Cars

Cars of my past
Olympus XA
Kosmo Foto Mono
2017

I haven’t owned many cars in my time but until these two I never missed one when it was gone.

I really loved that Toyota Matrix and I was sad when I had to let it go. It had become a beater worth maybe $500, and it needed a repair that cost twice that. When you own a beater, you think long and hard about every repair because the accumulating repair money would soon buy a better car. You learn to live with most broken things. But in this case, the broken thing made the car a safety risk. Goodbye, Matrix.

I wasn’t excited about the Ford Focus when I bought it. The price was right and it met a critical requirement of carrying me, the kids, and the dog. But then I found out that it handles like a sports car, cornering tight and flat. It had decent oomph for an economy car. I threw that car hard down twisty highways. I loved driving it. But it was getting up there in miles, and my son needed a car, so I sold it to him and bought a used VW Passat. The Passat is a surprisingly good car, perhaps the most reliable and competent vehicle I’ve ever owned. But it just isn’t fun like the Focus.

My son had the Focus for about a month when someone ran a stop sign and put an end to that poor little Ford. My son was uninjured. His stepdad found a great deal on a used 20-year-old Saturn with just 30,000 miles on it. Between the insurance payout and the price of the Saturn, my son came out $500 ahead. Not bad!

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Film Photography

single frame: Cars of my past

Two cars I don’t own anymore.

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Black Chrysler

Black Chrysler
Olympus XA
Arista Premium 400
2013

I’ve gotten so much good use from my Olympus XA since I bought it in 2012. It’s so small and easy to take along, and it has a great lens.

I used to wear cargo shorts to the Mecum auction every year because could stuff my pockets full of small cameras. My Kodak EasyShare Z730, my Canon PowerShot S80, and my Canon PowerShot S95 all came along every year. I had two battery packs each for the Z730 and the S80, and four for the S95. I routinely took more than a thousand digital photos at the auction, which drained every battery.

I used the digitals to make some pleasing shots, but also just to document the cars. When I shot film — and only one or two rolls, to manage costs — it was always about making pleasing shots. The Olympus XA treated this 1938 Chrysler Royal right.

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Film Photography, Old Cars

single frame: Black Chrysler

A 1938 Chrysler Royal.

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Film Photography, Travel

Crossing the Chicago River on Kodak T-Max 400

I had a lot of good photographic luck on our early-January trip to Chicago. So much so that I’m still sharing photographs from the trip in late March! I made these crossing the Chicago River at both Jackson Street and Adams Street. On Adams Street, we were walking to our breakfast at Lou Mitchell’s; on Jackson Street, we were on our way back. It was the end of our trip; driving home followed breakfast. I had Kodak T-Max 400 in my Olympus XA, and I hoped to finish it before we got back to our parking garage. I failed, but it was fun trying. I’m usually careful not to waste shots when shooting film, but on this walk I photographed freely. It was a lot more fun that way!

On the Chicago River
On the Chicago River
On the Chicago River
On the Chicago River
On the Chicago River

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Red Line information

Red Line information
Olympus XA
Kodak T-Max 400
2020

Indianapolis’s bus system has never been all that great. The routes don’t serve large parts of the city, and the buses come at most every half hour.

The city is trying to change that with a new set of rapid-transit bus lines. The first, the Red Line, opened late last year. It runs north-south along a critical transportation corridor, connecting the University of Indianapolis on the Southside to Broad Ripple (and, in some cases, almost the north city limit) on the Northside. The Red Line’s electric buses reach stops every ten minutes.

I took my team at work to lunch in Broad Ripple last fall, and we rode the Red Line both ways. This is the stop Downtown at the bus terminal, where we began and ended our trip. It sure beat driving and finding a place to park.

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Film Photography

single frame: Red Line information

The Red Line bus terminal in Indianapolis.

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Chicago Skyway Bridge

Driving across the Chicago Skyway Bridge
Olympus XA
Kodak T-Max 400
2020

I barely slept the last night we were in Chicago. So I handed my car keys to Margaret. It gave me this lovely opportunity to photograph the Chicago Skyway Bridge while we were crossing it.

This bridge, built in 1958, carries the Chicago Skyway, also known as I-90, across the Calumet River. At the end of the Skyway, eastbound, is Indiana. This is a toll bridge, but thanks to my EZPass transponder I have no idea what the charge is. I just add some money to my account before we go and let the EZPass pay the toll.

It was midmorning Monday. Traffic was light. For a moment, it looked like we had this busy bridge all to ourselves.

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Film Photography

single frame: Driving across the Chicago Skyway Bridge

A through-the-windshield shot of the Chicago Skyway Bridge.

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Inside the Cadillac Palace Theatre

Inside the Palmer House Hilton
Olympus XA
Film Washi D
2020

Because I never take notes as I shoot rolls of film, once in a while I get an image back that I can’t place. I shot this whole roll of Film Washi D in Chicago, so it’s narrowed down that much. But I couldn’t remember whether I shot this inside the Cadillac Palace Theatre or the Palmer House Hilton. Peristent Googling turned up images that confirm this as the Palmer House.

Whichever it is, the Film Washi D did a nice job in the available light, delivering good tones in the marble. I like how the light falls off, giving this scene an air of mystery.

The fine folks at Analogue Wonderland gave me this roll of film in exchange for this mention. Film Washi films go in and out of stock at Analogue Wonderland; see their entire selection here.

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Film Photography

single frame: Inside the Palmer House Hilton

A peek inside Chicago’s Palmer House Hilton on Film Washi D.

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