Photography, Preservation

Favorite subjects: Second Presbyterian Church

This is a favorite subject that I haven’t shot very much. It’s truly a favorite subject in that I really enjoy it. I wish I made it over there more often for photography! It’s striking, a “whoa!” moment the first time you come upon it while driving north on Meridian Street in Indianapolis.

Second Presbyterian

Pentax KM, 28mm f/2.8 SMC Pentax-M, Kodak Tri-X 400, 2017

It reminds me of Westminster Abbey a little. The architect must have been going for that style.

SecondPres.PNG

Imagery and map data © 2017 Google.

But this building is not Westminster Abbey’s contemporary: it was completed in 1960 on Indianapolis’s Far Northside. Surprised? But the congregation dates to 1837, making it one of the oldest in the city. It’s also one of the largest Presbyterian congregations in the United States.

Second Presbyterian is perhaps best known for hosting the 1990 funeral of Ryan White, a boy who contracted AIDS via blood transfusion at a time when this disease was ill-understood and greatly feared. His fight to attend school in his hometown of Russiaville, about 45 minutes north of here, made the national news and was instrumental in helping our nation understand that AIDS was not just a “gay disease.”

Over 1,500 people attended White’s funeral, including then-First Lady Barbara Bush, Michael Jackson, and Elton John.

Since then Second Pres has led a lower profile. Here’s hoping I’m raising it ever so slightly today, because this building is just lovely. I’ve photographed it over and over.

Second Pres

Minolta Hi-Matic 7, Fujicolor 200, 2011

Second Presbyterian

Nikon F2AS, 50mm f/2 AI Nikkor, Arista 100 EDU (expired), 2015

Second Presbyterian

Canon AF35ML (Super Sure Shot), Fujicolor 200, 2011

Second Presbyterian Church

Kodak Monitor Six-20, Kodak Ektachrome E100G, 2011

A handful of times I’ve shot some of the building’s details.

Second Presbyterian

Pentax KM, 28mm f/2.8 SMC Pentax-M, Kodak Tri-X 400, 2017

Second Presbyterian

Canon AF35ML (Super Sure Shot), Fujicolor 200, 2011

Second Presbyterian

Nikon F2AS, 50mm f/2 AI Nikkor, Arista 100 EDU (expired), 2015

At Second Presbyterian Church

Pentax K1000, 55mm f/1.8 SMC Pentax, Kodak Gold 400, 2017

At Second Presbyterian Church

Pentax K1000, 55mm f/1.8 SMC Pentax, Kodak Gold 400, 2017

Even though I love this beautiful building, I just haven’t figured out how to shoot it. There have got to be more interesting details, more dramatic angles, but I struggle to find them.

Second Presbyterian

Canon AF35ML (Super Sure Shot), Fujicolor 200, 2011

So I keep shooting it straight on. Fortunately, it looks great that way.

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Photography

Favorite subjects: Washington Park North

It’s funny how easily you don’t notice the things you see every day. For most of the last 22 years I’ve lived near Washington Park North, a cemetery on Indianapolis’s Northwestside. At some point its entrance moved about three quarters of a mile down the road. I have no memory of this. How did I miss it? I drive by this cemetery pretty much every day!

WPN_1941

Washington Park North in 1941. Courtesy MapIndy, http://maps.indy.gov/MapIndy/

Washington Park North has been here since about 1930, when this part of the county was farms as far as the eye could see. It was called Glen Haven then, but it got its current name in 1955 when the Washington Park Cemetery Association bought it. They’ve expanded it over the years to cover about 150 acres and even built a funeral center on the grounds. Along the way, absent my notice, they moved the entrance. According to MapIndy’s historic imagery, it happened in 2000.

WPN_2017

Washington Park North, 2017. Imagery and map data © 2017 Google.

The main reason this cemetery is a favorite subject is because it’s so close to my home. See the Eastern Star Church in the upper left corner of the map image above? My subdivision is directly across the street from it, to the west, outside the image. It’s a quick walk for some easy shooting, especially since the church was constructed and I can just cut through its parking lot to get there. Before I had to walk Cooper and Kessler to get there, about three quarters of a mile to the entrance. The new entrance, that is; the old one was another three quarters of a mile down the road!

Let’s start in the parking lot, where one autumn I got supernatural color on Fujifilm Velvia 50.

Red tree parking lot *EXPLORED*

Nikon F2, Fujifilm Velvia 50, 135mm f/3.5 AI Nikkor, 2014

An iron fence used to surround the property, but at some point it was taken down west of the funeral center. Yet the stone posts and this structure, on the corner of Kessler and Cooper, remain. I’ve always wondered what this structure is for.

Along Kessler Blvd.

Pentax ME, 28mm f/2.8 SMC Pentax-M, Fujifilm Fujicolor 200, 2015

But I’ve spent most of my time photographing inside the cemetery. For a while I was fixated on a replica of the Liberty Bell on the grounds. Why does a cemetery have a Liberty Bell replica? I don’t get it. Yet camera after camera, angle after angle, I shot it a dozen times.

Pass and Stow

Miranda Sensorex II 50mm f/1.8 Auto Miranda Kodak Ektar 100, 2015

Bell

Pentax ES II, 50mm f/1.8 SMC Takumar, Kodak Ektar 100, 2015

Liberty Bell replica

Olympus XA, Kodak T-Max 400, 2016

The little structure that houses the bell has found itself in my lens many times, too.

Bell Gazebo

Pentax ES II, 50mm f/1.8 SMC Takumar, Kodak Ektar 100, 2015

Bell housing

Minolta AF-Sv, Fujicolor 200, 2016

Bell Monument

Nikon F3HP, 50mm f/2 AI Nikkor, Fomapan 200, 2016

You’ll find nary a hill, nary a dale inside Washington Park North. Landscape photos offer lots of depth.

Swans and Fountain

Nikon F3HP, 50mm f/2 AI Nikkor, Fomapan 200, 2016

Stone bridge

Yashica-D, Fujifilm Neopan 100 Acros, 2016

Pond

Minolta AF-Sv, Fujicolor 200, 2016

Schwinn Collegiate

Olympus OM-1, 50mm f/1.8 F. Zuiko Auto-S, Fujifilm Fujicolor 200, 2015

Several mausoleums and a couple chapels dot the grounds.

Chapel

Nikon F3HP, 50mm f/2 AI Nikkor, Fomapan 200, 2016

In the chapel

Minolta AF-Sv, Fujicolor 200, 2016

I’ve photographed few grave markers here because, frankly, most of them are uninteresting. I prefer the grave markers in much older cemeteries.

Crying angel

Minolta AF-Sv, Fujicolor 200, 2016

Markers

Miranda Sensorex II, 50mm f/1.8 Auto Miranda, Kodak Ektar 100, 2015

Finally, here are just a few more photos I count as favorites from Washington Park North.

Flowers

Miranda Sensorex II, 50mm f/1.8 Auto Miranda, Kodak Ektar 100, 2015

Foggy angel

Argus A2B, Fomapan 100, 2016

Thingy

Nikon F3HP, 50mm f/2 AI Nikkor, Fomapan 200, 2016

I really enjoy some of my favorite subjects, while others I call favorite mostly because they’re convenient and I shoot them a lot. Washington Park North falls into the latter category. When I’m shooting a new-to-me old camera, this is commonly where I go to finish the test roll! “Aw, just five more shots on this roll. I’ll just walk over to the cemetery and finish it so I can send it off for processing.”

But after I move to Zionsville, I’m sure I’m going to wish I could just walk over to the cemetery for some easy shooting.

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History, Photography

Favorite subjects: Broad Ripple Village

What is now the Broad Ripple neighborhood of Indianapolis started as two rival towns far north of the city limits and along the White River. It was 1836 and construction of the Indiana Central Canal had been approved. The two towns were platted that year to bracket it, Broad Ripple to the north and Wellington to the south.

BRV

Broad Ripple, bisected by the Indiana Central Canal. Imagery and map data © 2017 Google.

The Mammoth Internal Improvement Act that funded the Canal and other infrastructure improvements would quickly cause a financial panic that brought Indiana to the brink of bankruptcy. Many of the Act’s improvements were aborted, including the Canal. Of the hundreds of miles the Canal was intended to span, just eight miles were completed, all within Indianapolis.

But the Canal’s construction brought people to the area, and the two towns grew. But by the 1880s Wellington had become a thriving community while Broad Ripple foundered, dwindling to about 35 residents. Yet when a new post office was located in Wellington but given the name Broad Ripple, the less-prosperous town won out and the entire area soon had the name all of Indianapolis knows today.

At first, just the canal and a single dirt road (now Westfield Boulevard) connected Broad Ripple to Indianapolis. In 1883, a railway came to Broad Ripple that connected to Chicago; it would later become the Monon Railroad. In 1894, electric street cars were extended into Broad Ripple; in 1904, the same tracks were used to carry interurban trains. The advent of the automobile led Indiana to form its first highway system in 1917; Westfield Boulevard became part of State Road 1 and, later, the first alignment of US 31. Broad Ripple had become very well connected.

Canal

On the Central Canal. Nikon F2AS, 135mm f/3.5 AI Nikkor, Fujicolor 200, 2014

Broad Ripple

Walking path on the Canal. Canon Canonet QL 17 G-III, Fuji Neopan 100 Acros, 2010

Rainbow bridge

The 1906 Guilford Avenue bridge over the Canal. Kodak Monitor Six-20, Kodak Ektachrome E100G, 2012

Monon bridge

Monon Railroad bridge over the Canal. Kodak VR35 K40, Fujicolor 200, 2011

With so many ways to reach Broad Ripple from all over, the town increasingly became a place to go for fun. The well-to-do built cottages along the river; an amusement park went up on the eastern outskirts of town. Businesses filled the town’s main street.

And then in 1924 Broad Ripple was annexed into Indianapolis, and more and more houses were built in the area. It started to become a neighborhood, and the former town’s identity as an amusement destination began to wane. The amusement park was transformed into a city park. The village started to become a commercial center for residents.

In time, buses replaced the streetcars and interurban and the tracks were paved over. US 31 was routed several block west onto Meridian Street, newly built north of the canal. Even the fabled Monon Railroad went defunct. And as happened in every American city, the suburbs kept pushing farther and farther away from the city center. By the 1960s, Broad Ripple was in decline. Residents were leaving and businesses were failing. But the falling rents created opportunity. Quirky shops went into the storefronts and even into some of the homes. A vibrant night life formed, with bars opening along the main street and the former movie theater, the Vogue, becoming a concert venue. Broad Ripple was, once again, a destination for fun.

IMG_3724

The Vogue at night. iPhone 5, 2015

The Vogue

The Vogue by day. Rollei A110, Fujicolor Superia 200 (exp. 1996), 2013

The Monkey's Tale

The Monkey’s Tale bar, Kodak Monitor Six-20, Kodak Ektachrome E100G, 2012

Big Hat Books

Bookstore in a big old house, Kodak Brownie Starmatic, Kodak Portra 160, 2012

Kayaks

Kayaks for sale, Kodak Brownie Starmatic, Kodak Portra 160, 2012

Ripple

Ripple Bagel Deli, Nikon F2AS, 35-70mm Zoom-Nikkor, Fujicolor 200, 2014

My first visit to Broad Ripple was in this era. It was about 1992, and the Terre Haute radio station where I worked gave me tickets to see a concert at the Vogue. And then when I moved to Indianapolis a couple years later I ended up in a neighborhood that’s a quick drive from Broad Ripple. I’ve been there most of the last 23 years. Broad Ripple remains a common destination for me.

Broad Ripple’s main street, today called Broad Ripple Avenue and known as “the strip,” was a fun mix when I moved here: by day, popular shops and art galleries; by night, bars and late-night food joints for a younger crowd. I found the night life to be great fun then.

Now that I’m pushing 50, that kind of nightlife isn’t fun for me anymore. But I still enjoy Broad Ripple’s offbeat shops. My favorite coffee shop in town is there; I’ve written a few blog posts at one of its tables. And the Village remains a great place to go for some photography. I’ve visited it dozens of times for just that purpose.

Broad Ripple Kroger

Tiny Kroger. Olympus XA, Kodak T-Max 400, 2016

Shoe repair

Shoe repair. Polaroid Colorpack II, Fujifilm FP-100C, 2017

Corner Wine Bar

Corner Wine Bar. Nikon F2AS, 35-70mm Zoom-Nikkor, Fujicolor 200, 2014

Colorful clothes

Clothing shop on Westfield Boulevard. Kodak VR35 K40, Fujicolor 200, 2011

Today's specials

Good food at Petite Chou. Kodak VR35 K40, Fujicolor 200, 2011

196x Volkswagen Karmann Ghia

Karmann Ghia parked in front of the natural food store. Palm Pre, 2012.

Awning

Street seating awaiting customers. Pentax ME, SMC Pentax 55mm f/1.8, Kodak T-Max 400, 2012

Some things haven’t changed over these years. The strip remains lively and young; the streets just off the strip appeal more to those who’ve graduated from their 20s. The tiny Broad Ripple Kroger remains open somehow. Many of the former residences off the main business district still contain small businesses and restaurants. And when you drive through you can still imagine a time when Broad Ripple was a small town.

But much has changed in Broad Ripple. Businesses have come and gone, of course. Art galleries that used to dot the strip have mostly closed, replaced by more bars and late-night food joints. The Monon rail bed has become a very popular running and biking trail. Bazbeaux Pizza, which started in a garage, moved into a very nice facility down the street. And a giant polka-dotted chair was painted onto the side of a building.

Ice cream station

Former Monon station, now an ice-cream shop. Kodak VR35 K40, Fujicolor 200, 2011

Carter Bldg

Winter in Broad Ripple. Canon Dial 35-2, Fujicolor 200, 2013

Brugge Jeep

Former Internet cafe, now a brewpub. Rollei A110, Fujicolor Superia 200 (exp. 1996), 2013

Brown Rolls, brown brick

I don’t know what this business was, but it’s long gone now. Kodak VR35 K40, Fujicolor 200, 2011

Bazbeaux

Bazbeaux Pizza, a Broad Ripple institution, moved down the street from its original location. Canon EOS A2e, 50mm f/1.8 Canon EF, Kodak Tri-X, 2016

Monon Coffee Co.

My favorite coffee shop in Indy opened since I moved here but is 20 years old now. Canon EOS A2e, 50mm f/1.8 Canon EF, Kodak Tri-X, 2016

Brick Chair

The Bungalow. Canon AF35ML (Super Sure Shot), Fujicolor 200, 2011.

For more than 40 years, Broad Ripple has had a quirky, offbeat, hippie vibe. But that is beginning to change as yet another major transition comes to the area: urban densification. The neighborhoods around Broad Ripple have been very popular over the last quarter century or so, which has driven home prices and rents up. Developers have taken notice. They’ve sought and won zoning changes and are building multi-story apartments and parking garages with first-story retail. The buildings crowd the street. Broad Ripple had formerly felt open and airy, but it increasingly feels closed-in and tight.

Pedestrian Bridge

Monon bridge. Canon AF35ML (Super Sure Shot), Fujicolor 200, 2011

The new Broad Ripple

Behind the pedestrian bridge now. Polaroid Colorpack II, Fujifilm FP-100C, 2017

Blue mural

Mural on a building recently torn down, Kodak VR35 K40, Fujicolor 200, 2011

BlueIndy

Electric cars for hire taking up prime parking, Polaroid Colorpack II, Fujifilm FP-100C, 2017

I love old bridges and I have a preservationist’s heart. So I was sad to see that the railing on the 1906 bridge over the Canal was altered, I’m sure to make it safer. The railing was about knee height before, making it easy to fall off.

Rainbow Bridge

Rainbow bridge railing before. Canon AF35ML (Super Sure Shot), Fujicolor 200, 2011

Rainbow Bridge

Rainbow bridge railing after. Pentax K1000, 55mm f/1.8 SMC Pentax, Kodak Gold 400, 2017

Taking the long view, change has been constant in Broad Ripple. But many places of quirky charm from Broad Ripple’s most recent era remain. I never lack for photographic subjects there. I can always photograph the Monon bridge or the polka-dotted chair one more time. Or I can walk down a side street I haven’t visited in a while and see what’s new.

Monon bridge 1

Monon bridge. Pentax ME, Kodak T-Max 400, SMC Pentax 55mm f/1.8, 2012

Polka-dotted chair

Polka-dotted chair. Kodak Monitor Six-20, Kodak Ektachrome E100G, 2012

Fence

Blue picket fence. Kodak Monitor Six-20, Kodak Ektachrome E100G, 2012

Dilapidated

Dilapidated building (restored since I took this photo). Kodak VR35 K40, Fujicolor 200, 2011

Vintage

Vintage clothes. Canon AF35ML (Super Sure Shot), Fujicolor 200, 2011

Brugge

Brugge. Nikon F2AS, 35-70mm Zoom-Nikkor, Fujicolor 200, 2014

Broad Ripple has survived many transitions before and forged a new identity. I expect it will survive this one just the same.

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Shop Tibet

Shop Tibet
Canon EOS A2e, 50mm f/1.8 Canon EF
Kodak Tri-X 400
2017

Tomorrow I continue my Favorite Subjects series with a very long post about Broad Ripple Village. I’ll give a thumbnail of the area’s history tomorrow, but in short this was once a town outside Indianapolis but is today one of its neighborhoods.

I’ve photographed this little shop over and over again, unconsciously. It wasn’t until I looked back through all my photos of the Village that I saw how many times I’d captured it!

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Photography

single frame: Shop Tibet

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Photography

Favorite subjects: Juan Solomon Park

JuanSolomon

Imagery and map data © 2017 Google

The city park nearest my home is a few minutes’ drive away, where Grandview Drive and Fox Hill Road intersect on Indianapolis’s Northwestside. Driving by, it seems small — a tennis court, a playground, a community building. But behind it are 41 acres of trails and soccer fields.

Juan Solomon Park was built in 1971 but didn’t get its name until 1973. Mr. Solomon was not only a community leader, but a neighbor — he lived across the street from the park when he passed away.

My young sons and I spent many happy hours here, me on a bench watching while they ran and played. This park was usually packed with children. My older boy made friends with everyone. My younger boy seemed content to play alone, but was always clearly delighted when his older brother called him into the playgroup.

And then in about 2010 the city tore down the playground. My sons were older by then and we didn’t visit anymore, but it made us sad just the same. And it didn’t make sense to us, given how popular the park remained.

What we didn’t know was that the city had innovative plans for the site. Much of the Northwestside was built before the city annexed it in 1970. Thousands of homes were built without city services, and their aging septic systems were leaching waste into the waterways. The city was aggressively building its sanitary sewer system out to this part of town and compelling homeowners to connect to it. I was one of those homeowners; read about my experience here, here, and here.

Pumping stations would be needed to manage this much waste, and one would be built at Juan Solomon Park. But the building would also become a community center, and a brand new playground would be built. And when it was done, it was beautiful.

Here’s the pumping station and community center just after it was completed in 2012. I love how the building features a sod roof.

Sod roof

Pentax KM, 55mm f/1.8 SMC Pentax, Fujicolor 200, 2012

This building is a wonderful subject for black-and-white film. The dark glass and white framing create lovely contrast.

At Juan Solomon Park

Nikon F2AS, 50mm f/2 AI Nikkor, Arista 100 EDU (expired), 2015

Buliding at Juan Solomon Park

Ansco Shur Shot, Fujifilm Neopan 100 Acros, 2012

Most of the time I visited Juan Solomon Park with a camera, it was to take advantage of the abundant color and detail on the playground. The playground’s surface is made of innovative, cushiony squares that can be replaced when damaged. When they were new, their colors were vibrant.

Tubes

Pentax KM, Fujicolor 200, SMC Pentax f/1.8 55mm, 2012

Wet seat

Pentax KM, Fujicolor 200, SMC Pentax f/1.8 55mm, 2012

At the playground

Olympus XA, Fujicolor 200, 2012

Seat

Canon Dial 35-2, Fujicolor 200, 2013

The grounds are full of interesting shapes, forms, and lines.

Top of the wall

Nikon F2AS, 50mm f/1.8 Nikon Series E, Ilford Delta 100, 2015

Equipment

Canon Dial 35-2, Fujicolor 200, 2013

At Juan Solomon Park

Nikon F2AS, 50mm f/2 AI Nikkor, Arista 100 EDU (expired), 2015

My favorite thing to photograph at Juan Solomon Park is shadow. The sun has free reign over the playground and casts shadows at nearly all times of day.

Shadows 2

Nikon F2AS, 50mm f/2 AI Nikkor, Arista 100 EDU (expired), 2015

Image01.jpg

Pentax KM, 28mm f/2.8 SMC Pentax-M, Kodak Tri-X 400, 2017

At Juan Solomon Park

Pentax KM, 28mm f/2.8 SMC Pentax-M, Kodak Tri-X 400, 2017

Now that the rebuilt park has been open five years, color is fading from the play surface. But the rest of the facility is remarkably free of vandalism and graffiti. It remains a shining destination for this solidly middle-class neighborhood.

At Juan Solomon Park

Pentax K1000, 55mm f/1.8 SMC Pentax, Kodak Gold 400, 2017

And I’m going to miss it when I move later this year. But there will, I’m sure, be new favorite subjects to find where I’m going.

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History, Road trips

For sale: Michigan Road Toll House

Toll house

When railroads came to prominence in the mid 1800s, traffic dropped dramatically on roads like Indiana’s Michigan Road. What followed was an early example of privatization: many roads were sold to private companies to operate.

Toll house markerThe Michigan Road was one of them. Several companies bought pieces of it, made various improvements, and operated it as a toll road. One such company was the Augusta Gravel Road Company, which operated a segment of the road that passed through northwest Indianapolis. In 1866, they built this toll house (read more here.)

And it’s for sale. With two bedrooms and one bathroom, this 1,100-square-foot house comes with two lots totaling more than 10,000 square feet. It’s been a rental in recent years, and is in sad condition inside. See photos at the listing on Zillow, which also has better exterior photos than mine.

Toll house

Its price is so low that if I weren’t in the middle of paying huge college bills for my sons, I’d buy it. I don’t know exactly what I’d do with it, as it’s too small for my family, but I sure would hate for this house to fall into the hands of someone who can’t appreciate its place in history.

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