Film Photography

Shooting Foma Fomapan 400

Selfie

I like to learn things by trying them. It would be a lot more efficient if I could learn things by reading about them, or hearing about them, and accepting the information as fact. But I always have to find out for myself.

The blogs and forums all say that Fomapan 400 looks best when shot at EI 160 or 200. But the box says 400. I’m stubborn about this: why the heck would a manufacturer rate a film at a particular ISO if they don’t mean it? Call me stubborn, but I always shoot a film for the first time at box speed. If the results demand it, the next time I shoot I adjust exposure up or down as appropriate.

Pentax Spotmatic F

It was time to give my Spotmatic F some exercise. I chose my delightful 55mm f/1.8 SMC Takumar lens for this roll. I developed the film in LegacyPro L110, dilution B.

I got okay results from most of the roll. I’m pleased with my bathroom-mirror selfie above. Everything is so sharp, you can almost count the hairs on my head. I’m reasonably pleased with these next four photos. They show good detail and a reasonable tonal range, and good contrast after I boosted it in Photoshop. My Minolta ScanDual II scanner delivers mighty flat scans, so punching up the contrast is a must. If you pixel peep you’ll see lots of pleasant grain.

Depository
Est. 1851
Whitestown buildings
Brewpub Entrance

The main challenge I had with this film at EI 400 that shadows looked underexposed. This photo shows this reasonably well; look under the front bumper and around the wheels. The negatives looked to have good density to me, though I’m still developing my eye for that.

Stewarts

A few shots on the roll looked flat and lifeless, no matter what I did to them in Photoshop.

Meijer

A couple of the flat shots benefited from reducing exposure in Photoshop, at cost of enhancing the grain.

Bridgelet
Durango in the neighborhood

It was lovely to shoot my Spotmatic F again. It’s such a wonderful SLR. Every time I use it, I wonder why I don’t use it more often. Then I remember that I own about 15 very nice SLRs at the moment, plus about 20 other lovely cameras. I’d have to shoot one roll of film every week to be able to use each of my cameras about once a year.

Carts
Prayer mail

I bought several rolls of Fomapan 400 (and 200) when Freestyle Photo had it on sale not long ago. I’ll shoot another roll of the 400 again soon, but I’ll set my camera to EI 200 and see what happens then. Because I’m an experiential learner.

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Standard
Lampshade

Tripod lamp
Pentax Spotmatic F, 55mm f/1.8 SMC Takumar
Foma Fomapan 400
LegacyPro L110, dilution B
2021

When I bought my previous house, I had next to nothing. A futon, a bunch of end tables, a TV. I had to buy everything else. I bought some lamps at Target. One of them has a wooden tripod base, which I thought was cool for what are probably obvious reasons if you’ve read my blog for more than five minutes.

For years it stood on the table next to my easy chair. Since moving in with Margaret, it’s been on a table next to my desk. Given that I usually load film into cameras while sitting here, and I usually need to burn off a shot or two after closing the film door, I photograph this lamp a lot now.

I made this particular photo in my Spotmatic F on Fomapan 400, a film I’d never shot before. This being the first photo on the roll, half of the negative was blank from being exposed to light during loading. I cropped that part out and boosted contrast in Photoshop, which brought out the lampshade’s two textures. I find the tonality, softness, and grain of this image to be pleasing.

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Film Photography

single frame: Tripod lamp

Detail of the lamp next to my computer desk, on Fomapan 400.

Image