Film Photography, Travel

The Chicago River at night, on Kodak T-Max P3200

Around the Chicago River - Kodak T-Max P3200

It is such fun to make photographs well after nightfall, holding my film SLR in my hands, with only building and street lights shining on the scene. As I walked along the river in Chicago, Kodak T-Max P3200 let me make photographs as if it were 9 a.m., not 9 p.m.

Around the Chicago River - Kodak T-Max P3200

It was cold that night, being the first weekend in January. My Nikon F3 can handle that kind of treatment, which is why I chose it. I mounted my 35mm f/2.8 AI Nikkor lens so I could fit more of the city in each frame.

Around the Chicago River - Kodak T-Max P3200

My wife and I had just come from Navy Pier, where we photographed the Chicago skyline from the Ferris wheel. We had plenty of time for a leisurely walk along the Chicago River before our dinner reservations within the Loop. We walked on both sides of the river, crossing the bridges wherever we felt like it.

Around the Chicago River - Kodak T-Max P3200

Chicago at night is a perfect subject for Kodak T-Max P3200. The built environment generates plenty of light to render subjects beautifully.

Around the Chicago River - Kodak T-Max P3200

I forget exactly what apertures and shutter speeds I used to make these photos, but they let me shoot easily and comfortably. My lens wasn’t wide open, and I didn’t have to worry about camera shake.

Around the Chicago River - Kodak T-Max P3200

As you can see, the P3200 does return noticeable grain. A couple of these photos do show slight underexposure. My F3’s meter did the best it could to read this light but didn’t always nail it. A few of these images looked a little foggy, but a little tweaking in Photoshop cleared that right up.

Around the Chicago River - Kodak T-Max P3200

I remain amazed by how well this film works. I know some people push other films, such as Tri-X, to 3200 and get good results. But you have to push your processing accordingly. That’s not a huge deal when you process your own. But I send my 35mm black-and-white film to a pro lab. It’s nice not to have to pay extra for the push processing on P3200.

Around the Chicago River - Kodak T-Max P3200

My wife and I had a lovely walk along the Chicago River as I shot this roll of Kodak T-Max P3200. I look forward to doing it again someday — and to finding other subjects that this film can make sing.

Get more of my photography in your inbox or reader! Click here to subscribe.

Standard
Film Photography, Travel

The Wrigley Building in Chicago on Kodak T-Max P3200

Chicago’s Wrigley Building was built from 1920 to 1924 as the first skyscraper north of the Chicago River. It’s a stunner at any time of the day, but I especially like it at night. Its white facade, beautifully lit, stands in contrast to the dark buildings all around it.

Wrigley Building

The building’s south tower is the taller of the two, 30 stories vs. 21.

Skyscrapers

The building is covered head to toe in terra cotta, providing no end of interesting detail to study.

Wrigley Building

I focused my lens on the south tower far more than the north, but here’s one good shot of the north tower, its entrance.

Wrigley Building

The north tower is 410 N. Michigan Ave., the south is 400.

Wrigley Building

The two towers are separated by a little alley, with a third-floor bridge connecting the two buildings and framing the scene.

Wrigley Building

There are no shortage of wonderful angles from which to compose interesting photographs.

Wrigley Building

Nikon F3, 35mm f/2.8 AI Nikkor, Kodak T-Max P3200.

Get more of my photography in your inbox or reader! Click here to subscribe.

Standard
Film Photography, Travel

The Chicago skyline on Kodak T-Max P3200

“I want to get a good view of the Chicago skyline at dusk,” my wife said. “I’d like to photograph it.”

Instantly I thought of Navy Pier and its Ferris wheel. I’d ridden it before, years ago, and remembered its commanding view of the city. So we made our way over. The view was as commanding as I remembered.

Chicago as night falls

It was only about 5:30 pm, but it was already dark on this early January day. Interestingly, the Kodak T-Max P3200 saw through the night right to the overcast sky, and that’s what it rendered.

Chicago as night falls

The Ferris wheel cars are enclosed and heated, making it comfortable to make these photographs on a 25-degree evening. However, the glass is tinted, which robbed me of a stop or two of exposure. I shot these with my Nikon F3 and 35mm f/2.8 AI Nikkor lens wide open, which gave me shutter speeds of 1/15 and 1/30 sec. I’m glad I have a steady hand.

Chicago as night falls

This is the same Nikon F3 that has developed a light leak thanks to a failed light seal. But at night, there’s too little light to sneak past that seal and leave streaks on the film. So this whole roll turned out fine.

Chicago as night falls

The ride moved slowly and went around several times, giving us plenty of time to make these photographs. I arranged them here as if I made them in one pass, but in reality I shot one or two photos on each pass.

Chicago as night falls

I forgot one key thing: my wife’s tendency to motion sickness. She found the gently swaying car to be a little challenging. But she got some fun shots with her DSLR, in color.

Navy Pier Ferris wheel

I bought this roll of P3200 that morning, at Chicago’s famous Central Camera. I stepped in the front door and there behind the counter was Johnny Sisson, of the Classic Lenses Podcast. He looks just like the photo he uses in social media, so he was easy to spot. I introduced myself and we chatted for a couple minutes. Affable fellow.

Get more of my photography in your inbox or reader! Click here to subscribe.

Standard
Window in our room at Hotel Allegro

Morning light, hotel window
Nikon F3, 35mm f/2.8 AI Nikkor
Kodak T-Max P3200
2018

Just one more shot from the F3 on that remarkable T-Max P3200. It did a wonderful job rendering both the light and dark areas of this scene. As I shot this, through my viewfinder I could clearly see a television on top of the cabinet at right. The P3200 does have its limits.

Film Photography

single frame: Morning light, hotel window

.

Image
Camera Reviews

If I could own only one camera it would be the Nikon F3

It’s a bold statement, I know: if I could own only one camera, it would be the Nikon F3.

Nikon F3HP *EXPLORED*

My camera collecting has been, in part, a journey toward finding the cameras that work best for me. I think I’ve tried enough cameras now to make this judgment. 

I’d miss my other SLRs, especially my Pentaxes ME and KM. Once in a while I’d pine for my autofocus, autoexposure Nikon N90s. There would be times I wished I could slip my Olympus XA into my pocket, or enjoy a Kodak Retina.

But if I owned only my Nikon F3, I’d make wonderful images for the rest of my life, and be perfectly happy doing it.

The rugged Nikon F3 can withstand any conditions I might subject it to, including my own considerable klutziness. After I send it out for a CLA, it should work beautifully for me for the rest of my life. I own a good range of capable Nikkor lenses. I’m ready for pretty much anything I might want to shoot.

The F3 offers aperture-priority exposure, my favorite way to shoot. It also offers full manual exposure.

The F3 is heavy. One could argue that I might enjoy one of Nikon’s lighter semi-pro bodies more. I own one, an FA, and it’s a good camera — and less fatiguing at the end of a long day slung over the shoulder.

But it took me no time to adapt to the F3’s ways, and now whenever I shoot it I feel one with it. That kind of bonding has happened for me with only a few cameras, my FA not included.

This was going to be my Operation Thin the Herd writeup on the F3. But it is silly to keep you in suspense through a long post when I’ve always known there was no way I would get rid of this camera. So here now, the photos that would have graced that Operation Thin the Herd post. The lens is the 35mm f/2.8 AI Nikkor, and the film is Kodak T-Max P3200.

Chicago River at night

These are from our December trip to Chicago. I really enjoyed being able to capture the city at night on that fast, fast film.

Chicago River at night

I just can’t get over how good these night photos are. That P3200 really performs.

State Street at night

Heavy cloud cover made for poor light during the day. The P3200 let me shoot at comfortable apertures for plenty of depth of field.

Hotel Allegro

The F3 hung off my shoulder nonstop for three days. By the third day I was beginning to wish for relief. That’s my only beef with the camera.

State and Lake

I love Chicago as a photographic destination. I haven’t even begun to exhaust the obvious subjects yet.

Chicago

The F3 is quiet for an SLR perfect for shooting inside a museum like the Chicago Art Institute.

Inside the Art Institute

I managed one photo inside the Merchandise Mart before security sternly warned us that photography was prohibited.

Elevators in the Merchandise Mart

I made a portrait of Margaret at our Sunday lunch, at a restaurant called The Dearborn. We shared a bottle of delicious Spanish wine.

Margaret

All was not perfect with the F3 on this outing. I didn’t know it until the images came back from the processor, but the shutter was acting up a little. On my first roll it affected about a dozen shots, but did not occur at all on the second roll. It’s possible that the shutter was just a little crabby from disuse. I had been using my F3 regularly until about a year ago, when Operation Thin the Herd began. It’s kept me busy with my other cameras!

I’m going to shoot a few more rolls through my F3 to see if the problem recurs. This is a good reason to use up some ten-year-expired Kodak Max 400 I have in the fridge. If I see more of this, I’ll move the camera up in the CLA queue and include a repair to the shutter.

To get Down the Road in your inbox or reader, click here to subscribe!

Standard
View from a 15th-floor hotel window

View from the hotel window
Nikon F3, 35mm f/2.8 AI Nikkor
Kodak T-Max P3200
2018

I just love how much definition the T-Max P3200 delivered at night through our Chicago hotel window. Just look at the cars in the glowing parking garage! They’re so clear you can almost tell what make and model some of them are.

If you’re looking at this on a computer monitor rather than on your phone or tablet, you can see how even at this larger size the considerable grain doesn’t detract at all from the image.

Film Photography

single frame: View from the hotel window

.

Image