Abandoned

Abandoned Dixie Highway
Canon PowerShot S95
2012

A limestone (I think) pit was dug north of Oolitic, a small town in southern Indiana. It obliterated a section of the old Dixie Highway (and former State Road 37). A gate blocks the way long before this; such is the condition of the road beyond the gate.

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Photography, Road trips

Photo: Abandoned Dixie Highway in southern Indiana

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Curvy State Road 45

Curvy State Road 45
Nikon N60, 28-80mm f/3.3-5.6 AF Nikkor
Fujicolor 200
2013

One of my two favorite highways to drive in Indiana is State Road 45 between Bean Blossom and Bloomington. It’s good twisty fun. (The other favorite highway is State Road 62 where it skirts the Ohio River.)

Photography, Road trips

Photo: Curvy State Road 45 in Indiana

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On the Dixie

On the Dixie Highway in Indiana
Canon PowerShot S95
2012

My friend Dawn and I drove the Dixie from Indianapolis to Paoli a few years ago, and stopped to walk a while along this old alignment.

I’ll be showing road photos all month in celebration of this blog’s tenth anniversary! My first post on Down the Road was February 7, 2007 — ten years ago tomorrow.

Photography, Road trips

Photo: On the Dixie Highway in Indiana

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Photography

Twelve exposures: Starkey Nature Park, Zionsville

Margaret had a great idea, which is to go out on a photo walk but limit ourselves to just twelve exposures. Not twelve resulting photos, but twelve presses of the shutter button. She thought it might make us think more carefully about what is a worthy subject and help us pause to carefully make an interesting composition — but also result in an instant photo series about the place we walked.

We made our first Twelve Exposures walk at Starkey Nature Park in Zionsville. This heavily wooded park has a small system of trails for hiking and running. Eagle Creek borders it, and an old railroad bridge lurks along Trail 1.

Kodak EasyShare Z730I decided to get out my old Kodak EasyShare Z730 for this maiden Twelve Exposures walk. It was a very good consumer point-and-shoot digital camera when it was new more than ten years ago, and I’ve always liked the cheerful color it returns.

And then we got to the park, and I saw that we’d passed peak autumn color. Most things in view were some shade of brown or gray. The Z730 doesn’t get on well with such dull colors. It tends to tinge them with green. I wished I’d chosen a different camera. But then I thought perhaps I could turn this into a positive, and seek out scenes that played to this camera’s strengths, or at least didn’t play to its weaknesses. We headed in.

Twelve exposures: Starkey Park

I’ve grown used to “working a scene” with my digital camera, just taking a bunch of throwaway photos of it to get a feel. But limiting myself to twelve exposures took that right out. I felt like a kid again, having just put a costly 12-exposure roll of Kodacolor II into my Brownie Starmite II. Every shot had to count.

Twelve exposures: Starkey Park

Film and processing were expensive, which kept me from experimenting freely. Chalk one up to the digital era: you can waste all the pixels you want. A photographer learning to make good photographs can readily take all the bad ones he or she needs to, because they don’t cost extra.

Twelve exposures: Starkey Park

I knew that my first two shots involved  too much dull brown and gray, but I shot them anyway. I guess I was afraid I wouldn’t find scenes this camera would like, and decided to just shoot anyway. I wasn’t looking hard enough. When I saw this bright yellow sign, I started to get my head wrapped around this assignment.

Twelve exposures: Starkey Park

One section of a trail was littered with bright green leaves. I wonder why they fell before turning color. But they made a decent subject, providing good color and contrast against a background of crushed, dead leaves.

Twelve exposures: Starkey Park

Before long we came upon the old bridge, a 1919 concrete arch affair that once carried the New York Central Railroad’s James Whitcomb Riley line between Chicago and Cincinnati. Today this bridge and much of the railbed in this county are part of the Zionsville Rail Trail.

Twelve exposures: Starkey Park

Eagle Creek was still enough this day to provide a good reflection. This is my favorite shot from the day. I love the shade of blue in the sky as it reflects in the water. I could have photographed this bridge all day, but I didn’t want this photo essay (of sorts) to be bridge-heavy.

Twelve exposures: Starkey Park

I did get one more bridge shot, of some of the graffiti painted onto it. Zionsville has some talented graffiti artists. Someone took considerable time to paint this scene from Adventure Time, a show on Cartoon Network. Someone else spent considerably less time adding his spray-painted condemnation of the show.

Twelve exposures: Starkey Park

I knew the Z730 wouldn’t capture the light on this tree as well as I wanted. It tends to wash out anything sunlight directly touches. I hoped in vain that it would behave differently just this once. I kind of wished I was shooting Tri-X, perhaps in one of my fine compact 35mm rangefinders. That combo would have crushed this scene.

Twelve exposures: Starkey Park

I saw all sorts of good black and white opportunities, actually. I shot them anyway. So much for seeking only scenes that showed the Z730’s strengths.

Twelve exposures: Starkey Park

Like so many older digital cameras, the Z730’s screen suffers from total washout in bright light. Fortunately, the Z730 has an optical viewfinder. And, shockingly, it has a diopter dial. I gather it adjusts only from -2 to 0, but that it does it at all is pretty remarkable.

Twelve exposures: Starkey Park

I shot this one with the sun directly behind me. It created strong contrast, but it works for this shot. The Z730 really does its best outdoors work when the sun is directly overhead.

Twelve exposures: Starkey Park

I made some quick corrections in Photoshop on all twelve of these — which cut haze in this photo and brought out definition. Unfortunately, it’s not all that interesting of a scene. It looked better in real life.

This was a useful exercise in being more thoughtful about choosing my subjects and in learning to work within my camera’s limitations. We’ll do more Twelve Exposures walks.

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Down the Road is on hiatus, returning Monday, 26 September. I’m rerunning old posts in the meantime.

Perfect gravel road

This country road may seem like it’s in the middle of nowhere, but it is about 100 feet away from busy US 36, two miles west of Rockville, Indiana. As I took this photograph, the rumble of cars and trucks on the nearby highway blotted out nature’s sounds. Yet when I look at this photograph now, the scene seems so remote that I can imagine hearing the rustling wind and the chirping birds.

At one time, though, this road was the busy highway. This was an early alignment of the Pike’s Peak Ocean-to-Ocean Highway, one of the “auto trails” that crisscrossed the nation in the early 20th century. Then in 1918, when Indiana created its first system of numbered state highways, this road became State Road 31. Next, in 1927 when the US numbered route system was formed, this road became US 36. It wasn’t uncommon for US routes to be gravel roads in the early days. It wasn’t until about the early 1930s that US 36’s current alignment was built nearby as a modern, paved highway. This has been a county road ever since.

Photography, Road trips

Captured: Perfect gravel road

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Garfield Park

Garfield Park Conservatory entrance
Olympus Stylus
Fujifilm Superia X-tra 400 (expired)
2016

Another dusk shot of the conservatory building in Garfield Park in Indianapolis.

Photography
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