Electric trains called interurbans could take you to many Indiana cities in the early 20th century. At their peak, 111 traction companies operated more then 3,000 cars along 2,100 track miles. 68 of Indiana’s 92 counties were served by at least one line.
Most Indiana interurbans had shut down by 1950 as the automobile took over. Remarkably, one interurban still serves, carrying passengers between South Bend and Chicago.
Some interurban infrastructure remains, like this bridge. You’ll find it today on the campus of Newfields, formerly known as the Indianapolis Museum of Art. Below once ran the Terre Haute, Indianapolis & Eastern Traction Company’s line from Indianapolis to Lafayette, which was abandoned in the 1930s. You can see more views of this bridge on bridgehunter.com here.
This bridge spans the Indianapolis Central Canal on the grounds of Newfields, also known as the Indianapolis Museum of Art.
It was built in 1873 to span Sugar Creek near Crawfordsville in Montgomery County. It was a two-span bridge. When the bridge was replaced, one span went elsewhere in Montgomery County and this span went unused. After many years, it was moved here and restored.
I don’t know if I’m fully over it yet, the stiff fee the Indianapolis Museum of Art started charging in 2015 to visit any part of the museum and its grounds. I understand a fee to tour the museum — but the grounds? Really?
There is a fee-free way in, via the far west end of the campus, a small parking lot, and a long walk. But I haven’t done it. It’s a principle, darn it, and I’ve stood staunch. This walk should be as free and easy as it ever was!
But I’m almost over it. My idealism stretches only so far. If I weren’t about to move away, I’m sure that shortly I’d become willing to buy an annual membership and get back to photographing the lovely campus, on which I have not set foot in more than two and a half years.
The Indianapolis Museum of Art traces its roots to 1883, when the Art Association of Indianapolis held its first exhibit. The Art Association established its first permanent home in 1902 at 16th and Pennsylvania Streets, where Indianapolis’s Old Northside neighborhood ends and the Herron-Morton neighborhood begins. Herron-Morton gets its name in part for John Herron, who left most of his fortune to the Art Association on the condition that the funds establish a museum and art school in his name.
By 1964, the Art Association’s museum was out of space. In 1966, the John Herron School of Art lost its accreditation. It was time for change. The Herron School was transferred to Indiana University, which reaccredited it and operates it today. And the Lilly family of the Eli Lilly pharmaceutical company donated the family estate, Oldfields, on Michigan Road at 38th Street. The Art Association changed its name to the Indianapolis Museum of Art, and in time its new facilities were built on the sprawling Oldfields grounds.
Sprawling — and stunning. The White River runs behind it; the Indiana Central Canal runs through it. (The Canal is a feature of many of my favorite subjects!) The classical buildings of the Oldfields estate contrast with the modern buildings the Museum built to house its collections. And it’s all tied together by a system of beautifully landscaped paths and trails.
Everywhere you walk, there is something interesting to see.
I don’t know why it took me so long to visit the IMA for photography. Except for a few photos I made when I surveyed the Michigan Road in 2008, my first visits for photography were in 2013. And my last were in 2014, for that year the IMA announced it would henceforth cost $18 to set foot on the grounds. I wrote a scathing blog post criticizing this decision then; read it here. But for those two years, I visited all the time and made dozens of lovely photographs. So many outstanding subjects lurk everywhere!
You can spend hours just photographing the flowers and other plant life.
Statues dot the grounds.
For me, though, the campus’s showpiece is the Lilly house.
Oh my gosh, but do I miss wandering these grounds with a camera in my hands. It’s why I’m almost over the IMA’s ridiculous entry fee. $75 would buy an annual pass for me and my family.
The IMA recently announced that it is rebranding all of its offerings on its 152-acre campus — the museum, the grounds, the Lilly house, the acreage between the canal and the river, and all of the events that happen anywhere within these spaces — as Newfields. It deftly ties all of their offerings together, and reminds me that even a stroll on their groundsis good and valuable.
My wife enjoys what is now known as Newfields as well. Even though we’ll be farther away, up in Zionsville, it’s still an easy drive along I-65 to get here. A family membership might still be worth it.
Where do you go for everyday shooting? Do you have some favorite places, places that seldom let you down?
The sprawling grounds of the Indianapolis Museum of Art used to be that place for me. It’s a few minutes’ drive from my home and offers a wonderful variety of subjects: nature, architecture, sculpture, landscape.
I haven’t been there in more than a year, though, since they started charging $18 per visit, even just to walk the grounds. I wrote this screed when they announced the charge, and I’m still ticked about it.
I think it’s the shock over having to pay so much for something that formerly was free. The IMA puts a ton of effort into its grounds. I understand that they have to cover their operating costs, and they are choosing this charge as one way of doing that.
They also offer an annual pass for $55. I used to visit the IMA’s grounds a dozen or so times a year for photography, and on an annual pass that works out to $4.50 per visit. In my screed I said I thought I’d buy a pass, but I haven’t done it.
It’s because there are so many other places I can go with my camera that cost nothing. One of my favorites is Crown Hill Cemetery, on the opposite corner from the IMA. It’s enormous and lovely. I’ve featured photos from there on this blog for years.
I also take a fair number of photos at Washington Park North Cemetery, as it’s within walking distance of my home. It’s not nearly as picturesque as Crown Hill, but it’s easy to reach.
I also like to walk the streets in Broad Ripple, a popular neighborhood with a lively “strip” of bars and clubs, quaint shops on the side streets, and lovely older homes for blocks around. I can get there by car in 10 minutes.
But still, I miss the IMA. I made so many wonderful photographs there. It was a great place to test a new-to-me old camera because of the variety of things available to photograph. None of my other haunts are as good.
I wish the IMA well and hope they thrive. But I also hope that someday they drop the charge to walk the grounds.
But please, do tell me in the comments about the places you visit again and again for photography.
Oldfields was the mansion of Eli Lilly, who founded a pharmaceutical company that bears his name and still employs lots of people in central Indiana. Today, the house stands on the marvelous grounds of the Indianapolis Museum of Art. The IMA is near my home, so I’m over there all the time with camera in hand.
I was out walking the grounds one cool late-spring evening with my girlfriend, two of her children, and my sons. Margaret brought her Nikon D50 with the 50mm f/1.8 AF Nikkor lens I gave her for her birthday, and I brought my Nikon F2AS with my 50mm f/2 AI Nikkor lens. I was shooting my first ever roll of Kodak Ektar 100. We lingered for a while behind Oldfields, photographing our teenagers together among these arches. I liked the light here as the sun hung low in the west, and so I paused for this photo. The Ektar really brought this shot home. It was chosen for Flickr’s Explore feature and it got over 5,000 views in two days. That was fun!
I have several photographic haunts – places I visit frequently when I put film into a new old camera. Especially when I find a camera to be challenging or not very enjoyable, I like to shoot familiar scenes because it’s easy.
This summer I added the Indianapolis Museum of Art’s gorgeous grounds to my haunt list. I took my Canon FT QL and my Minolta XG 1 there. The estate of Eli Lilly, who founded an important pharmaceuticals firm that is one of Indianapolis’s major employers, stands on the IMA grounds. This little footbridge is immediately south of the house. I shot it one bright but cloudy day with the Canon.
On another day when the sun was out, I shot the same scene with the Minolta. I probably stood a little closer to the bridge, as it’s a slightly narrower shot with a slightly wider lens. The Minolta wore a 45mm f/2 lens, compared to the 50mm f/1.8 lens on the Canon. Even though the Canon shot is very soft at the right edge (which I think is a fault in the lens or camera), I like the Canon shot better for the misty mood it sets.
I found the Minolta to be easier and more enjoyable to use, though. I preferred its aperture-priority shooting to the Canon’s stop-down, match-needle system. The Minolta was also much easier to handle, largely because it is smaller and lighter than the Canon. But the Minolta tended to overexpose a little bit in bright sunlight. In this photo of the bridge from a different angle, despite some adjustments in photo-editing software the foliage in the lower left corner remains a little blown out.
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