I’ve always had a soft spot in my heart for air-cooled VWs. As a small boy I used to sit on the front stoop and watch the cars go by on the busy road at the end of our street, and count the VWs.
It was the early 1970s, and the hippie era wasn’t over yet in Indiana. I remember a family up the street that had three teenage daughters who shared a white-over-orange VW Bus of this vintage. They dressed like flower children, but their parents wouldn’t let them paint the bus like flower children did in those days with big flowers all over it.
The mother of a middle-school friend drove one of these in white over blue. I rode in it a handful of times, the only times I’ve ever been in one of these. I loved its commanding front visibility and the relatively high seating position. In those days, regular cars rode so low!
When Chrysler introduced its minivan and it became wildly popular, I remember wondering why, as VW pioneered the form factor with its Bus. But Chrysler’s water-cooled, front-engined, front-wheel-drive minivan was a mainstream vehicle and VW’s Bus would only ever serve a niche.
My subdivision used to be farmland. When I moved to central Indiana a quarter century ago, I occasionally drove out this way and it was as rural as rural can be. Now it’s all vinyl villages and shopping centers.
An old farmhouse lies around the corner from my house. It’s on a parcel that I’d guess covers just a few acres. A family still lives there — is it the original family that sold the rest of the land for this subdivision?
These steps lead to the farmhouse’s front door, but it’s clear that nobody’s used that door in a long time.
The road I stood on to make this photograph used to be a state highway, but not since the 1960s when it was moved to intersect with the nearby Interstate highway. Now this old road is just the back way into my section of the neighborhood, and it dead ends when it reaches it.
I was deeply impressed with the Pentax IQZoom 170SL when I shot some test rolls in it recently. I got excellent color on consumer-grade Fuji films, and its lens was plenty sharp. If it worked the same magic on black-and-white film, I would keep it in my collection. I bought a fresh CR2 battery, loaded some Kodak T-Max 400, and took it on lunchtime walks around my neighborhood.
I shot a lot of film in the spring! It gave me so much to share here that I’m clearing away a big backlog of photos. I made these about four weeks ago. We had an unusually gray and chilly spring. ISO 400 film is just right for days like that, especially in a point-and-shoot camera.
I developed this roll in Rodinal 1+50 and scanned the negatives with VueScan on my Canon CanoScan 9000F Mk II. The VueScan produces smoother tones than the software I was using before. These aren’t quite as good as the scans I get from my favorite lab, but they’re plenty good for every purpose I have for them.
Our subdivision offers the most affordable homes in what is otherwise a wealthy and expensive suburb of Indianapolis. It’s the only way we can afford to live here. We got excellent schools in the bargain. This year’s high-school seniors will have a very different graduation experience from any class before. These signs are for all of the seniors in our subdivision. It’s one of many visible ways the community is celebrating them.
But back to the IQZoom 170SL. It handled well. Even though it’s a little chunky, it slid right into my jeans back pocket. And it delivered the goods yet again. I can’t believe you can buy one on eBay for under $50, and often under $20. Other equally capable point-and-shoots go for five or ten times that much. Get one now before everybody else gloms onto them and the prices soar.
Signs proclaim NO all over our subdivision. No soliciting. No fishing, swimming, ice skating, or boating. No digging, because natural gas and petroleum pipelines flow below our ground. We’re the Village of No.
I have but two criticisms of the 170SL. First, images go soft at maximum zoom (as above). But that’s typical of long-zoom point-and-shoots.
Second, the camera flashes automatically when it thinks the light calls for it. You can override it, but I found myself caught by surprise every time it happened. Fortunately, in this photo of little aluminum ladder on our deck in mid-renovation, the image retained detail in the aluminum highlights.
I meant to use the flash in this shot, from the day my wife and I turned our living room into our home office. It lit the scene evenly, which is not always true of the little flashes on point-and-shoot cameras.
This little camera is a winner. If you like point-and-shoots, get one.
From the 1980s to the early 2000s, camera manufacturers manufactured as many compact point-and-shoot cameras as stars in the sky. Or so it seems. eBay lists billions and billions of them at any moment, at any rate. So many of them are crap, making it a crapshoot to find the good ones. So many are wildly overpriced. A tip: Pentax’s compacts in the IQZoom and Espio series are usually good, sometimes great — and are bargain priced. Like this one, the Pentax IQZoom 170SL.
The IQZoom 170SL is small: just 4.5×2.25×2 inches. But it packs a long lens, a 38-170mm f/5.6-12.8 SMC Pentax Zoom, of 8 elements in 6 groups. Did you catch that? SMC! Super Multi Coated! Just like all the great Pentax SLR lenses. Not all IQZoom/Espio cameras come so equipped. If you don’t see SMC on an IQZoom’s lens bezel, it doesn’t have an SMC lens.
The 170SL’s electronic shutter operates from 1/360 to 2 sec. It reads the film canister’s DX code to set ISO from 25 to 3200. Avoid non-DX coded films, as the camera defaults to a not-useful ISO 25. It focuses automatically, using a phase-matching five-point system. At the lens’s wide end it focuses from 2.45 feet; at maximum zoom from 3.9 feet. It sets exposure automatically.
The buttons atop the camera control its functions. One is for flash and shutter modes. When you turn the camera on, it uses flash when low light demands it, unless you turn flash off with this button. It also lets you force flash on and choose long shutter speeds, including bulb mode.
The middle button controls the autofocus, including infinity focus lock and spot focus. The next button turns on the self-timer and a wireless remote shutter control. My 170SL didn’t come with the remote, so I couldn’t try it. The right button sets the camera’s date and time. Some 170SLs don’t have this button, apparently. If you set a date and time, it imprints onto the negative.
The viewfinder offers diopter adjustment, a very nice touch. Move the slider on top of the viewfinder pod until the view is crisp.
The camera loads your film, winds, and rewinds automatically. You load the film upside down from the right side, which is a little odd. A single CR2 battery powers all.
This was an expensive camera: $433 when new. You could get a Pentax 35mm SLR kit for about that then!
If you like point-and-shoot 35mm cameras, check out my reviews of the Yashica T2 (here), the Pentax IQZoom EZY (here), the Nikon Zoom Touch 400 (here), the Olympus Stylus (here), the Olympus Stylus Epic Zoom 80 (here), the Olympus mju Zoom 140 (here), and the Kodak VR35 K40 (here). Or check out all of my camera reviews here.
I put a roll of Fujifilm Superia X-tra 400 into the 170SL and took it to downtown Zionsville one evening. Most places were closed thanks to the COVID-19 lockdown, so we had Main Street largely to ourselves. Here’s my favorite photo from the roll.
The IQZoom 170SL was an easy companion on this walk. It is very light but feels solid. Every control fell right to hand. It took me no time at all to blow through all 24 exposures on the roll.
The zoom worked smoothly but a little slowly, with a soft whirr. Winding was similarly quiet. I’m impressed with how the autoexposure system navigated mixed lighting.
I’m impressed with the sharpness and bold color I got. This camera made Fuji 400 look better than I’ve ever seen it.
Next to the viewfinder are green and red lights. The green light glows when autofocus has a lock. The red light blinks when flash is charging and glows steady when flash is ready. In this fading light the flash fired a lot. I knew when I photographed this sign the flash would reflect. So I turned flash off and the long-exposure mode on and shot it again. That shot turned out soft.
In dim corners the 170SL gave surprisingly shallow depth of field.
That roll flew by so fast I barely got a feel for the camera. So I loaded some Fujicolor 200 and took the camera on a lunchtime walk through the shopping centers near my home. I was glad for a bright day, as full sun is so often a challenge for point-and-shoot cameras. Not so the 170SL. Just look at that color!
I detect a whiff of pincushion distortion here, but overall I find this lens to suffer little from distortion. Again: just look at that color!
I find yellows commonly wash out on consumer color films, but the 170SL brought it in, big and bold, every time. This photo shows a little vignetting which I suppose is to be expected from a compact zoom camera.
The 170SL even rendered black impressively deep and true.
I forgot to mention earlier that the 170SL has a panorama mode. A switch on the bottom moves masks in place over the film and in the viewfinder.
That scene was too far away, so I zoomed in to the max and shot again. At 170mm it’s hard to hold the lens steady.
I did manage one decent 170mm shot. For this one, I stood square, breathed steadily, and squeezed the shutter button slowly. It’s still soft, but not due to shake this time. That’s just how maximum zoom goes on these point-and-shoot cameras, in my experience.
I’m impressed with the Pentax IQZoom 170SL. Actually I’m blown away by the bold, rich color I got on everyday color film. I plan to put a couple rolls of black-and-white film through this camera to see how they perform. If they wow me as much as these color rolls did, I might just have a keeper!
If you like old film cameras, check out all of my reviews here! To get Down the Road in your inbox or feed reader, subscribe here.
