I’ve been meaning to try Kodak ProImage 100 for some time now, so when I needed to order something else from Freestyle Photographic I threw in a couple rolls of it.
I shot the first roll in my Olympus XA2. I kept it in my bike’s saddlebag and shot things I saw as I rode around. I love doing that! When I got the roll back from the developer, I instantly disliked the muted, sickly greens I saw. Unfortunately, on this roll most of what I shot was green. Welcome to late spring in rural Indiana!
The film captured yellows, blues, and reds pleasingly, and with good fidelity to real life.
Despite unsatisfying greens, I like how this photo turned out compositionally. There’s a saying in Indiana: knee high by the fourth of July. That refers to corn, and how tall it should be by Independence Day. I photographed this corn in the second week of June — it’s ahead of schedule.
My favorite photo from the roll is this one, which I made when I drove Downtown to meet my brother for a drink. This bar has arguably the most extensive whiskey selection in Indiana. I had a delicious whiskey from Oregon that reminded me of a peaty scotch, and an unremarkable whiskey from Nebraska. The ProImage 100 delivered true-to-life reds and excellent blacks.
I put a second roll of this film into my Pentax Spotmatic F and screwed in my 35mm f/3.5 SMC Takumar lens. The camera came with me to work, so most of the roll features images from Downtown Indianapolis. I got far better results this time. It’s probably valuable to note that I used a different lab to process and scan these, which might also play in these results. But bottom line, the sickly green caste was gone.
The meter on my Spottie was fussy through the roll, and it quit registering altogether toward the end. I brought the camera home and blew through the last of the roll using the Sunny 16 rule. The greens were not so sickly this time.
I’ve not been thrilled with my Olympus XA2’s performance at all this year, with any film. So perhaps it was a poor choice to test Kodak ProImage 100. When I shot the film in my Spotmatic, I got fine results. This is a good all-purpose film. Its color palette is slightly muted compared to Kodak Gold 200 and Kodak Max 400, which is nice. But I don’t see myself buying it much when I can buy Gold and Max for far less. Both films look wonderful with a stop of overexposure, bringing them in line or close to ProImage’s speed — and both films cost a lot less than ProImage.
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