GMC 3800

1952 GMC truck
Pentax ME, 50mm f/1.7 SMC Pentax-M
Kodak Gold 200 (at EI 100)
2018

I had Eric Hendrickson overhaul the Pentax ME body I picked up recently. When it came back, I loaded some film and took it for a test run. It handled beautifully, as expected.

I had never shot Kodak Gold 200 at EI 100 before. I’d heard that doing so tended to tame the film’s tendency toward “hot” colors. The rumors are true! Every silver lining tends to come with a dark cloud, though: well-lit areas tended to look hazy. I cleared up most of the haze (without resurrecting the “hot” colors) by reducing exposure by up to a half stop in Photoshop.

While waiting for an event to begin I took a walk along South Meridian Street in Indianapolis, where I came upon this old truck. She sure looked good in her patina, parked curbside.

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Film Photography

single frame: 1952 GMC truck

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Camera Reviews, Film Photography

Operation Thin the Herd: Minolta Hi-Matic 7

Fishers Construction

This Minolta Hi-Matic 7 was one of the first cameras I bought when I restarted my collection in 2006. I had decided to collect 35mm rangefinder cameras, and this was the first one I found at a price I was willing to pay. I happily kept buying rangefinders right up to the day someone gifted me a 35mm SLR. Right away, through-the-lens composing charmed me and my rangefinder predilection went right out the window. But I’ve kept this camera nevertheless.

Minolta Hi-Matic 7

I’ve shot it but twice before: once Sunny 16 without a battery, and once with a PX-625 battery inserted to take advantage of its onboard metering. That metering couldn’t be easier: twist the aperture and shutter-speed rings to A and the camera chooses both aperture and shutter speed for you. It does so on a linear scale from 1/30 sec. at f/1.8 to 1/250 sec. at f/22 — this camera biases toward the greatest depth of field possible. This was a mighty advanced system in 1963 when this camera was new. Here’s a photo from that latter session, on Fujicolor 200.

Bug light

I’d never shot black-and-white film in my Hi-Matic 7 so I loaded some Kodak Tri-X and headed out on a full-sun June day. Right away there was trouble in paradise. Inside the viewfinder a needle points at the exposure value (EV) the meter calculates, from 5.6 to 17. On that bright day I expected to see that needle point at EV 15 or maybe 16. Instead, the needle was in the red zone above EV 17, meaning it was underexposing by a stop or two. Drat! At least the meter functioned — they often don’t in cameras this old.

Reflected vinyl

What I didn’t do, but should have: set the camera to EI 200 or 100 to compensate for the underexposure. I don’t know why I always think of such things only when I sit down to write about my experience with a camera. Sigh. Fortunately, Tri-X’s incredible exposure latitude — up to 4 stops in either direction — mostly covered for me. Where it didn’t, a nip and a tuck in Photoshop usually did the trick.

Cars

Despite being large and heavy, the Hi-Matic 7 is pleasant to use. A lever on the focusing ring is well placed; my finger always found and moved it without me needing to move my eye from the viewfinder. The rangefinder patch is bright enough even for my middle-aged eyes (and was probably even brighter when it was new). I was able to move fast enough with it to capture my son playing a game at the dining table with the family.

Damion

The Hi-Matic 7 is a lot of camera to carry. Mine has its original leather “everready” case so I slung it over my shoulder, camera inside, as I carried it around. Or at least I did that until the leather shoulder strap broke.

At Rick's Cafe Boatyard on Eagle Creek

I finished the roll at Rick’s Cafe Boatyard, a seafood restaurant on Eagle Creek Reservoir in Indianapolis. It was the site of one of Margaret’s and my early dates, so we like to go back sometimes and reminisce.

At Rick's Cafe Boatyard on Eagle Creek

We always sit on the outdoor deck. Therefore, we only dine at Rick’s in the fair-weather months.

At Rick's Cafe Boatyard on Eagle Creek

One finds few opportunities to make dockside photos in landlocked central Indiana. The Hi-Matic 7 was up to the task. These photos needed little Photoshoppery to look good.

At Rick's Cafe Boatyard on Eagle Creek

See more photos from this camera in my Minolta Hi-Matic 7 gallery.

I had a hard time deciding whether this camera would stay or go. I’m emotionally attached to it as one of the first cameras in my collection, I enjoy using it, and I love the images it returns. But I can’t escape the fact that I’ve put only three rolls of film through it in 12 years. I’m unlikely to use it more than that in the next 12. As I shrink my collection to just the cameras I’ll actually use, I have to let pragmatism win over sentimentality.

Verdict: Goodbye

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Photography, Road Trips

Ten years ago on the Michigan Road

It was ten years ago this summer that I surveyed the entire Michigan Road, a project that contributed directly to a later project I co-led to have the road named a Historic Byway in Indiana. My wife and I wanted to re-survey the entire road this summer to document it as it is now. Given all that’s happened this year, we have yet to start. Other priorities continue to fill our summer. We will be fortunate to drive one or two segments of it this year. Perhaps we can finish it next year.

I drove the road to South Bend last Wednesday for a Historic Michigan Road Association board meeting. I noticed how much has changed just on that section of the road in ten years. It led me to think about changes I’ve noticed as I’ve driven other sections of the road over the years. I’m itching to start the new survey!

I made a quick pass through my 2008 photos and selected ten that pleased me as photographs. I was a beginning photographer then. Have a look.

NB Michigan Road

Madison, near the Michigan Road’s southern end.

Fairmount House

The Fairmount House, Madison.

Stone bridge, Michigan Road

Stone bridge, Ripley County.

Michigan Road, Decatur County, Indiana

A curvy section of road in Decatur County.

Dodge in Pleasant View

Old Dodge parked just off the road, Shelby County.

Waterman Hardware in Five Points

Waterman Hardware, one of Indianapolis’s oldest businesses.

Dunkin' Donuts

Brand new Dunkin’ Donuts preparing to open — it has since closed — Indianapolis.

Bar-B-Q Heaven

Bar-B-Q Heaven, Indianapolis.

1884 building

1884 building, Plymouth.

Approaching South Bend

Approaching South Bend. The Michigan Road is no longer US 31 here; a new-terrain US 31 was built nearby.

Kodak EasyShare Z730 Zoom

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Shoe repair

Shoe repair
Pentax ME, 50mm f/1.7 SMC Pentax-M
Kodak Max 400 (exp. 10/2007)
2018

This is my favorite shot from that Pentax ME and 50/1.7 lens I recently picked up on eBay. The muted colors and enhanced grain of the expired film really work here, complementing this gritty scene.

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Film Photography

single frame: Shoe repair

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Eagle Creek ReservoirEagle Creek Reservoir
iPhone 6s
2018

Indianapolis’s Eagle Creek Park is one of the largest municipal parks in the United States, covering 3,900 acres of land and 1,400 acres of water.

That water was created in a 1968 flood-control project. I’ve written about it before: it permanently altered the route of the Dandy Trail, and led to the needless demolition of the town of Traders Point.

This water is a reservoir that provides drinking water to most of northwest Indianapolis. It’s also a popular place for swimming, boating, and fishing.

Margaret and I were out for a hike in Eagle Creek Park on National Trails Day. Our trail skirted the reservoir for a while, and gave us the chance for this photograph.

We’re both badly out of shape after a year of difficulty and challenge. Long walks will be one way we return our bodies to health. We bought an annual pass to Eagle Creek Park so we can enjoy its trails whenever we want. It’s a quick drive from our home.

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Photography

single frame: Eagle Creek Reservoir

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Film Photography

Shooting Agfa APX 100, original emulsion

If you buy an Agfa film today, Agfa doesn’t make it. The company got out of the consumer market in 2004.

They licensed their brand to other manufacturers, which use some of the old Agfa film names even though the emulsions are different. It’s confusing. One such film is Agfa APX 100, a black-and-white negative film. Photographers who’ve shot both tend to agree: the new APX 100 is adequate, but the original Deutsche APX 100 was wonderful and special.

And so I was greatly pleased when three rolls of the original emulsion, expired in July of 1998 but always stored cold, were gifted to me. It didn’t take me long to drop a roll into my Pentax ME and take both on a walk in Downtown Indianapolis. That’s the Indiana Statehouse there at the end of Market Street. I made this photograph standing on the Soldiers and Sailors Monument at the city’s center.

Market St. toward the Statehouse

I confess that I’ve already shared the best photos from this day with you in a series of posts a couple weeks ago; see them here. But there was hardly a bad image on this roll. This film captured rich blacks without ever washing out whites. It absorbed strong reflected sunlight, returning good definition and detail.

At Court St.

My 50mm f/1.4 SMC Pentax-M lens was attached as I walked around Monument Circle. Above is Meridian Street looking north towards the Circle; below is Circle Tower.

Circle Tower

I had an objective: to make my way over to Roberts Camera and buy a 35mm f/2.8 SMC Pentax-A lens I knew they had in their used inventory. I mounted the lens to my camera before I exited the building. One of the first shots I made was of Leon’s, a tailor shop just down the street from Roberts. Leon’s made the suit I got married in.

Leon's

I walked away from Roberts and Leon’s down St. Clair Street enjoying my new lens’s wide view. Had I been three seconds faster, the walking fellow would have been in a much more interesting spot on the frame below.

Pennsylvania

Here’s the same building in the whole. Leon’s is behind it, and Roberts is barely in the photo behind Leon’s.

Brick building

Spinning around about 90 degrees I made this photo of Central Library, with my car in the foreground. The Scottish Rite Cathedral lurks at left. One day I’ll make a subject of that stunning building.

Library

Central Library is at the north end of the American Legion Mall; the Indiana War Memorial stands at it south end. I scaled its steps to make some photos, including this one of the Minton-Capehart Federal Building. The flag is at half staff because on the day I made these photos, a Boone County deputy killed while on duty was laid to rest. That’s the county to the northwest of Indianapolis.

From the Indiana War Memorial

From the War Memorial, here’s the view of the American Legion Mall, with Central Library at its other end.

From the Indiana War Memorial

I adore the War Memorial as a place to make photographs. I’ve been here many times and always seem to find something new to see.

Indiana War Memorial

Growing tired, I made my way home. I stopped in the neighborhood at 56th and Illinois Streets to finish the roll.

Restaurant

I love the surrounding neighborhood. Margaret and I wouldn’t mind living there. But the homes sell fast, which has driven prices high. We could probably afford the payment, but at our age we’d be making it until we are 80. It makes us sad, but we have to say no thanks.

Illinois St.

And oh, look, I’ve told you more about my walk than I did about Agfa APX 100. It’s because I have no criticism to offer. Letting the Pentax ME control every exposure on this bright, sunny day, APX 100 managed the light that fell onto it with great balance between shadows and highlights. APX 100 is a lovely black-and-white film and it’s a shame it is no longer being made.

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