Autumn at the farmhouse

Autumn at the farmhouse
Minolta Maxxum 7000i, 35-70mm f/3.5-4.5 Minolta AF Zoom
Fujifilm Fujicolor 200

At the rate I’m going, my review of the Minolta Maxxum 7000i won’t show up here until January. But I wanted to show you this photo from it now.

Within my subdivision, a few houses still lurk that predate it. This old farmhouse is one of them. I gather that this subdivision was built on land owned by the Ottinger family; was this the Ottinger farmhouse?

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Film Photography

single frame: Autumn at the farmhouse

A tree decked in late-autumn red guarding an old farmhouse, on Fujicolor 200.

Tree tunnel in autumn

Tree tunnel in autumn
Olympus OM-2n, 50mm f/3.5 Zuiko Auto Macro
Fujifilm Superia X-tra 400

It’s been about six weeks since my last bike ride. I don’t like to ride when temperatures are below about 60 degrees, which they have been except for one or two days during this time. When it looks like warmer days are over, I hang up the bike.

On my final ride of the season I brought my Olympus OM-2n along. One particular route of about eight miles takes me down some beautiful country roads here in southeastern Boone County. This tree tunnel is on one of those roads.

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Film Photography

single frame: Tree tunnel in autumn

A tree tunnel in rural Boone County, Indiana.

Autumn trees at Crown Hill

Autumn trees at Crown Hill
Fujifilm Velvia (expired 8-2006)

I went to Crown Hill Cemetery in Indianapolis to photograph autumn color. But most trees were still green; peak was two weeks away. That Saturday afternoon would be the only day I could get away for this photo trip, and I knew it, so I acted.

I used to live a couple miles from Crown Hill and visited it often for photography. I’ve lived in Zionsville, 15 miles away, for two years now and miss visiting the place. But that’s no excuse. My house and Crown Hill are both right by exits of Interstate 65. Especially in the light traffic of a Saturday afternoon I can be there in 20 minutes.

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Film Photography

single frame: Autumn trees at Crown Hill



Autumn color in recent years past

Autumn is reaching its peak right about now in central Indiana. Is it just me, or did the leaves start to change later than normal? Isn’t peak normally past by now?

Photographing autumn color helps me appreciate a season I historically have not enjoyed because its arrival means winter is coming. I do not enjoy winter.

This year my time is short. I forced open a small window of time last Saturday to photograph some color, even though peak had not yet arrived.

The refrigerator in the garage died. I kept my film in there. Dealing with it made me realize that I’ve stockpiled a lot of film. Now I’m trying to shoot it all up, including a roll of Fuji Velvia, the original RVP emulsion, expired since 2006 but always kept frozen. I took it and my Yashica-12 out last Saturday, and I put the film in the mail for processing only on Wednesday. It could be a couple weeks before I, and therefore you, see the results.

But man have the colors gotten much nicer since Saturday. It makes me want to post autumn photos now! So I’ve spelunked my archives. These images will have to tide you, I mean me, over.

Autumn color in the neighborhood
Kodak EasyShare Z730 Zoom, 2009.
Autumn at Turkey Run
Canon PowerShot S80, 2010.
Red leaf
Kodak EasyShare Z730 Zoom, 2012.
Red tree
Nikon N65, 28-80mm f/3.3-5.6 AF Nikkor, Fujicolor 200, 2012.
Little leaves, out of focus
Olympus Stylus, Kodak Gold 200, 2013.
Red and path
Nikon F2, Fujifilm Velvia 50, 135mm f/3.5 AI Nikkor, 2014.
In transition
Nikon F2, Fujifilm Velvia 50, 135mm f/3.5 AI Nikkor, 2014.
Cemetery shade
Nikon N2000, 50mm f/1.8 Nikon Series E, Kodak Ektar 100, 2014.
Autumn leaves
Minolta SR-T 202, 50mm f/1.4 MD Rokkor-X, Kodak Gold 200, 2015.
Strange Evening Light
Nikkormat EL, 55mm f/2.8 Micro-Nikkor, Fujifilm Fujicolor 200, 2016.
Autumn tree in Crown Hill
Certo Super Sport Dolly, Model A, Kodak Ektar 100, 2017.
Yellow tree on Old 334
Olympus XA2, Agfa Vista 200, 2018.
Olympus XA2, Agfa Vista 200, 2018.

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Oak trunk 1

Oak trunk
Kodak Retina Reflex IV, Schneider-Kreuznach Retina-Xenar 50mm f/2.8
Kodak Tri-X 400

Lately I’ve lost touch with why I started shooting old film cameras in the first place: wondering what quality of images an old piece of gear could produce.

I’d never shot a Kodak Retina Reflex camera before and I got this one for a song. These leaf-shutter 35mm SLRs offered a limited set of interchangeable front lens elements to yield a few common focal lengths. It can be hard to find a Retina Reflex in good condition as the works are complex and, after 60+ years, failure prone. Mine wasn’t perfect, but it worked well enough.

I put a roll of Tri-X into it and blasted through it in an hour in my front yard. It was one of those charmed times with a camera, where I just got lost in the pleasure of shooting. None of my subjects was profound or memorable, but that 50mm Schneider-Kreuznach lens penetrated deep into the detail and made some wonderful images.

It doesn’t always go that way. Sometimes an old camera is just frustrating and returns crap images. This year I haven’t wanted to invest time and effort into a camera to get nothing usable back. That’s always the risk with an unknown old camera.

I have a handful of older cameras I haven’t shot yet. A few old boxes, an early Kodak Retinette, and an Argus Argoflex Forty are upstairs in a box under the bed, awaiting their turns. Here’s hoping I can make time for some of them yet this summer.

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Film Photography

single frame: Oak trunk


Magnolias at the Smithsonian Castle

Among the Smithsonian’s magnolias
Canon PowerShot S95

We approached the National Mall from behind the Smithsonian Castle, only to be surprised by the garden we found there. It’s a rooftop garden of sorts, inasmuch as there is a structure underground beneath it. Yet magnolia trees line it on either side, and they were in bloom this bright early-April day.

Photography, Travel

single frame: Among the Smithsonian’s magnolias