Photography

Chicago at Christmas on Kodak T-Max P3200

Christmas at Macy's

I loaded my Nikon F3 with Kodak’s resurrected T-Max P3200 film and took it along on our early-December trip to Chicago. It was to be a gray weekend, and we were going to be walking about a lot after dark. That seemed like a perfect opportunity to try this nominal ISO 800 film that cheerfully pushes to 3200.

Wooden soldier

It was so much fun to shoot anywhere and everywhere — indoors, after dark, on an overcast afternoon — at generous apertures and shutter speeds. I was too busy having fun to take notes, but I think I was shooting at f/8 anywhere I wanted with shutter speeds of at least 1/30 second. I never had to worry about camera shake. 

Macy's Christmas

The first two photos are from the Christmas display inside Macy’s on State Street. Here’s a shot of Macy’s exterior all decorated for the holiday. The P3200 needs just a little ambient light to make a plenty usable image.

Marshall Field & Co.

Macy’s bought the former Marshall Field department-store chain. I miss Marshall Field.

Christkindlmarkt

We also walked through Christkindlmarkt twice. The first time was on a busy Saturday afternoon and the second was early on a Monday when we had the place largely to ourselves.

Bulbs at Christkindlmarkt

I shot an ISO 100 film on our Chicago trip last year. That slow film gave me limited depth of field, which limited what I could do. Not so this P3200 — I could shoot up close and choose just how much blurred background I’d get.

Dragon at Christkindlmarkt

Christkindlmarkt offers so many subjects: the market itself, the individual booths, the wares in each booth, and the people enjoying themselves. 

Wooden toys at Christkindlmarkt

The P3200 let me photograph any of it in pretty much any way I pleased. I’ve never had so much flexibility in bad light with a film camera.

Christkindlmarkt

So many people wander Christkindlmarkt with their cameras out that I don’t feel as self-conscious as usual about photographing people. But I’m happy I didn’t notice until this roll was back from the processor that this fellow here spotted me in the act.

Selling nuts at Christkindlmarkt

One night we walked over to Millennium Park to take in the Christmas fun. The ice-skating rink was open late.

Ice skating at Millennium Park

The P3200 wasn’t fast enough to let me freeze the skaters as they sped by. I suppose you can’t have everything.

Ice skating at Millennium Park

We also explored the Great Hall at Union Station. It’s gorgeous; you should see it.

Polar Express, Union Station, Chicago

It, too, was all decked out for the holiday. You might not be able to make it out, but this Christmas tree is decorated with logos from various railroads, past and present.

Christmas tree, Union Station, Chicago

I had a ball shooting Kodak T-Max P3200. Anywhere I went, in virtually any lighting conditions, my Nikon F3 could get a solid exposure and I could make an image.

As you can see, the images I got have good sharpness (through my 35mm f/2.8 AI Nikkor lens) and decent tonality. I especially enjoy the rich blacks this film returned.

These images would make lovely snapshot-sized prints. I’ll bet they’d even make usable 5x7s. But the grain becomes more pronounced the larger you make these images. Click any of them to see them on Flickr, and then click the image there to see it at full scan size. You’ll see: the grain is giant. Fortunately, it’s also really pleasing — and subjects hold their definition.

I’ll definitely buy more P3200 and keep it on ice for gray-day and nighttime shooting. Shooting these two rolls and seeing the wonderful results was a real joy.

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Film Photography

Operation Thin the Herd: Yashica Electro 35 GSN

One Nine Five

I’m supposed to like this camera, right? Everybody else seems to. I expected to — I committed to a 36-exposure roll of Tri-X in it. No 24-exposure bet-hedging for me, not this time. But then I didn’t find pleasure in using my Yashica Electro 35 GSN.

Yashica Electro 35 GSN

I liked it the last time I shot it. See my review here; see a sample photo from that shoot below. It is among my very favorite works ever. But that was a solid six years ago, and in that time I’ve discovered that I’m just happiest behind the eyepiece of a mechanical SLR. Using this classic (large, heavy) rangefinder camera seemed awkward to me.

Wall

Its size and heft weren’t the problem, as I happily shoot beasts like the Nikon F2 SLR. It was the controls. I fumbled with them through the roll and never reached that nirvana-like state of being one with this camera.

Flowers

My number one challenge was my inability to find the focusing ring on the lens barrel without removing the camera from my eye. A lever on that focusing ring would go a long way to making the Electro 35 more pleasant to use.

House

Obviously I got usable images from this Electro 35, all in focus and properly exposed. I shot most of this roll on a late-winter walk through downtown Zionsville.

Noble Order

Unfortunately, since I last shot this camera the light seals started to fail. Or maybe it’s just lens flare, but my gut says no, it’s those seals. Half the shots on the roll show leaked light along the top edge. You can see it pretty well as a light haziness at the top of this photo.

Buffet Everyday

Yet when you look past that, the 45mm f/1.7 Color-Yashinon lens returned good sharpness and detail. So it’s no wonder that this camera is so honored and costs so much on the used market. It’s too bad that it and I just didn’t bond on this outing.

Garage

I finished the roll in Fishers. Here’s the room in which I work. My workstation is right up front and the monitor on a pole is part of my brother’s standing workstation. It’s still great to work with my brother every day.

Office

Somebody taped this paper plate to a torchiere lamp last Halloween and it’s never gone away. It is right behind my head as I work, always watching.

Skull

To see more photos from this camera, check out my Yashica Electro 35 GSN gallery.

I own a handful of large 35mm rangefinder cameras: this one, a Minolta Hi-Matic 7, a Konica Auto S2, and a Yashica Lynx 14e. I do want to keep one of them, and I think it’s going to be my Lynx 14e for its sublime f/1.4 lens. But as for this Electro 35 — I already sold it.

Verdict: Goodbye

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Film Photography

Shooting the 35mm f/2 SMC Pentax-FA AL on the Pentax ME

I bought this autofocus 35mm f/2 lens hoping it would make my digital Pentax K10D SLR into a useful kit. But that combo and I just didn’t bond. I thought maybe, since this lens has a usable manual-focus ring, it might be good on my Pentax film SLR bodies. So mounted it to my Pentax ME to see what it was really capable of.

Looking out

In retrospect I should have shot a film I know very well, like Fujicolor 200, for a more confident evaluation. Instead I shot Eastman Double-X 5222. I had just shot a roll of it in my Canon EOS 630 (as part of Operation Thin the Herd) and wanted to stay in that groove. It’s still enough for me to declare a verdict: this lens is pretty good, delivering great sharpness and smooth bokeh.

Buds

Just look at all the detail in the back of this little reader’s head. If you’ve read this blog for a while you might recognize it as the little reader at the James Whitcomb Riley gravesite in Crown Hill Cemetery in Indianapolis.

Reader

I also brought the camera to church one Sunday and made few inside photos after service ended. I have shot this scene a couple times recently — I feel like there’s a good photograph in it, but I haven’t found it yet.

West Park CC

When I evaluate these photos on their merits, I see fine sharpness and detail. So then why do I feel so lukewarm about this lens?

Pews

It’s probably because it was the single most expensive photographic purchase I’ve ever made. I forget exactly what I paid but it was about $250. (Ok, so I’m the last of the big spenders.) For that kind of money I want this lens to absolutely sing.

Sanctuary

And it just didn’t. I could get a manual-focus 35mm Pentax lens for my film bodies for a lot less money and be just as happy with it, I’m sure. I think that’s what I’m going to do, because I find 35mm to be such a useful focal length on a 35mm SLR body.

And with that, my Pentax K10D DSLR experiment comes to an end. I just can’t find a solid purpose for it in my gear stable. I’ll be selling it, this 35mm lens, and a 28-80mm zoom lens I bought for it, on eBay soon.

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Camera Reviews

Operation Thin the Herd: Canon EOS 630

Louvers

Auto-everything film shooting isn’t normally my bag. I’m more a match-needle, twist-to-focus kind of guy. But even I have to admit, sometimes there’s charm in letting a camera do the grunt work.

Canon EOS 630

This is a very early EOS camera, dating to about 1989. I’ve only shot this camera once before, that time with the pictured 35-80mm lens. I shot my former favorite (now discontinued) b/w film, Arista Premium 400.

Barber Shop

I reached for black-and-white film this time, too: Eastman Double-X 5222. But I used my sweet little 50mm f/1.8 Canon EF II lens.

Footbridge

It was gray and cold most of the time I had film in the EOS 630. I’ve never shot Double-X in those conditions and I was surprised by how muddy everything turned out.

Flowing

These photos are from Flowing Well Park on 116th St. in Carmel. That bridge there carries 116th.

Creek

I got a little sun one afternoon and in a spare 30 minutes I took the EOS 630 out on a walk around downtown Fishers. I’ve photographed this area so much over the last year that if you were to look through the photos you’d watch the area change rapidly. It’s heavily under construction. New buildings go up all the time.

Downtown Fishers

Which means parking is becoming a problem. Fishers is solving it with parking garages. I’m not a fan.

Parking

The EOS 630 kept metering for the shadows, I guess, because the highlights were nearly washed out. Tweaking exposure and contrast in Photoshop helped a little. And lest you think that it’s only new buildings in Fishers, a few of the old houses do remain, tucked into alleyways and along side streets.

House in old Fishers

One old house was converted into a little tea room. This is its gate.

Gate

To see more photos from this camera, check out my Canon EOS 630 gallery.

I wasn’t enamored of the EOS 630 the first time I shot it. But I’ve used several more auto-everything SLRs since then, enough to know that this really is a pretty good tool. Focus was always right and exposure was at least good enough. I wished that the body were a little smaller and lighter, like the later EOS Rebel cameras. If I have to shoot a camera this bulky, I might as well reach for my semi-pro EOS A2e. It’s a much better camera. And for that reason, this EOS 630 must go. There’s room for at most one EOS SLR in my collection.

Verdict: Goodbye

I’m selling some very nice cameras from my collection. See them here.

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Wall

Wall
Canon EOS 630, 50mm f/1.8 Canon EF II
Eastman Double-X 5222
2018

I took the EOS 630 all over, shooting whenever I had a little time and good enough weather. I hadn’t been to Crown Hill Cemetery in a while so I made some photographs over there. This low retaining wall borders the military portion of the cemetery. That 50/1.8 resolves pretty well on the Double-X.

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Film Photography

single frame: Wall

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VDGN

VDGN
Canon EOS 630, 50mm f/1.8 Canon EF II
Eastman Double-X 5222
2018

Vardagen is a T-shirt and coffee shop in one of Fisher’s few remaining old buildings downtown. I go in there about once a week, for cold brew in the warm months and Cubans when it’s cold.

They like to stylize their name as VDGN. This is the back of their building and the building next to theirs.

Upcoming in Operation Thin the Herd, my Canon EOS 630. It’s an early example of Canon’s EOS series of SLRs.

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Film Photography

single frame: VDGN

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