Not long ago I shared some photos of the Skyline Drive-In, on the Michigan Road in Shelbyville, Indiana. It’s not the only drive-in on the road, however. The Tri-Way is about 150 miles north on the road, in Plymouth. It’s been operating since 1953. It’s a four-screen outdoor theater — another screen was added since I made this photograph!
I haven’t been by here in a long time, but as I remember it, they leave the sign lit most of the time in season.
If you’ve never been to Plymouth, put it on your list; it is a charming small Indiana city. I came to appreciate it on my many passes through as I explored the Michigan Road in 2008. Its intact old downtown is filled with viable local shops; well-cared-for homes dating to the mid-1800s line the Michigan Road leading in and out. Terre Haute, Muncie, Goshen – they all wish they had a main drag like Plymouth’s.
Once I drove through Plymouth at twilight and Felke Florist’s sign was lit with beautiful bright red neon. I so regretted that I didn’t have my camera with me. And then on many subsequent trips through town, the sign wasn’t lit. But then on this particular afternoon it was — inexplicably, as it was four o’clock in the afternoon. Fortunately, my camera was sitting on the passenger seat. You’d better believe I stopped for this photo!
I’ve had the best results yet in developing black-and-white film. But all’s not perfect.
This time I shot my last roll of original Fujifilm Neopan 100 Acros in my Yashica-12 and developed it in Rodinal 1+50 for 10:30 at 23° (as that’s the temperature of my bathroom). I used the Massive Dev App and, thanks to a tip from a commenter, removed the Hypo Clear step that I don’t use. I agitated by twisting the agitator rod. As you can see from these phone photos I made of the negatives, one edge was washed out.
I think I know what happened. I didn’t push the reel to the bottom of the core I’m using, which is longer than the reel. 500ml of Rodinal solution in the tank was therefore not enough to cover the whole negative.
The well-developed part of each negative looks really good to me — neither dense nor thin. But my scanner tried to compensate for the washed-out edge of the film and I had to play with the exposure, highlights, and dehaze sliders in Photoshop to fix that. I also had to crop out the washed-out area. But all twelve photographs are usable.
I took this camera with me to Plymouth, Indiana, for a board meeting of the Historic Michigan Road Association. I made photographs on the way home, in Plymouth and Logansport, at Sycamore Row near Deer Creek, and in Burlington and Kirklin.
When I moved in with my wife, she had a bunch of film she never got around to shooting before she bought her DSLR. Most of it was Kodak Max 400, but one roll was Kodak High Definition 400, a film I’d never heard of.
Looking it up on the Internet, people agree that this was Kodak’s Royal Gold 400 film rebranded. That film was known for smooth grain, saturated colors, and punchy contrast.
I found this film in a drawer with an expiration date in 2007, so I knew it wasn’t going to perform like new. The rule of thumb is to increase exposure by one stop for every decade of expiration, but I rated it at EI 400 anyway and loaded it into my Nikon F3. On my previous outing with the F3 the shutter misbehaved, leaving vertical light streaks on several shots. I thought maybe the camera was misbehaving thanks to having not been used in over a year. The best way to find out was to shoot a couple more rolls. My cache of expired film was perfect for the job.
The film performed all right, yielding well-saturated but slightly shifted color. A quick hit of Auto Tone in Photoshop un-shifted the color lickety split. Grain was pronounced at full scan size, though it’s hard to tell that at blog sizes.
The F3 and the HD 400 came along on our post-Christmas road trip up the Michigan Road. Here’s a block of downtown Plymouth.
The F3’s shutter performed flawlessly, thank goodness. Still, it’s time to put this wonderful camera in the queue to send out for CLA.
I gather that Kodak introduced this film as its Gold 100/200 and Max 400 films had grain that could show up on enlargements. Remember when a standard print was 3.5″x5″? Through the 90s and early 2000s the standard size became 4″x6″, and some labs let you order 5″x7″ prints at nominal extra cost.
I’ve never had trouble with grain on my prints of Kodak’s regular 200 and 400 color films. Maybe they’ve improved those films since HD 400’s days.
It was ten years ago this summer that I surveyed the entire Michigan Road, a project that contributed directly to a later project I co-led to have the road named a Historic Byway in Indiana. My wife and I wanted to re-survey the entire road this summer to document it as it is now. Given all that’s happened this year, we have yet to start. Other priorities continue to fill our summer. We will be fortunate to drive one or two segments of it this year. Perhaps we can finish it next year.
I drove the road to South Bend last Wednesday for a Historic Michigan Road Association board meeting. I noticed how much has changed just on that section of the road in ten years. It led me to think about changes I’ve noticed as I’ve driven other sections of the road over the years. I’m itching to start the new survey!
I made a quick pass through my 2008 photos and selected ten that pleased me as photographs. I was a beginning photographer then. Have a look.
Madison, near the Michigan Road’s southern end.
The Fairmount House, Madison.
Stone bridge, Ripley County.
A curvy section of road in Decatur County.
Old Dodge parked just off the road, Shelby County.
Waterman Hardware, one of Indianapolis’s oldest businesses.
Brand new Dunkin’ Donuts preparing to open — it has since closed — Indianapolis.
Bar-B-Q Heaven, Indianapolis.
1884 building, Plymouth.
Approaching South Bend. The Michigan Road is no longer US 31 here; a new-terrain US 31 was built nearby.