Film Photography

Shooting the 50mm f/3.5 Olympus Zuiko MC Auto-Macro lens on the Olympus OM-2n

All of the major SLR manufacturers made close-focusing macro lenses in 50 or 55mm focal lengths with maximum apertures ranging from f/2.8 to f/4. They won’t replace a 50mm f/1.8 lens for low-light shooting, but they’re a fine choice for everyday photography in good light. Most of their focus range is toward the close end. For non-macro work, you can just focus these lenses to infinity and go.

Olympus’s 50mm macro lens comes in four variations. I’m pretty sure the optical design is identical among them.

  1. Marked Olympus OM-System Zuiko Auto-Macro 1:3.5 f=50mm, single coated, silver-tipped outer ring.
  2. Marked Olympus OM-System Zuiko Auto-Macro 1:3.5 f=50mm, single coated, black outer ring.
  3. Marked Olympus OM-System Zuiko MC Auto-Macro 1:3.5 f=50mm, multi-coated, black outer ring.
  4. Marked Olympus OM-System Zuiko Auto-Macro 50mm 1:3.5, multi-coated, black outer ring.
OM Zuiko MC Auto-Macro 1:3.5 f=50m

Until recently I owned three of these lenses: two of the third type and one of the fourth. I passed the latter along to its next owner recently. Of the two that remain, the first came from the father of an old friend and it’s in mint condition in a hard case. The second one came from a reader who donated a great deal of Olympus OM gear to me this year. This lens looks like it got a lot of use.

I mounted this lens onto my Olympus OM-2n and took it out on some of my last bike rides in October, and on some walks around the neighborhood after that. I shot Fujifilm Superia X-tra 400 in it. Of course, it did lovely close work.


This lens tends to flare when you shoot into the sun. I rather like the effect in this photo.

Leaf flare

I enjoyed shooting other things with this lens because I could just leave it focused at infinity.

Barn in the harvested field
Suburban autumn
Autumn country road
Suburban autumn

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Film Photography

Up close with the Olympus OM-2n

The fellow who gave me the Olympus OM-2n gave me another, so I put a couple rolls through to test it. The first roll was Kodak T-Max 400, which I showed you recently. The second roll was some Kodak Gold 400 expired since January, 2008, that I had lying around. I mounted a 50mm f/3.5 Zuiko Auto Macro lens that the fellow also gave me. This is one generous fellow.

What the heck is this?
Flowers up close
Flowers up close
Bee in the flower

These images look very good for film 12 years expired that was never stored cold. They needed very little post-processing. Color shifts are slight. Grain might be enhanced, but I never shot Kodak Gold 400 fresh before it was replaced by Kodak Ultramax 400 to know for sure.

Ash leaves
High voltage

This 50mm macro lens performs beautifully. I own at least one more of them and have for years. This lens raises any color film above its station. This is also a fine lens for non-macro photography. Leave it focused at infinity for anything beyond a couple feet away. It makes your OM camera almost point-and-shoot simple.

The house across the street
Retention pond by the Interstate

The OM-2n is just a wonderful SLR. I’m smitten. My SLR loyalties have been to Pentax first and Nikon second. The OM-2n threatens to have Olympus usurp at least the #2 position.

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