Old cars, Film Photography

Kodak Plus-X and the Carmel Artomobilia

I had two SLRs slung over my shoulders at the 2017 Carmel Artomobilia last month: my Pentax ME with wonderful Fujifilm Superia 100 inside, and my Pentax Spotmatic F with my last roll of Kodak Plus-X.

Cobra

On this day, with this lens (55mm f/1.8 SMC Takumar), the Plus-X returned blacks you could just fall into.

Camaro

And the grays and whites came out creamy.

Hurst Olds

I wished briefly that I had screwed in my 35mm f/3.5 SMC Takumar. The thick crowds made it difficult, at best, to back up far enough to get entire cars in the frame. The 35/3.5 would have made me back up a lot less.

Toronado

But I’ve been exploring the 55/1.8’s considerable charms lately, and in retrospect am not disappointed I left it on the camera. It performed well, and it’s seldom a real problem to focus on an old car’s details.

Firebird

Growing up in the 1970s as I did, when half or more of the cars on the road were from GM, it was easy to take their dominance for granted. Looking back, it’s clear just how good their designs were. How daring it was in 1970 that the second-generation Camaro and Firebird had no distinct rear passenger windows! The shape of this window opening is just smashing.

Flying lady

Packard’s Flying Lady hood ornaments are a favorite subject. I shoot them whenever I come across them at a car show.

Ol' propeller nose

This is the famous front end of the Studebaker I photographed from the rear here. The girl walking away was a happy coincidence as I framed this shot, so I made sure to include her.

Citroen

The Citroën DS is funky from every angle and in every detail. Just check out how these headlights don’t both point forward. This is a later DS; earlier ones had uncovered headlights.

R/T

Plenty of American muscle was on display at the Artomobilia. I’m partial to the Mopars of the era for their no-nonsense styling.

Avanti

Avantis were made in my hometown, South Bend. They were Studebakers at first, but after Studebaker shuttered a new company formed to keep Avanti production going. They used leftover Studebaker engines at first but eventually had to turn to Chevy to provide powerplants. Post-Studebaker Avantis were given the “Avanti II” name, probably for rights reasons.

Avanti II

As the show began to wrap up and the crowds thinned, I was able to get a few wider shots of the event and its cars.

Vette 2

It wasn’t all classics at the Artomobilia. Several owners of newer hi-po Ford Mustangs lined up their cars for inspection.

Hoods up

Here’s hoping I can find time for more car shows. I do love to photograph cars and I think I’ve become pretty good at it. They’re certainly the subject with which I am most confident.

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Piloting the Buick

At the wheel of the old Buick
Pentax Spotmatic F, 55mm f/1.8 SMC Takumar
Kodak Plus-X
2017

I’ve never been very good at moving fast. I’m more the slow, thoughtful type. But there are moments in my photography when a wonderful scene emerges before my eyes and I have to move fast before it disappears. Such was this moment.

I forget what my camera’s settings were. I probably didn’t even know as I framed and focused. I probably just twisted the aperture ring until the viewfinder’s exposure needle registered good exposure, pressed the shutter button, and trusted that on such a bright day I’d have settings that would give me enough depth of field.

I was right. And I moved fast enough to catch the girl’s delighted smile.

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Film Photography, Old cars

single frame: At the wheel of the old Buick

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Film Photography

Kodak Plus-X in the Pentax Spotmatic F

I love Kodak Plus-X. It’s a shame Kodak discontinued it.

All of the Plus-X photos I’ve shared on this blog have come from some expired stock I bought a few years ago. It was promised to have always been stored cold, and it performed like new.

My last roll had been moldering about the refrigerator for going on two years because I wanted to honor it with the perfect subject. Finally I decided that no subject would ever be perfect enough. I might as well just shoot it up.

I loaded it into my Pentax Spotmatic F, mounted my 55mm f/1.8 SMC Takumar lens, and carried the camera with me wherever I went. Naturally, I started in the yard. I often do. I hadn’t moved out of my old house yet.

Sale Pending

I had the Spotmatic along while Margaret and I took an evening stroll down Main Street in Zionsville. It’s become tradition that I shoot the Black Dog Books sign.

Black Dog Books

This shop on Main Street had closed for the night, but there was enough light for me to press the lens to the window and make this photograph.

Window shopping

And then a perfect subject came along: the Carmel Artomobilia. I’ve already shown you color photographs from this show here, and I’ll show you more black-and-white photos from this roll in an upcoming post.

Carmel Artomobilia

But as a preview, here are a couple wide shots.

Oldsmobile butts

I’m sure I could buy more Plus-X. It shows up from time to time on eBay, and the Film Photography Project has been known to sell it sometimes. It is said to usually perform well even when it hasn’t been stored cold.

But I think it’s time I shoot up my backlogged stock and then stick largely to films that are still being manufactured. Expired, discontinued films certainly have their charms. I might still be wooed here and there. But I wish to find my go-to films, the ones I reach for again and again because I know them well and can shoot for their strengths. If Plus-X were still being manufactured, it would absolutely be my slow-speed black-and-white film. Alas.

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