Film Photography

Further adventures in home film developing: documenting a day of errands

As I continue to build skill in developing my own black-and-white film, I need film to develop. So a few Saturdays ago I loaded my circa-1914 Kodak No. 2 Brownie, Model D (review here) with Kodak T-Max 100, and took it along as I ran my weekend errands. I photographed every place I stopped, and a few places I didn’t stop along the way. I finally made the time to develop and scan the film last weekend. As usual, I used Rodinal diluted 1+50, and scanned on my Canon CanoScan 9000F Mark II.

I started the day by climbing into my VW. This may well be the most competent automobile I’ve ever owned. Its five-cylinder engine delivers gobs of power, its stiff chassis and tight suspension yield confident handling, its brakes are outstanding, it has plenty of interior room (especially rear-seat legroom), its trunk is enormous, and to my surprise and delight it gets way better gas mileage than the economy car it replaced. It’s not perfect — interior trim bits break easily, the driver’s door easily freezes shut, and I didn’t figure out that the gas door won’t open when the doors are locked until I broke it trying to open it one day. Argh.

My Vee Dub

My first stop was Costco. It’s hard to hold a box camera level, especially one with viewfinders as tiny as these. This image was probably 20 degrees off level until I fixed it in Photoshop.

Costco

Next I drove over to Walmart to do the weekly shopping. I usually shop at a Meijer that’s across the road from my subdivision, but this Walmart is right by the Costco so it was convenient.

Wally World

I needed to stop by the bank, but on the way I passed this Big Lots. If you’re a student of the history of commercial architecture, you might recognize this as a former Cub Foods. That’s where my family always used to shop before the chain pulled out of Indiana, which is going on 25 years ago now. Big Lots moved in after a few years.

Big Lots

The day grew gloomier and dimmer as I kept on with my errands. The less light there was, the more difficult it was to see anything through the Brownie’s viewfinders. For this photo, I pulled up in my car, rolled down the window, leveled the Brownie on the sill, aimed it as best I could, and flipped the shutter lever.

Fifth Third

Walmart didn’t have a couple things my family needed, so on the way home I swung by the Kroger nearest my house. This True Value store is next door to Kroger. I have no idea what caused that light leak or ghosting or whatever it is on the image.

True Value

Here’s the Kroger, or some of it, anyway. It used to be a Marsh supermarket until that local chain went out of business. Kroger scooped up this property. By this time, it was nearly impossible to see through the viewfinders. I aimed the camera in the general direction of my subject and hoped it turned out okay.

K-Roger

Finally, I picked up our mail. In our neighborhood all mail is delivered to this central mail station and we all have locked mailboxes here. We forget to pick up the mail for days at a time, and they just cram it all in there. We’re used to crumpled mail now. I never, ever want to live in a neighborhood with a central mail station ever again.

Mailboxes

The darker images I got toward the end of my trip speak to the diminishing quality and quantity of available light.

I had pretty good luck developing this roll. I had less trouble than usual getting the film to take up onto the reel. My brother called while I was doing these tasks and I managed to talk to him and do all the processing steps, so I must be building good muscle memory. The results are decent, with the exception of the True Value Hardware shot.

I’m grateful for Photoshop, which let me correct a lot of challenges with these images. Nearly every image needed some level of straightening, and I increased exposure on the last few. I also, of course, had to spot-remove specks from the scans. That’s just a fact of scanner life.

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Film Photography

Living room still lifes

Not long ago I had an unexpected day off, so I shot, developed, scanned, and uploaded a roll of Kodak Tri-X. I shot stuff I found around the house, on my coffee table. My Yashica-12 was on my tripod, and I attached my Spiratone close-up lens kit. The available light led me to slow shutter speeds, around 1/4 sec. at f/5.6, so I screwed a cable release into the socket to prevent shake.

I wanted a pleasant day of photography more than I cared about making images for the ages, and I succeeded. I’d been thinking about doing some available-light still lifes for a while, I suppose to channel my inner Edward Weston. I found no gnarled green peppers in the fridge, so I worked with whatever I found lying around. That included my favorite coffee mug, the little pot we keep paper clips in, and a geode given to me by a dear old friend.

Random stuff I found in the living room

I used the Yashica-12 because it was out and because it has an accurate onboard light meter. When you use that meter, the 12 limits you to films of up to ISO 400. This was fine, because Tri-X 400 was the fastest film I had on hand anyway.

Lidded bowl

The Spiratone kit comes with two lenses, one for each of the TLR’s lenses. The viewing lens promises that it corrects for parallax, but it also magnifies the scene more than the taking lens does. I made every one of these subjects fill the frame, but had to crop them all in post. In this photo of the lidded bowl I wish I had managed to get the entire lid in focus.

Belleek pitcher

The photo above of a Belleek china pitcher came out a little dim, and I couldn’t fix it in Photoshop without overcooking. The photo below of a duck decoy did too. The duck is painted in dark and muted colors, which might have led to muddy middle grays. My mom’s grandfather made the decoy by hand, by the way.

Decoy

I had greater luck photographing a couple bottles of whiskey Margaret and I brought back from our tour of the Old Forester Distillery. We sampled both of these whiskeys at the end of the tour and they’re delicious. The 1920 whiskey is a whopping 115 proof! We’re saving the bottles for a special occasion.

Old Forester

Conventional wisdom is that Tri-X in Rodinal results in pronounced grain. Yet I don’t mind the grain in these. Perhaps that’s in part because I didn’t have any particular look in mind as I shot these. I just wanted to have some fun and see what turned out. But as I think about doing more still-life work, I feel sure that T-Max 400 or Ilford Delta 400 would yield sharper, smoother results with richer blacks. I think that would be a nicer look for subjects such as these, so I’ll use T-Max or Delta next time.

Old Forester

I’ll also dig through my stuff for a much longer shutter-release cable, as the one I found was too short for me to stand out of the way. Look closely, and you’ll see me (and the Yashica-12) reflected in the bottles.

Of the 12 exposures I shot, only nine were scannable. Something I did wrong in developing partially fogged my first three shots. My scanner’s bundled scanning software thought there was nothing on those frames and threw an error. I wish it would simply scan whatever it finds, as I might have been able to do something with the partial images that are clearly visible on those frames.

Also, the Tri-X curled enough during drying that I struggled at first to lay it flat into the scanner mask. My scanner came with a little card the width of 120 film that you lay onto the end of the film to hold it flat in the mask, and then pull out after you close the mask. It worked brilliantly.

Despite all these challenges, I had a lovely morning of photography. It was wonderful to go from concept to uploaded scans in just a few hours!

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Statue

Squinting statue
Yashica-12
Kodak T-Max 100
2019

Here’s another photo from St. Paul’s Episcopal Church. I used to drive over here all the time when testing new-to-me old cameras. There’s all sorts of interesting scenes to photograph here, and it was five minutes from my old house. When I had some business not too far from here the other day I made sure to bring my Yashica-12 along, as I was finishing up a roll of T-Max 100 I’d spooled inside.

I have no idea who this statuesque fellow is, but I’ve always wondered what he’s squinting at.

I developed this at home in Rodinal, at 1+50 dilution. My bathroom was a perfect 68 degrees so I didn’t have to adjust developing time for temperature.

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Film Photography

single frame: Squinting statue

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Angel guiding the way

Angel guiding the way
Yashica-12
Kodak T-Max 100
2019

As I’ve been learning how to develop black-and-white film at home, I’ve stuck to 120 film and have mostly used my Yashica-12 TLR. The more I use the 12, the more I enjoy it.

I took half an afternoon off because of personal business that found me on Indianapolis’s Far Northside. I brought the 12 along and stopped at a couple favorite places I don’t visit much since I moved to Zionsville. One of them is St. Paul’s Episcopal Church, which has lots of lovely scenes to photograph.

I love this little statue of the angel lighting the way and have photographed it several times. The TLR with its peer-down viewfinder easily let me get right down onto its level for a straight-on shot.

I processed this film at home in Rodinal. Everybody says Rodinal brings out the grain, but this looks plenty smooth to me.

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Film Photography

single frame: Angel guiding the way

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Film Photography

Greater success developing black-and-white film at home

I’ve had my most successful go yet at developing black-and-white film at home.

I had trouble getting the Kodak T-Max 100 onto the reel, though. I tried six times before it took. The first five times it took up okay but at about two-thirds spooled it crumpled and jumped off the track. The stuff feels thicker than the Acros and Kosmo Foto films I’ve developed previously, films that went onto the reel like they were born to be there. The T-Max felt almost as thick as the expired Verichrome Pan I could never manage to get on the reel. It, too, kept crumpling and jumping the track.

I vocally compared the film to the male offspring of a female dog and tried again. It crumpled and jumped the track again, but in frustration I forced the film flat and back onto the track, which crumpled it further but let me keep on. From there I ratcheted the reel very slowly, and finally all of the film was wound on.

Naturally, those crumples showed up as dark curved lines on the developed negatives, which translated to light curved lines on the scans. With Photoshop’s healing tool I was able to fix them well enough.

I used Rodinal at its 1+50 dilution and used the spinner to agitate the film. Because the weather is cooler now my bathroom, and therefore all of my solutions, were a perfect 20° C so I didn’t have to adjust developing time for temperature. I also made sure the reel was pushed to the bottom of the core, and therefore the tank.

To my eye the negatives are a little thin. I fiddled with exposure and contrast in Photoshop to counteract it. I also misfocused a couple shots. I’m usually spot on with my Yashica-12, but not this time. Finally, and I’m not sure why, my scanner simply would not bring in the entire frame of the frog statuettes. The ScanGear software detects the frame’s edges for you, and when it gets it wrong you have no recourse. I muttered under my breath, cropped the scan square, and moved on.

Here are ten of the 12 photos in order from first to last. The other two turned out so well that I’ll share them as Single Frame posts next week.

On our lane
Parked cars
Second Presbyterian
Door
Heavy door
Bench
Arches
Headless
Froggie
The Ruins

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Film Photography

More adventures in home film developing

I’ve had the best results yet in developing black-and-white film. But all’s not perfect.

This time I shot my last roll of original Fujifilm Neopan 100 Acros in my Yashica-12 and developed it in Rodinal 1+50 for 10:30 at 23° (as that’s the temperature of my bathroom). I used the Massive Dev App and, thanks to a tip from a commenter, removed the Hypo Clear step that I don’t use. I agitated by twisting the agitator rod. As you can see from these phone photos I made of the negatives, one edge was washed out.

I think I know what happened. I didn’t push the reel to the bottom of the core I’m using, which is longer than the reel. 500ml of Rodinal solution in the tank was therefore not enough to cover the whole negative.

The well-developed part of each negative looks really good to me — neither dense nor thin. But my scanner tried to compensate for the washed-out edge of the film and I had to play with the exposure, highlights, and dehaze sliders in Photoshop to fix that. I also had to crop out the washed-out area. But all twelve photographs are usable.

I took this camera with me to Plymouth, Indiana, for a board meeting of the Historic Michigan Road Association. I made photographs on the way home, in Plymouth and Logansport, at Sycamore Row near Deer Creek, and in Burlington and Kirklin.

Rees Theater, sign lit
All the sweaters you can buy!
Coffee shop
City Building
State Theater, Logansport
People's Winery, Logansport
Sycamore Row
Sycamore Row
Mercantile
For sale
Burlington Church of Christ
Kirklin and its Carnegie library

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