Carmel Artomobilia 2017

1951 Studebaker Champion
Pentax ME, 50mm f/2 SMC Pentax-M
Fujifilm Superia 100
2017

Being from South Bend, I’ll always stop to look at a Studebaker. I was born after the company ended operations, but long enough ago that during my childhood Studes still commonly prowled my hometown’s streets.

I’ll share much more tomorrow, but late last month I went to a giant car show in Carmel, just north of Indianapolis.

Film Photography

single frame: 1951 Studebaker Champion

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Old Cars

A visit to the National Auto and Truck Museum

As long as I’ve been online — and that’s 25 years now — whenever a virtual community thrives, it eventually wants to meet in person. The community at Curbside Classic, the old-car blog for which I write, is no exception. I had to miss last year’s inaugural meetup, but I didn’t want to miss this year’s meetup since it was set right here in Indiana.

Auburn, Indiana, was the site of the Auburn Automobile Company, which made high-luxury automobiles under the Auburn, Cord, and Duesenberg names from the early 1900s through the Great Depression. Today, the Auburn factory and office buildings are museums. The factory houses the National Auto & Truck Museum, while the offices are home to the Auburn-Cord-Duesenberg Museum. This post is about the former; I’ll write up the latter soon.

The 810 and 812 Cords were radical automobiles for their day, featuring front-wheel drive and an independent front suspension. This 1937 Cord 812 is painted in Indiana State Police livery because it was used in the fleet, although I’m not clear on what it meant to be a “safety car.”

1937 Cord 812 Supercharged Sedan

Auburn, Cord, and Duesenberg were luxury makes. This 1929 Auburn Model 8-90 was not targeted at the Ford Model A demographic.

1929 Auburn Model 8-90

Here’s this car’s radiator cap and hood ornament.

Radiator cap

The museum had a handful of the namesake cars right up front, where the lighting was terrible. I shot RAW all day, though, and that let me to bring several washed-out photos to life, such as this one of a 1936 Auburn 654.

1936 Auburn 654

I never found the card teling what year this Auburn 851 is.

Auburn 851

That didn’t stop me from taking this detail shot. Here, the room’s lighting worked in my favor: the source was behind me.

Air inlet

I’m a sucker for dark-blue cars, like this 1931 Auburn 898A sedan.

1931 Auburn 898A sedan

The rest of the museum is filled with cars made ostensibly in the spirit of Auburn, Cord, and Duesenberg. As a native of South Bend, I was drawn to this 1965 Studebaker Wagonaire, despite it having been built in Canada after the South Bend plant closed. That thing in the back is a refrigerator, showing the Wagonaire’s retractable roof.

1965 Studebaker Wagonaire

One of my favorite cars of all time is the step-down Hudson. Here’s a 1951 example. The difficult lighting continued in this part of the museum.

1951 Hudson

I’m always happy to come upon an Avanti, especially when it’s from the Studebaker years. This one was built in 1963.

1963 Studebaker Avanti

I’m not sure how a 1959 Buick LeSabre captures the Auburn-Cord-Duesenberg spirit, but it was good to see this basic black Buick nevertheless.

1959 Buick LeSabre

This Kaiser was wedged into this spot, making it hard to photograph. It’s an unusual Kaiser, in that it was built in 1962 — seven years after the last Kaiser automobile was built in the United States. Apparently, automobile production continued in Argentina. This car was built for Henry J. Kaiser himself.

1962 Kaiser Manhattan

The basement of the museum was filled a huge selection of International Harvester trucks, which were built in nearby Fort Wayne. I didn’t photograph any of them, but I did photograph this 1968 Ford LTD. My mother’s mother’s mother had one in dark blue. I rode in it a couple times.

1968 Ford LTD

Several other cars dotted this basement. I was completely smitten by this 1948 Pontiac Silver Streak.

1948 Pontiac Silver Streak

My girlfriend fell in love with this 1951 Nash Healey — the first one built. She would look good in it. I’m confident I could never afford it.

1951 Nash Healey

I barely scratched the surface of this museum with my photographs. It was such a large collection it was hard to take it all in! This means I must return another day.

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