While I was in Chicago in early January, I made a whole bunch of photographs along the Chicago River on the north end of the Loop. I shot a Minolta Maxxum 5 with a 35-70mm f/4 Maxxum AF Zoom lens. I shot some Kodak Ultramax 400 and some Fujifilm Fujicolor 200, and as I share the images I’m not going to bother telling you which photos were shot on which film. I can’t tell which photos came from which roll just by looking at these scans; can you?
It is such fun to make photographs well after nightfall, holding my film SLR in my hands, with only building and street lights shining on the scene. As I walked along the river in Chicago, Kodak T-Max P3200 let me make photographs as if it were 9 a.m., not 9 p.m.
It was cold that night, being the first weekend in January. My Nikon F3 can handle that kind of treatment, which is why I chose it. I mounted my 35mm f/2.8 AI Nikkor lens so I could fit more of the city in each frame.
My wife and I had just come from Navy Pier, where we photographed the Chicago skyline from the Ferris wheel. We had plenty of time for a leisurely walk along the Chicago River before our dinner reservations within the Loop. We walked on both sides of the river, crossing the bridges wherever we felt like it.
Chicago at night is a perfect subject for Kodak T-Max P3200. The built environment generates plenty of light to render subjects beautifully.
I forget exactly what apertures and shutter speeds I used to make these photos, but they let me shoot easily and comfortably. My lens wasn’t wide open, and I didn’t have to worry about camera shake.
As you can see, the P3200 does return noticeable grain. A couple of these photos do show slight underexposure. My F3’s meter did the best it could to read this light but didn’t always nail it. A few of these images looked a little foggy, but a little tweaking in Photoshop cleared that right up.
I remain amazed by how well this film works. I know some people push other films, such as Tri-X, to 3200 and get good results. But you have to push your processing accordingly. That’s not a huge deal when you process your own. But I send my 35mm black-and-white film to a pro lab. It’s nice not to have to pay extra for the push processing on P3200.
My wife and I had a lovely walk along the Chicago River as I shot this roll of Kodak T-Max P3200. I look forward to doing it again someday — and to finding other subjects that this film can make sing.
Checking for a suspected shutter fault in my Nikon F3 I put two rolls of film through it late last year: one Kodak High-Definition 400 (see some of those photos here) and the other Kodak Max 400, photos from which I’m sharing here. Both rolls expired in 2007. I’m not a fan of expired film’s unpredictable results. So to me, the stuff is best used for a job like this.
The F3 went along on our day-after-Christmas road trip up the Michigan Road. All of these photographs are from the road, in and near Rochester. As I shared in this post, Rochester has a long row of lovely old houses on the road as you approach downtown from the south.
Even though it was midafternoon, given the time of year the sun rode fairly low in the sky and delivered some delicious light. The film’s colors all shifted a little, which is a hazard of being expired. But the Auto Tone tool in Photoshop fixed that right up in a second.
At full scan size you’ll see considerable grain in all of these photos. But at blog size the grain is managed well enough. I’m pleased that I was able to get a little blurred background at EI 400 with the 35mm f/2.8 AI Nikkor lens I was shooting.
On Rochester’s square, apparently Santa comes to visit in this little house. On the day after Christmas it had not yet been removed.
I also aimed the F3 at the abandoned bridge abutment north of Rochester, which I wrote about more extensively here.
This is the Tippecanoe River, placidly flowing past the bridge on which I stood.
That bridge, a simple modern steel stringer, features this plaque commemorating its 1982 completion. I love the typeface they used for the plaque.
Standing by that plaque I focused on the memorials on the old approach, enjoying the ever-fading afternoon light.
The F3 performed flawlessly, by the way. My worries about the shutter were unfounded.
Downtown South Bend on the river Minolta SR-T 101, 50mm f/1.7 MC Rokkor-PF Ferrania P30 Alpha 2018
On my visit to downtown South Bend I had a deep sense that this town has a lot going for it that they are not leveraging fully.
I don’t know how hard it is to run a medium-sized Midwestern city today. I know that in most of the Midwest, if you are not a major population center you are slowly losing residents to those larger cities. I’m sure South Bend is no different. I’m sure that makes is challenging as heck for city leaders to build on what’s good.
But my old hometown really does have lovely attractions. This view from the east bank of the St. Joseph River overlooks Seitz Park, which is at the southern tip of an island in the river. Beyond is the city’s low skyline, with some still-proud older buildings cutting a strong profile.