Photography

Where can you still get film developed? (Freshly updated for 2017)

Just a few years ago you could get film processed almost anywhere: Walgreens, CVS, Target, Walmart, Costco, Meijer. No more.

Digital photography did them all in. It also led Kodak and Fujifilm to kill several film stocks. But film has survived its long dark night. People born into the digital age are discovering what we longtime film shooters have always known: film is special.

And so I see more people starting film-photography blogs, sharing their film shots on Instagram, and scouring thrift stores and eBay for that next camera to try. And astonishingly, several new films are being introduced this year, including Kosmo Foto Mono, JCH Street Pan 400, Ferrania P30, and even a reborn Kodak Ektachrome. It’s a great time to shoot film!

But where to get it processed? If your town has a camera store, it might process film. I live in Indianapolis, where Roberts Camera still processes 35mm color negative film. I never order prints, just scans, which Roberts burns to CD. The scans are generous, 3130×2075 pixels at 72 dpi. I like generous scans! And the price is right, at about $8. And they turn orders around within two business days.

But what if you aren’t close to a camera store? Or if you shoot film they can’t handle, like black-and-white film or medium-format (120) film, or an uncommon format like 110 or 127? That’s when I turn to one of several by-mail labs around the United States. I’m going to recommend the ones I use. I’d love it if you’d share the ones you use in the comments, especially if you live outside the United States.

Old School Photo Lab

I’ve used Old School Photo Lab of Dover, NH, the most. Their Web site is oldschoolphotolab.com. They proces, print, and scan 35mm, 120/620, 110, 126, 127, 828, APS, and 4×5 sheet films. They handle color and b/w negative and color slide films.

You order through their Web site. Processing a roll of 35mm or 120 color negative film and getting their standard scans costs $16 shipped both ways. (You can print a prepaid shipping label on their site.) Prices for other formats vary. They give discounts if you send several rolls at once.

I love OSPL because their standard JPEG scans are a generous 3072×2048 pixels at 72 dpi. You can order even larger scans, at 6774×4492 pixels at 72 dpi, for an extra $7 for JPEG or $17 for TIFF.

When your scans are ready, they email you a link to where you can download them. If you want a CD of the scans, it’s 3 bucks extra and you have to wait longer to get them. OSPL prints digitally. I occasionally order 4×6 prints and they’re fine.

I love OSPL’s service. I’ve gotten scans in as fast as four days after mailing them film! But it normally takes about a week. Quality is consistent and good. The owner personally responds when you contact them. The lab is active on Twitter and the feed is often a hoot.

Dwayne’s Photo

Dwayne’s in Parsons, KS, is perhaps the granddaddy of all by-mail labs. Their Web site is dwaynesphoto.com. Dwayne’s processes, prints, and scans 35mm, 120/620, 220, 127, 110, 126, Disc, and APS films. They process color and b/w negative and color slide films.

Dwayne’s is great, except that ordering is complicated. You have to print a paper order form from their site, the right one for the kind of film you’re sending, and fill it out. When you send them more than one kind of film, you have to fill out multiple order forms.

Processing and scanning a roll of 35mm color film costs $14 including return shipping. Other services’ prices vary. They don’t offer a prepaid label to mail your film to them. But if you send more than one roll of film, they steeply discount shipping.

Their scans are 2740×1830 pixels at 72 dpi. You can choose to download your scans or have them mailed to you on CD; the price is the same for either service. I’ve not ordered prints from Dwayne’s.

Dwayne’s pretty consistently emails me a link to my scans within a week. Quality is consistent and good. And I’ve had good, if impersonal, experience with Dwayne’s customer service.

Willow Photo Lab

Willow Photo Lab of Willow Springs, MO, is far and away the price leader. Their Web site is willowphotolab.com. They offer processing, printing, and scanning of 35mm, 120/620, and APS negative films, in color and black-and white, through their Web site. They process b/w film by hand!

With your first order they’ll include a list of all of their services, which includes 220 and 4×5 sheet films, the ability to specify D-76 or T-Max developer for b/w film, and discounts for large orders. When I order from this list, I pay directly through PayPal, print the receipt, write on it what I want, and mail it to them with my film. They always figure it out.

Processing and scanning one roll of 35mm costs just $7. Other services are similarly inexpensive but prices vary widely. Shipping costs depend on how far away from Missouri you are; most of my orders have been $3. They don’t offer prepaid mailing labels.

Scans are skinty at 1536×1024 at 72 dpi, sent to you on a CD. The last time I ordered their higher resolution scans, 3089×2048 pixels at 72 dpi, it cost me an extra buck. But that’s available only on their full service list. Willow still does wet-process printing on light-sensitive photo paper.

Willow is a small lab of just a few technicians. Send them film when time is not of the essence — they try hard to turn orders around within a week, but it can take longer. I hate to say it, because I really like Willow, but quality is uneven. I’m giving them extra chances because early this year a lightning storm took out a lot of their equipment, and it’s taken them time to get everything back the way they want it.

When you email them with questions, the owner responds cheerfully, personally, and promptly. A couple times we’ve struck up long email conversations about lab life and film photography, which is fun.

The Darkroom

The Darkroom, of San Clemente, CA, is the SEO king of by-mail labs. Google “film processing” and see where they show up! Their Web site is thedarkroom.com. They process, scan, and print 35mm, 120, 126, 110, APS, single-use cameras, and 4×5, 5×7, and 8×10 sheet film. They handle color and b/w negative and color slide films.

The Darkroom offers online ordering and payment. You can download a prepaid shipping label from their Web site, or they will send you a prepaid mailer if you ask.

Processing, standard scans, the scan CD, and shipping both ways for a roll of 35mm color film costs about $17. Prices for other formats are similar. Scans come with every order, both via download link and CD.

The Darkroom’s standard scans are puny, 1536×1024 pixels at 72 dpi. You can order larger scans, 3072×2048 and a whopping 6774×4492 pixels, for an extra $4 or $9 per roll, respectively. I’ve never ordered prints from The Darkroom.

Scans are usually ready about 7 days after I drop the film into the mail. It takes up to a week longer for my negatives and the CD to arrive, but I expect that they’d arrive faster if I lived closer to California. I’ve never needed to contact The Darkroom for customer service.

Film Rescue International

Any lab can process expired b/w or C-41 color film. But sometimes you’ll find some very old, very expired film in a camera. That film can be fragile. Or perhaps the expired film is newer, but it’s crucial you get the best possible quality images from it. Send it straight to Film Rescue International. They process any film, no matter how old, and use creative darkroom and Photoshop techniques to coax the best possible images from it. Their Web site is filmrescue.com. They’re expensive, and they’re not fast, but they do outstanding work.

I’ve used Film Rescue just once, for a roll of Verichrome Pan I found in a Kodak Brownie Hawkeye. That film had been in the camera for more than 40 years in unknown conditions, so I was afraid it might have deteriorated badly. They got good, high-contrast images from that film. They lacked “that Verichrome Pan look” but were crisp and clean.

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Crown Hill National Cemetery

Flag flying at Crown Hill
Yashica-D
Kodak E100G
2014

Happy Independence Day to all of my readers here in the United States!

The military cemetery inside Indianapolis’s Crown Hill Cemetery is one of the largest in the nation.

Photography

single frame: Flag flying at Crown Hill

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Photography

Spring flowers, courtesy my Yashica-D and a Spiratone close-up lens

After I figured out I had the close-up lenses on wrong on my Yashica-D, I knew I’d want to shoot with them right to see how the photos turned out. So I attached them correctly and loaded some Kodak Ektar, and waited for the flowers in my gardens to start blooming this spring. One by one, I photographed them as they emerged.

I shared the first of them with you yesterday — the best photo of them all, if you ask me. But here are some more, starting with my grape hyacinths.

Spring flowers from my garden

I forget what these are. I bought them at Walmart, of all places! I planted them in the middle of my big bed and they didn’t flourish. So a couple years ago I moved them to a largely shaded spot just outside my front door and they’ve been very happy ever since.

Spring flowers from my garden

And of course, there are daffodils. Verna, who built my house and lived in it first, planted these. My neighbor says she created the big front bed a few years before she passed. I’m happy to be the current steward of her garden, and to have added my own flowers to it.

Spring flowers from my garden

These are Grecian windflowers. A smattering of them come up every year, bloom for a few days, and then retreat.

Spring flowers from my garden

I forget where my Lily of the Valley come from. I remember planting them, I think. Did Mom give them to me after she and Dad moved out of my childhood home? Did I buy them at Lowe’s? It’s funny how such memories blur after a while.

Spring flowers from my garden

Purple is my favorite color, and I’ve favored purple flowers (like these irises) when I’ve chosen them.

Spring flowers from my garden

These purple and white irises were already here when I moved in. Since my parents retired and moved here, my mom, who misses her gardens, has worked hard in mine. A pine tree Verna planted had grown so large it shaded these irises from full sun. So Mom moved them, and they’re so happy in their new location that they now bloom in the spring and in the autumn.

Spring flowers from my garden

As you can see, I didn’t get the whole flower in focus. I wanted blurred backgrounds, so I chose widest apertures possible in the available light. I wish I had narrowed the aperture a stop or maybe two, which would have brought the whole flower into focus. I’ll bet I would still have gotten blurred backgrounds.

The Yashica-D remains a total joy to shoot. Despite being shaped like a brick, it’s comfortable to hold. Its controls move with silky heft. But it’s the big, bright viewfinder that charms the most, elevating even the most mundane scene with jewel-like color. And now that I know how to properly attach the Spiratone close-up lenses to it, I’m getting good results. Look at this color, this sharpness, this bokeh! The Yahinon lenses are not diminished at all by these inexpensive aftermarket accessories. They let me move to within inches of my subjects while carrying through all of the Yashinon lenses’ great characteristics. Win!

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Spring flowers from my garden

Narcissus
Yashica-D (with Spiratone Close-Up Kit)
Kodak Ektar 100
2017

This is the last year I’ll get to enjoy the gardens on my property, as by this time next year I expect to have finally moved in with my wife in her home. I attached the Spiratone close-up lenses to my Yashica-D and loaded some Ektar, and as the spring flowers began to bloom I recorded them all. More tomorrow!

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Photography

single frame: Narcissus

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Cameras, Photography

Repaired: Certo Super Sport Dolly

Certo Super Sport DollyWoot! Woot woot woot! I’ve licked all of the problems with my Certo Super Sport Dolly.

First it was a broken element in the focusing system. And then there was a pesky light leak. I’ve vanquished both.

The light leak was caused by some tiny holes in the bellows where it attaches to the body. A little black fabric paint closed those holes.

And so I dropped in some Kodak Tri-X 400…and then did nothing with the camera for weeks. I chose Tri-X because we were in a stretch of lousy weather, and I figured a fast film would work fine in the gloomy light. But the very moment I loaded the roll, the sun came out and blazed bright for days. Does Tri-X control the weather? Given the camera’s 1/250 sec. top shutter speed, my exposure options would be strictly limited.

When I had to drive up to Burlington for a meeting of the Historic Michigan Road Association, I decided to heck with it and took the SSD with me. I shot two thirds of the roll on the Michigan Road at the minimum aperture, f/22, and fastest shutter speed, 1/250 sec., and even that overexposed the film by a stop. But Tri-X is resilient.

Burlington, IN

After the meeting we toured the 1848 “American House,” which is being restored and will eventually be a museum and maybe a B&B. Boy, the house is in rough condition inside.

The 1848

I drove up to Michigantown, where this tidy Christian Church lurked on a side street.

Christian Church

And of course I stopped in Kirklin. It might just be my favorite little town on all of the Michigan Road. I’ve photographed this building many times.

Truck Parked

I wanted to see how the camera performed in light better suited to the film. As dawn broke one morning, I stepped onto my porch to photograph my garden. There was scarcely enough light; the in-focus patch was narrow.

Front Garden

A little past sunrise, the sky overcast and gray, I photographed my car just beyond my blooming peonies.

Ford Among the Peonies

Many thanks to Mike Connealy for his assistance making this Super Sport Dolly work again!

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Matrix

Matrix, Parked
Yashica-D
Kodak Ektar 100
2016

I photograph my cars a lot. They’re easy subjects. While the composition here could be a lot more interesting, I love the jewel-like color the Yashica-D returned on Ektar. It makes my beater car’s flank look better than it does in real life. And I love how the camera captured plenty of detail, whether in light or in shadow.

Photography

Photo: An evening shot of my car parked on the street in front of my house.

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