Stories Told

Paul McCartney kind of saved my life once; he has no idea of course

After two recent high-profile suicides in the news, I am reminded of this piece I wrote in 2011. If you ever stand on that edge, wait, because it always gets better.

I was away at my first year of engineering school working harder than ever before — or since, for that matter. My full class load delivered six to ten hours of homework every day. To keep up, I worked each night into the wee hours. My life consisted of meals, class, homework, and too little sleep.

As my fatigue mounted, my health began to suffer. Worse, I became isolated and I lost hope. I fell into a deep funk. I began thinking a lot about how I might be better off no longer walking around on the face of the Earth.

That’s when I came across this record.

McCartneyCover

This is Paul McCartney’s first solo album after the Beatles broke up. He released it in 1970, but I first heard it 15 years later in my dorm room at the center of my despair. The music sounded spare; many mixes were rough and some songs seemed unfinished. The songs gave a strong sense of a man shut away in a room, playing alone, trying to get his head together. Indeed, Paul produced and engineered the album himself. Except for an occasional backing vocal from his wife Linda, he played and sang every note.

McCartney’s signature musical move has always been to find a bright side even when the going is rough. This song, which closed side 1, is a perfect example. It led me to consider that after the Beatles ended, he released (at that time) more than a dozen albums and had given concerts all over the world. It had been impossible to listen to the radio and not hear his music! He’d done quite all right in the intervening years. I could see that perhaps so could I, and so perhaps I should push through.

I did, and now I’m fine all the while.

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RH Lambo

Rose-Hulman Lamborghini
Canon AE-1 Program, 50mm f/1.8 Canon FD
Agfa Vista 200 (at EI 100)

I’m a 1989 graduate of Rose-Hulman Institute of Technology. My time there prepared me well for my career in the software industry. I’ve had a pretty good career.

But not “I own a Lamborghini and show it at car shows” good. And especially not “I commute to work in my Lamborghini” good — I’ve actually fallen behind this car a time or two in Fishers as I neared the end of my morning drive.

This is a double sneak preview: I’ve given my Canon AE-1 Program the Operation Thin the Herd treatment, where I shot two whole rolls of film at a car show. Come back tomorrow for more!

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Film Photography

single frame: Rose-Hulman Lamborghini

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Growth, Stories Told

Knowing when to quit

I think you just know when it’s time to quit. Quit anything, really. Look back at your life, at the things you’ve quit. I’ll bet that you can pinpoint the moment when you knew. Even if you didn’t recognize it at the time.

It was 1992. I had graduated from engineering school almost four years before and had a job with a local software company. I’d even picked up part-time work in pro radio thanks to my experience at my alma mater’s station, WMHD. But I was still doing a weekly show there, too. I had been station manager while I was a student, and was well known and liked by staff and listeners. And so when I asked the next station manager if I could still do a show even after I graduated he was thrilled. “You’d do that? Really? Well, of course you can!”

Me at WMHD

Me outside the WMHD studio in 2012. Some buddies and I painted that wall in 1988.

It was exciting and weird to keep playing records on that little 160-watt pea shooter. Thursday right after work I’d drive over to the station and park in visitor parking, a clutch of records from home under my arm as I headed into the basement studio. Students who remembered me, themselves now about to graduate, would come by to say hello. The phone would ring with longtime listeners on the other end telling me they were glad to hear me and hey can you play a song for me?

For a couple years it was great fun and I felt like a local celebrity. And as the coaching I got in my pro gig made me a better disk jockey, my work on WMHD sounded better and better too. Here’s 45 minutes from a show on a late-January day a quarter century ago.

But it was about this time it started to feel different, like it was time to move on from it. I had the time to do it. It was still fun. And management told me that I could keep doing it for as long as I wanted. But I was just playing the same classic and progressive rock I’d always played, even as the youngest students were starting to introduce hip hop on the station. Students from my era would have had none of that nonsense! But I was about to turn 25. I couldn’t even pretend to feel like a college student anymore. My world had moved on, even if I hadn’t from here yet.

So I quit. I don’t remember when my last show was; probably in February at the end of that academic quarter. I wish I had recorded that show. But I remember telling listeners that this was it, and getting their very kind phone calls telling me they enjoyed hearing me and wished I’d stay. But then the time came, and I played my last song, and walked out of the studio for the last time. And while it felt odd to know it was over, it didn’t feel bad. I could tell: it was time, and this was right.

There have been other times I knew it was time to quit and I didn’t honor it.

I knew it was time to quit collecting coins, a hobby I’d had since childhood, when checking my change stopped being an exciting hunt and started feeling like an obligation. I hung on anyway for years, hoping it would become fun again. It never did.

I knew it was time to quit that first career job when one day the controller, who was kind of a friend, stopped by my desk to tell me that I should go straight to the bank and deposit the paycheck I had just received, as not everybody’s check would clear that day. I made a beeline for the bank. Yet I had been comfortable there, and I hoped in futility that it would become comfortable again. And so I hung on for two brutal years as the company circled the drain.

I knew it was time to quit being a technical writer when I grew weary of writing things like, “Open the File menu and choose Print,” over and over. Yet I did it for a couple years more as it took me that long to push through fears that I couldn’t successfully shift my career into something different.

I knew it was time to quit my first marriage one afternoon when my wife did something particularly ugly to me, something I don’t particularly feel like sharing. There are two sides to every story anyway. Yet I hung on for a couple more years for a whole bunch of complicated reasons, and it about put me into a rubber room. I quit only when she filed for divorce.

I knew it was time to quit riding my youngest son’s butt about doing his homework when I recognized that homework was all we ever talked about. It drove a wedge between us. Yet my fears that he would fail to launch kept me at it for months after I recognized that. I finally forced myself to quit, regardless of my fear. Our relationship rebounded quickly. And then he figured his focus challenges out on his own.

Sometimes even when you know it’s time to quit, you can’t. Not just yet. Maybe it’s a job, and you can’t live without that income. Maybe it’s a marriage, something not to be quit lightly, something to be quit only after all alternatives are exhausted.

Or maybe you simply forget that you have agency, that you get to choose your life, that you are not actually enslaved to the choices you made. Even if you feel enslaved, because you’re addicted to something, there is help out there for you.

Because you can lay plans. You can get help if you need it. You can keep trying to make the changes necessary so that you can quit. And move on into the phase of your life you’re meant to be fully living.

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Stories Told, Ten Years of Down the Road

The Electric Breakfast

Blogging today is like radio was for me 30 years ago, when I was a disk jockey.

Does anybody listen to the radio anymore? Even for the listeners who hang on, it’s not like it was even 20 years ago. Stations increasingly automate everything. A computer runs the show, playing both songs and commercials. The disk jockey in Denver might actually have been recorded yesterday in Albuquerque. The computer knows when to make the recorded disk jockey speak, too. It’s driven the feeling of connection out of the medium.

mewmhd1989aI got my start in radio long before all that, at my college’s station. Our biggest audience tuned in weeknights after 6 pm, which was when students settled in for a long night of homework. It was an engineering school, an they worked us hard.

Sometimes I’d break from my own homework and walk through the residence halls. I’d hear our station coming from dozens of rooms. Or I’d visit the broadcast studio, where the phone rang off the hook with students and townies calling to request their favorite music.

Radio was still live and local everywhere then, not just at college stations like ours. We engaged with our listeners, and they responded. It made the evening shows so much fun! Our best jocks lined up to take them. Afternoon shows were next most popular, but shows before noon were hard to fill. The morning show was nearly impossible to staff, as it meant being on the air at 7 am.

I was station manager, the top dog, and I could have any show I wanted. But I chose the morning shift whenever my class schedule allowed. I loved it.

WMHD was in the basement of a residence hall. I lived in a room about a hundred feet away. When my alarm went off at 6:45 a.m., I’d put on my glasses and head right for the station, barefoot and in my nightclothes, stopping only to answer nature’s call. I’d pick out the first four or five songs, fire up the transmitter, and play the sign-on message. The Electric Breakfast was on the air!

mewmhd1989bOur station’s hallmark was that each disk jockey got to play whatever he wanted. For the morning show, I chose mellow acoustic music to gently ease listeners into the morning. It really stood out against the station’s regular alt-rock and heavy-metal programming.

I figure that most mornings I had at most a handful of listeners. I am sure that sometimes I played music for nobody at all. At 160 watts, WMHD could be heard within only about a two-mile radius, half of which was a cornfield and a horse farm.

I would have been thrilled for hundreds of people to hear my show, but I was plenty happy with the way things were. You see, I loved to match key, tempo, and mood, mixing songs so that each one seemed a natural extension of the one before. I did it all by feel, and was supremely satisfied each time I nailed it.

But more importantly, once in a while the phone would ring. It was usually a fellow from Seelyville, a nearby tiny town. He often listened to me as he got ready for work. He enjoyed the tapestries of music I wove and would call to tell me when he especially enjoyed a transition I made between songs. And once in a while someone would stop me on my way to class to say that he heard me that morning and liked it.

This occasional praise was all I needed to keep at it.

I am so glad I recorded a few Electric Breakfasts. Here is the first 45 minutes of the show from Wednesday, April 6, 1988. You can hear pops and scratches in the records I played – unlike most radio stations, we didn’t compress our audio to eliminate noise and make the music seem louder. You can also hear the sleepiness in my voice; it usually took me most of the first hour to shake it. But I was not so sleepy that I couldn’t manage a few good transitions between songs. Check it out.

My blogging experience has been very much like The Electric Breakfast. Down the Road is a mere blip in the blogosphere, barely a whisper among the Internet’s clamoring voices. This post might find 25 views today, and maybe that many more the rest of this week. Thanks to the Internet’s long tail, it might find another 50 readers in the next year.

But I love the writing process and find it supremely satisfying when my sentences flow seamlessly into powerful paragraphs, which build an engaging story. And I love it when you leave comments, sharing your experiences or challenging my assertions or just saying that you enjoyed what I wrote. This is enough to keep me blogging indefinitely.

I never thanked that guy from Seelyville for listening. But I thank you for reading!

I first published this story in 2010. I revised it significantly for this retelling.

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Down the Road is on hiatus, returning Monday, 26 September. I’m rerunning old posts in the meantime.

Spring morning, Rose-Hulman, 1988

As a boy, summer was my favorite season, but as I grew up spring began to overtake it. I remember well the day that spring clinched the top spot. It was the day before I took this photograph, one May morning in 1988.

These were my college days, and this was the view from my residence hall’s back door. I walked this way to breakfast every morning, but my mind was always preoccupied. This lovely scene shouted to me so I had to notice, and I stood there a few steps from the door startled and amazed by how beautiful the campus was. I didn’t want to look away from the still pond, so lovely with all the reflected trees. For the first time I smelled the sweet air, noticing how cool it felt on my arms in contrast to how the sun warmed my skin. As I heard birds chirping in the distance I wondered how many days spring’s arrival had escaped my notice.

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Captured: Rose-Hulman spring morning, 1988

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2015 Rose-Hulman bonfire

Unlit bonfire
Canon PowerShot S95
2015

The Rose-Hulman bonfire before being lit, illuminated by overhead fireworks.

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