where one is despite ongoing efforts to thin the herd.

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Foggy trees

Foggy trees
Nikon N8008, 28-80mm f/3.3-5.6 AF Nikkor
Kodak Tri-X 400
2017

I used to pass a sprawling school on my way to work. These trees are on its grounds. One foggy morning when I had a camera with me, they looked like this.

Photography

Photo: Foggy trees.

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