Yellow flowers

Yellow flowers
Minolta XG 1, 50mm f/1.7 Minolta MD
Agfa Vista 200 (at EI 100)
2018

When I was 22 I broke up with a young woman who I still call my first great love. We were such comfortable companions. Our favorite thing was to watch bad movies together on cable well into the wee hours. She was brilliant at heckling them. Her dry, nerdy humor kept me laughing. I don’t laugh easily. She was a real gift in my life.

Yet we couldn’t make other things about our relationship work, important things. I don’t think she ever felt like I really loved her. I showed her in the ways I knew how, but she needed to feel loved in ways I didn’t understand and couldn’t give.  And when I was tired or overwhelmed or irritated I was prickly and difficult. Still am. She never knew how to deal with that and she took it hard.

Sometimes a relationship can’t last because you’re not right together in some ways that really matter. Yet you’re reluctant to end it because it’s otherwise so comfortable. But after awhile comfort isn’t enough, and after a longer while the places where you don’t fit start to grate. More of your needs must be met. We ended our relationship, and it hurt, and we missed each other. But it was necessary.

My many Minolta SLRs have all been lovely and felt great in my hands. Their lenses are sublime. My heart leaps over the images these cameras give me. I want to shoot with them forever.

But they have been so unreliable. I just can’t keep one working for the long haul. There may be photographers out there who enjoy taking their gear apart and keeping them working smoothly. I’m not one of them. I just want my gear to work, period. And that’s why I’ve just sold my last Minolta body and am running right into the arms of reliable Pentax and Nikon.

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Film Photography, Stories Told

single frame: Yellow flowers

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Pink and white, the sequel

Pink and white flowers
Canon TLb, 50mm f/1.8 Canon FD S.C.
Kodak Gold 200 (at EI 100)
2018

Do you ever get tired of flower photos? I sure don’t get tired of taking them. I like to get in close with my camera and really look at the blooms.

I prefer to photograph wild flowers by the roadside, but sometimes I make do with cultivated flowers in professionally landscaped beds. As here.

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Film Photography

single frame: Pink and white flowers

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Film Photography

Summer flowers on Kodak Gold 200

My son gave me some Kodak Gold 200 film for Father’s Day so I shot it all straightaway. With a roll in a fresh-from CLA Pentax ME (which I subsequently gave him), with my 50mm f/1.7 SMC Pentax-M lens attached, I photographed some roadside flowers.

Roadside flowers

I haven’t photographed many flowers this year. I had a pretty prolific garden at my last house which provided many lovely subjects through the blooming months. My new house doesn’t offer nearly the floral photographic opportunities.

Roadside flowers

But while carrying this ME around I had occasion to stop along a rural highway and to walk along South Meridian Street in Indianapolis. Both offered me posies to photograph.

Roadside flowers

I am swooning over the quality of the blurred backgrounds I got with this lens. I need to shoot it more to be sure, but it looks like it very well could be the best of the Pentax 50s (50/1.4, 50/1.7, and 50/2).

Roadside flowers

Lately I’ve come to appreciate the 35mm focal length for the walking-around photography I do, given how often I want to get a whole building in my frame. Sometimes I just can’t back up enough when a 50 is mounted. But I don’t think my 35 can do close work like this.

Chicory

It’s a conundrum, which lens to bring along on a walk. But I suppose it’s a first-world problem.

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Photography

My Pentax ME is back from being overhauled!

My Pentax ME had developed a light leak, so I sent it off to Eric Hendrickson for repair and CLA (clean, lube, adjustment). It came back looking and smelling like new. There really is a new-camera smell!

Naturally, I dropped film right into it. My son had given me some Kodak Gold 200 for Father’s Day, so that’s what I used. Here is said son photographed with said film.

Damion

My sons had come over for the weekend so I invited the rest of the family for a cookout. It was early July, and I was very close to having the house ready to list for sale. So we threw a little bash to say goodbye. Naturally, my dad had to tell his stories. Here he is in mid-story, with Margaret watching me take the photo.

Dad & Margaret

My garden’s flowers were at peak, so I photographed them. I think half the exposures I’ve made all spring and summer have been of my flowers.

Coneflowers

I didn’t know a Pentax ME could operate as smoothly as mine does now! I’ve owned three, you see. While all have worked well enough, it wasn’t until shooting this roll I understood how roughly they all operated. The controls are all supposed to feel silky smooth. Truly, this overhaul made my ME, a camera I’ve always enjoyed, twice as joyful to shoot.

I do need to double-check the meter, however. Eric’s service includes calibrating the meter, but to my surprise my daylight photos all looked a little overexposed. Thankfully, a half-stop down on Photoshop’s Exposure control is all they needed to look right. However, blazingly bright days have characterized this summer. Images I’ve taken with several other cameras have benefited from some fiddling with the Exposure control. My ME is probably fine. But if something isn’t quite right, the sooner I get it back to Eric the better.

Tiger lily

Oh, here’s one more flower shot. I’m just so pleased with my gardens this year. They’re the best they’ve ever been. I hope the person who is buying my home loves these flowers at least as much as I have, and cares well for them.

Daisies

Margaret and I walked Indianapolis’s Warfleigh neighborhood to see how we liked it, as we continue to consider where we might like to settle one day. The Meridian Street bridge over the White River borders this neighborhood. I love to shoot this bridge, even if this isn’t much of a photograph.

Under the Meridian St. Bridge

While making this walk, the metal cap that covers the winder unscrewed itself and disappeared. I noticed it while we walked, so we retraced our steps in hopes of finding it. No luck. So I emailed Eric to explain. A few days later a spare cap arrived in my mailbox. Very nice.

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Dawn over the front yard

Rainy dawn
Kodak EasyShare C613 Zoom
2017

Over the past few months I’ve casually shot my son’s discarded digital camera, a ten-year-old Kodak. That’s positively ancient in digital camera terms. It’s performed reliably, even under some rough service my son dealt it when he was younger. I’ll review it here tomorrow.

I’ve photographed my yard a lot this year. The front garden is better than it’s ever been and I’m excited to see it!

It was probably about 6:30 this rainy morning when I stepped onto my stoop for this photo. I wanted to see how the camera handled the available light. It decided it needed to fire the flash, but given the distance to my subject all that served to do was illuminate the raindrops. Still, this little camera managed to capture the dawn light’s quality very well.

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Photography

single frame: Rainy dawn

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Pink

Dusky daisies
Kodak Retina IIc
Kodak Gold 200
2017

update: Like a doof, I thought this was from my Spotmatic when it was from my Retina IIc. I fixed the description above but not the text below. The comments all refer to the Spotmatic so this is a right mess. Whatever. Good discussion.

Here’s one more photo from the Spotmatic F after yesterday’s review. I’m sure, however, that this won’t be the last photo from the SPF as it is a delightful camera and I’ll use it often.

I’ve reached a breaking point with my SLRs. I have more good ones than I can possibly shoot. Over at Casual Photophile recently, James Tocchio wrote about paring his collection down to one of each kind of camera, for simplicity sake and to improve his photography. Our experiences match: even though we enjoy trying new-to-us old cameras, if we used fewer cameras more often we’d become better photographers. I experienced that in 2014 when I shot a Nikon F2 almost exclusively all year. I left this comment:

I can see me having one TLR, one rangefinder, one P&S. Well, maybe two rangefinders: my Canonet QL17 and one of my Retinas. But I will not be able to get below seven or eight SLRs. Gosh, I love SLRs. I can’t imagine selling off my Nikons F2 and F3; my Nikon N90s; my Canon A2e; or my Pentaxes KM, ME, and Spotmatic F. I am likely to keep a Canon FD-mount body and a Minolta MC/MD-mount body because you never know when you’ll stumble upon an interesting lens for them cheap.

But even then, this will cause me to part with some cameras that I simply adore. My Konica Autoreflex T3. My Miranda Sensorex II. Oh, I could list a dozen more, but you get the point.

Given that camera reviews remain very popular on my blog, and given that I really enjoy the experience of trying a new-to-me old camera, I can’t see myself not buying more. If I don’t become 100% the photographer I could be because I didn’t pare down to one SLR, one TLR, etc., then so be it. The journey will have been worth it.

But I have at least implemented one rule: for every camera I buy, one camera has to go. Period.

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Photography

single frame: Dusky daisies

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