Shuttle rides $1

The Indiana State Fair is my favorite place to practice candid photography of random strangers. This was the first time I ever tried it, and boy did I take the wrong camera: my Olympus OM-1. Even though it’s a compact SLR, it was still mighty conspicuous. Too often, my subjects noticed me photographing them.

But not this time. These two people were engrossed in their conversation.

The next time I shot street at the fair, I took a much smaller camera.

Shuttle rides $1 • Olympus OM-1 • 50mm f/1.8 F.Zuiko Auto-S • Fujifilm Fujicolor 200 • August, 2012

Film Photography

Favorite Photos Week: Shuttle rides $1

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State Fair at dusk

Margaret and I walked toward the midway at dusk. It can’t be happenstance that the setting sun provides the arch’s evening backdrop, indigo and blush, drawing people in.

We had been drawn to each other this night, our third or fourth date. We walked and talked, occasionally pausing for a photograph. I carried my Olympus XA; I gave Margaret my XA2.

But upon this scene I let go Margaret’s hand. I wanted to frame this photograph properly. It might have been the only time all night I wasn’t touching her.

State Fair at dusk • Olympus XA • Fujifilm Superia X-tra 800 • August, 2013

Film Photography

Favorite Photos Week: State Fair at dusk

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Photography

Peoplewatching

Margaret and I went Downtown recently with our cameras just to walk, talk, and photograph whatever was interesting. We spent most of our time on Monument Circle, the heart of our city. We both photographed plenty of Downtown’s architecture, but I also photographed people on the busy Circle. I shot my tiny Canon PowerShot S95.

What a concept: a pedal-powered beer bar. Some of my co-workers did this once and said it was a blast. The animated red-shirted woman was a perfect balance of friendly and fun but in charge.

Downtown on the Circle

I don’t drink beer anymore — I’m sensitive to gluten and beer just ties my guts up in a knot. It’s a shame, because this looks like fun.

Downtown on the Circle

I shot this one from the hip. It’s the first time I’ve ever tried that. Naturally, the original is at a wonky angle. Photoshop let me straighten and crop this in just a minute.

Downtown on the Circle

Lots of people came all the way Downtown just to keep their heads in their phones. Margaret interrupted the plaid-shirted fellow to ask if he’d take our photo together. He leapt right into action, mentioning he was a videographer. He handled Margaret’s DSLR like he was born holding one.

On the Circle

I still have a lot of anxiety over being detected when I photograph strangers on the street. It sure looks like the person on the right noticed what I was up to. Cringe!

On the Circle

For all of these shots, I stood way back and zoomed to the max. The S95 doesn’t zoom super deep — just 3.8x, equivalent to a 105mm lens on a 35mm camera. But given the camera’s 10-megapixel resolution, I can crop deeply to my subject and still have a usably large image.

Could my S95 ultimately be a crutch? I hear of other street photographers shooting film rangefinder cameras with fixed lenses of around 50mm. Wow, how close they have to come! I admire their boldness.

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Hiding in a crowd

I have a deep desire to become good at street photography. But I’m such an introvert. The thought that I might photograph someone who would notice and then want to talk with me — it’s a real barrier. I have several compact rangefinder cameras that should be fine street shooters, but every time I think about taking one downtown I end up talking myself out of it.

That barrier is shorter at the Indiana State Fair because the crowd is thick and cameras are in many hands. I feel like I can hide in the crowd, and if somebody does notice me they will probably not think anything of it. So I spent an evening by myself at the fair last month photographing people.

I brought my Nikon F2AS with a 135mm lens even though it’s a mighty conspicuous camera for street work. I am getting to know that lens, and I figured it would let me shoot from a comfortable distance. But when I arrived at the fair I discovered that the meter’s battery was dead. D’oh! I didn’t want to fuss with manual exposures, so I reached for my Canon PowerShot S95. I zoomed it to 105mm equivalent for these photos. I shot RAW, something I’m experimenting with lately. I was able to bring out some really good color in my RAW editor.

It was delightful to find these nuns enjoying the fair. I’ve never seen all-white habits before, but I’m no nun expert. I just missed getting the cut-off nun at left into the shot. I want to blame shutter lag, which was a factor, but it was mostly because I didn’t get into position fast enough.

Nuns at the fair

This family just came from the lemon shake-up stand. The young man in the middle appears not to have wanted one.

Walking with lemon shakeups

I watched an oompah band play a few tunes. They were remarkably active and spritely with their big instruments in their hands. I have any number of blurry shots of them. That’s why you’re seeing this shot of their saxophonist in a stationery moment.

Saxophoning

I really enjoy Pioneer Village, where things are done as they were a century and a half ago. One barn features friendly farm animals you can reach out and touch. This fellow just bought one of the handmade brooms for sale in the next barn over.

Man with broom stroking a cow's head

I arrived in time for the daily parade. There’s always a cache of antique tractors in the northeast corner of the fairgrounds, and many of them roll in the parade. I think this fellow is driving a 1950s Ford. Those are so nicely styled.

Tractor parade

John Deere is always well represented. International usually is too, but I didn’t see one in this day’s parade.

Tractor parade

The evening sun was on everyone’s back, which made for challenging light.

Tractor parade

I’m not crazy about this photo’s composition, but given that my dad worked in the Oliver factory for many years, I had to show this fellow driving his Oliver Row Crop 70.

Tractor parade

After the parade, I caught the driver backing his tractor into its parking spot. These beautiful streamline-moderne tractors are before my dad’s time in the South Bend Oliver factory; they were first manufactured before he was born. I love how my RAW editing brought out vibrant slide-film colors.

Backing the Row Crop in

I also got good vibrant color in this last parade photo. These two are riding in the back of a 1950s Dodge Power Wagon. I wish the other fellow had turned his head toward me, too.

Riding

Every time I try street photography I get a better feel for it. These are by no means prizewinning photos but I can see how I did a little better this time capturing expressions and emotions. I’m enjoying the process of being in the moment, feeling the scene coalesce into a good shot, and pressing the shutter button at that right moment.

Now if I can just get over myself and spend some time downtown practicing!

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