Abandoned US 40 bridge Nikon N8008, 28-80mm f/3.3-5.6 AF Nikkor Kodak Tri-X 400 2017
I’ve often wondered what leads to a bridge being abandoned. Was it too expensive to tear it out? Won’t it become a safety hazard for curious explorers?
I don’t know for sure when this bridge was built, but my past research points to 1920-25. It carried US 40 over the west fork of White Lick Creek, just west of Plainfield, Indiana. It served until only about 1940, when US 40 was upgraded to four lanes here. Two new bridges were built, one for each direction of traffic. This bridge was left behind.
The current westbound bridge is only a few feet away. It’s only in the winter months, when the trees are bare and the vegetation has died back, that you can see this old bridge from the road as you drive by.
I love it when serendipity happens. I scheduled this post to go live today weeks ago. Later, I started moving my 2006 road trip along this section of the National Road and US 40 to the blog, which I started sharing this week. My post about the day I first encountered this bridge posts next week.
My secret life as an author Nikon N8008, 28-80mm f/3.3-5.6 AF Nikkor Kodak Tri-X 400 2017
I used to edit and, sometimes, write books about popular software applications.
I started doing this in 1994. It was the job that brought me to Indianapolis from Terre Haute, at a time when the “For Dummies” franchise was red hot. That job turned out to be a sweatshop grind, and I left it after just eighteen months. Shortly I made connections with a competing publisher and edited on the side for several more years.
The two pictured books have my work in them. The PowerPoint book was originally written by the two other authors listed on the spine. But PowerPoint marches on, and new features are added. The publisher paid me nicely to update the entire book for what was then PowerPoint’s latest version. You don’t see my name on the Excel book’s spine because I was a ghost author, contributing to about half of the chapters.
My favorite work was technical editing, which made sure the books were accurate. Nobody wants to spend $30 on an instructional book only to have it steer them wrong! The publisher paid me by the page, and I was fast, so my effective hourly rate was high.
I gave up the work near the end of my first marriage, as I wanted my nights and weekends back. My first wife and I paid down a lot of debt from editing money. I wouldn’t mind picking up a little side editing now, for the same reason.
I did not need another auto-everything 35mm SLR. But in what is probably my greatest guilty pleasure, which says something about my buttoned-down life, I really enjoy them. I’m no less devoted to my first love: all-manual, all-metal SLRs! Yet I was deeply tempted when I came upon this Nikon N8008 body at KEH for $13.
I resisted. But that afternoon KEH emailed me an offer of 12% off used gear and I was a goner. Twenty dollars shipped for a body that cost $857 new. Pennies on the original dollar! Now is the time to buy these higher-end auto-everything film SLRs. And the N8008 (known as the F-801 in most of the rest of the world) was higher end, as it rested just below the pro-grade F4 in Nikon’s pecking order.
Befitting its station, its specs are solid. They begin with a big, bright, high-eyepoint viewfinder, which means you can see through it perfectly even when you’re wearing glasses. It offers both matrix and 75% center-weighted metering. Its shutter operates from 30 seconds to 1/8000 second and it takes film from ISO 6 to 6400 (and it reads the film’s DX coding). It syncs with flash at 1/250 second. And common AA batteries power it all.
It offers all of the modern modes: manual, programmed, aperture-priority, and shutter-priority. But as you can see, it was designed before the mode wheel became idiom. You expect that from a camera made from 1988 to 1990. To set mode, you have to repeatedly press the Mode button and look at the LCD. It works fine and isn’t cumbersome. It just takes a minute to adjust to it.
The Nikon N8008 also offers depth-of-field preview, allows multiple exposures, and boasts a self timer that can take two shots in succession. And its focusing screens exchange. Three screens are available, including the matte Type B screen that shipped with the N8008. You could also get the gridded Type E screen and the microprism Type J screen.
This camera also takes most F-mount lenses. Nikon lens compatibility requires a secret decoder ring (Ken Rockwell keeps his up to date) but with a few exceptions and caveats (pre-AI lenses won’t mount, AF-S lenses won’t automatically focus, AF-G lenses work only in programmed or shutter-priority mode, the latest AF-P lenses won’t focus) you can use your legacy lenses on the N8008.
By the way, if you like autofocus, autoexposure Nikon SLRs, you might also like the Nikon N90s (review here). You should also check out Nikon’s manual-focus bodies like the F2, F3, FA, and N2000. Or just check out my big list of all the cameras I’ve ever reviewed here.
I considered mounting my 50mm f/2 AI Nikkor to this camera just to test that compatibility. The moment passed quickly, a fleeting shadow. I reached instead for my 28-80mm f/3.3-5.6G AF Nikkor, a “gelded” lens that has no aperture ring. The N8008 drives this lens beautifully in P (program) or S (shutter-priority) modes. Even though Nikon shipped this lens with bajillions of its entry-level film SLRs, don’t underestimate this solid performer.
I loaded some fresh Kodak Tri-X and went to work at home, right next to my easy chair. I’d just finished a finger of whiskey. Photograph drunk, Photoshop sober?
I stepped back and zoomed out, revealing this lens’s one major fault: barrel distortion at the wide end. I reduced the effect in Photoshop.
These well-made auto-everything SLRs appeal to me, I think, because I can get high-quality images with almost zero thinking. That’s not to say I don’t like thinking. I get full joy from shooting my manual-exposure, manual-focus cameras. But sometimes it feels good to let the camera do all the work for you, all the while leaving you confident of good results. And with the N8008, I could have full control if I wanted it.
I never wanted it on this test roll. Good thing, as the gelded lens sharply limited my options. But on a stroll down Zionsville’s Main Street I didn’t much care. I twisted in my zoom level, pressed the button halfway to focus, and then pressed the button the rest of the way to get the shot. With a loud zip, the camera wound to the next frame and I was ready to go again.
I did, however, fall pray to one pitfall of easy-peasy shooting: I shot indiscriminately. Lots of uninteresting photos was the predictable result. This post shares almost all of the photos I think have any merit from this 36-exposure roll.
Here Margaret stands between our two Fords in the parking lot at work. I used to work not far from her workplace, a large suburban church where she’s in charge of buildings and grounds. She wears dresses on Mondays to remind her co-workers that she’s a woman after all, as otherwise it’s jeans and T-shirts because a Director of Facilities never knows when she’ll find herself cleaning up after a sick child or crawling around a failed baptistry heater.
My sons have always been curious about my cameras. When they were very small I used to get the boxes down from my closet and we’d play with them together, cameras strewn across the living room. As I got serious about my collection again in my 40s and began to shoot my cameras more, my sons often asked if they could shoot them too. Frankly, I wasn’t always thrilled to say yes. They showed no real interest in exposure and focus, so explaining it to them got us nowhere. I took to setting the camera for them, but they were often impatient as I read the light and guessed distance and all. But a camera like the Nikon N8008 is perfect for kid use, even if that kid just turned 18. It requires no explanation beyond “press the button halfway so it can focus and then the rest of the way to get the shot.” My son did that perfectly while we waited for dinner at a Perkins one evening.
Finally, I took the N8008 along the day I visited this abandoned bridge. It’s the one that cemented my love of exploring the old roads, because finding abandoned infrastructure is strangely exciting.
The N8008 is not without its flaws. It’s a little heavy for all-day use. The loud winder was annoying. Autofocus is slower than on a modern camera. But so bloody what? I don’t shoot sports anyway. This camera worked great, full stop.
But I still own a Nikon N90s, also a wonderful auto-everything 35mm SLR. One does not need both cameras. One does not need a hundred cameras stuffed into every nook and cranny of one’s house, either, but that’s where one is despite ongoing efforts to thin the herd.
If you like old film cameras, check out all of my reviews here! To get Down the Road in your inbox or feed reader, subscribe here.
Foggy trees Nikon N8008, 28-80mm f/3.3-5.6 AF Nikkor Kodak Tri-X 400 2017
I used to pass a sprawling school on my way to work. These trees are on its grounds. One foggy morning when I had a camera with me, they looked like this.