Camera Reviews

Minolta XD-11

My hopes were sky high when I bought this Minolta XD-11 as so many prominent film-photo sites give it such high praise. Developed in cooperation with Ernst Leitz, this camera is supposed to exude quality to nearly Leica levels. The two companies worked together so that Minolta could better compete in the luxury rangefinder market and Leitz could build a cost-effective SLR platform. Leica built its R4, R5, R6, and R7 SLRs on this chassis.

Minolta XD-11

You might also see this camera called the XD-7 or just the XD; those were this camera’s name in Europe and Japan.

This is the world’s first SLR to offer full manual exposure with both aperture-priority and shutter-priority autoexposure. It features a vertically traveling metal-blade shutter that operates from 1 to 1/1000 sec, plus a 1/100-sec manual speed (the O setting on the shutter-speed dial) and bulb (B). In automatic modes, that shutter operates steplessly — if 1/218 second is the right shutter speed, that’s what the XD-11 chooses. The camera also features a mechanical self timer. Two SR44 batteries power the XD-11.

Minolta XD-11

You choose the exposure mode with a switch around the shutter-speed ring: M, A, and S, each meaning just what you’d expect. You can set ISO from 12 to 3200; press the little button and twist the collar around the rewind crank. You can also add or subtract one or two stops of exposure. Press in the tab on the rewind crank and move it to the amount of exposure compensation you want.

Minolta XD-11

The selected aperture is always visible in the viewfinder; a little window shows what you’ve dialed in on the lens. In shutter-priority and manual modes, the viewfinder shows the selected shutter speed. (For shutter-priority mode, first set the lens to its minimum aperture, e.g., f/16 on the 50mm f/1.7 MD Rokkor X lens that came with my XD-11.)

For manual and aperture-priority modes, a shutter-speed scale appears in the viewfinder. (Or it’s supposed to; it didn’t switch over on mine. A fault!) In shutter-priority mode, an aperture scale appears in the viewfinder. LED dots appear next to the scale. In manual mode, they show the aperture you need to choose for proper exposure. In aperture-priority mode, they show the shutter speed the camera has chosen, and in shutter-priority mode, they show the selected aperture. One dot means the camera has chosen that value exactly, while two adjacent dots mean the camera has chosen the proper value between the two marked values.

The XD-11 features “green mode” — set the camera to shutter-priority mode, choose minimum aperture, and choose 1/125 second. Notice that all of these settings are marked in green. In green mode, if 1/125 sec. is too fast, the XD-11 reduces shutter speed until it gets proper exposure.

Under use, the XD-11 is light, smooth, and pleasant. The viewfinder is bright and gives a great view. Its electromagnetic shutter button needs only an easy touch to operate. The wind lever is light and luxurious. My only ergonomic complaint is that there’s no on-off switch. To stop the meter from operating and thus draining the battery, you have to cap the lens.

If you like Minolta SLRs, you might also enjoy my reviews of the X-700 (here), the XG 1 (here), the SR-T 101 (here), and the SR-T 202 (here). I’ve also reviewed some autofocus Minolta SLRs, including the Maxxum 7000 (here), the Maxxum 7000i (here), the Maxxum 9xi (here), and the Maxxum HTsi (here). Or check out all of my camera reviews here.

I’ve had a lot of bad luck with Minolta manual-focus SLR bodies, and it continued with this camera. To be fair, I picked up a body at far below market price that the seller couldn’t represent well, and hoped for the best. I’ve already mentioned that the shutter-speed scale doesn’t appear in the viewfinder when it’s supposed to, but there’s more wrong than that. I tested the camera with a roll of Fomapan 200, and on three frames the shutter stuck open. Switching the shutter-speed dial to O, the one mechanical shutter speed, immediately closed the shutter. But those frames were entirely washed out, and the adjacent frames were partially overexposed as well.

I shot the Fomapan at EI 125 and developed it Ilford ID-11 1+1 at the ISO 200 time as I usually do. This was my first time developing in ID-11. It turned out great.

Boone County Jail

The XD-11 feels great in my hand. It’s got enough heft to inspire confidence, but not so much that it feels heavy. The materials all feel nice; the controls are all smooth and luxurious.

Details

The 50mm f/1.7 MD Rokkor-X lens that came with this camera performed as well as any 50/1.7 Rokkor ever does; that is to say, brilliantly. This is a wonderful lens.

Bike parking

I drove up to Lebanon, Indiana, just to make some photographs with the XD-11. Lebanon is my county’s seat. I photographed the courthouse on the square, but I wasn’t thrilled with the images. Therefore, you get photographs of things around the square.

One Way

Lebanon, like most Indiana county seats, features a courthouse square with sturdy old buildings living their fourth, eighth, or nineteenth small-business life. Truly, the photo below could be from any of a hundred small Indiana towns.

On the square in Lebanon

This is the point in the review where I’m supposed to heap giant praise onto the Minolta XD-11. I’ll refrain. I liked this camera, but I like my Olympus OM-2n far better. Camera reviews like this one are highly subjective — what tickles my fancy might turn you right off. So just know that the XD-11 is a fine camera and you should try one someday if you can.

Rocket Liquors

I stopped finding interesting things to photograph in Lebanon, so I headed back to Zionsville, specifically to Lions Park, which is always good for a few frames.

Zionsville Little League

This little lion is a drinking fountain, and it’s on the edge of one of the park’s many playgrounds.

Lion drinking fountain

To see more from this camera, check out my Minolta XD-11 gallery.

Minolta considered its XD-11 to be its premium SLR in its day, slotting it above the full-program X-700. I can see why; this is a very solid and smooth camera. That mine isn’t fully functional is a shame, as I wouldn’t mind being able to do more than a one-roll review of this well-regarded camera. Instead, I did something I’ve never done before: after writing this review, I asked the eBay seller for a refund.

If you like old film cameras, check out all of my reviews here!
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