Inside the Cadillac Palace Theatre

Inside the Palmer House Hilton
Olympus XA
Film Washi D
2020

Because I never take notes as I shoot rolls of film, once in a while I get an image back that I can’t place. I shot this whole roll of Film Washi D in Chicago, so it’s narrowed down that much. But I couldn’t remember whether I shot this inside the Cadillac Palace Theatre or the Palmer House Hilton. Peristent Googling turned up images that confirm this as the Palmer House.

Whichever it is, the Film Washi D did a nice job in the available light, delivering good tones in the marble. I like how the light falls off, giving this scene an air of mystery.

The fine folks at Analogue Wonderland gave me this roll of film in exchange for this mention. Film Washi films go in and out of stock at Analogue Wonderland; see their entire selection here.

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Film Photography

single frame: Inside the Palmer House Hilton

A peek inside Chicago’s Palmer House Hilton on Film Washi D.

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Inside the Cadillac Palace Theatre

Inside the Cadillac Palace Theatre
Olympus XA
Film Washi D
2020

I was in an experimental mood with this experimental film. My wife and I were in Chicago and bought tickets to see the new production of The Phantom of the Opera. It played at the Cadillac Palace Theatre, built in 1926 in the French Baroque style.

I made this photograph in the auditorium before the show began. The Film Washi D made good use of the available light, delivering rich blacks and sharp contrast.

The fine folks at Analogue Wonderland gave me this roll of film in exchange for this mention. Film Washi films go in and out of stock at Analogue Wonderland; see their entire selection here.

If you’d like to get more of my photography in your inbox or reader, click here to subscribe.

Film Photography

single frame: Inside the Cadillac Palace Theatre

A peek inside Chicago’s Cadillac Palace Theatre on Film Washi D.

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Film Photography, Travel

Shooting Film Washi D

Wabash St.

When it comes to black-and-white photography, I hew to the classics. Lately I’ve enjoyed Ilford’s FP4 Plus for its rich tones. When I want something faster, it’s a tossup between Kodak T-Max 400 and Ilford HP5 Plus. But I am also a deeply curious man. When I heard about Film Washi, a one-man film company from France, I wanted to try its films.

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I’ve already shot a roll of Film Washi S, and here I’ve shot a roll of Film Washi D. Analogue Wonderland sent me both rolls in exchange for these mentions. Their Film Washi stocks vary with time; check here to see what they have available now. Or choose from any of the over 200 other films they keep in stock.

I loaded the Film Washi D into my Olympus XA and brought it on a weekend trip to Chicago with my wife. It was early January, cold and gloomy. Who knows whether this was the best light to test this ISO 500 film, but that’s what I threw at it.

Cafe view

Like so many boutique films, Film Washi D loves contrasty scenes. I knew this going in, because I read up about it on Film Washi’s site first. I learned my lesson after not doing that with the roll of Film Washi S I shot last year. Turns out this film was originally used for aerial surveillance and cartography. Strong contrast is likely useful in that application.

Vans

I had a devil-may-care attitude as I shot this roll. “I wonder if this film can handle this light,” I kept wondering. It kept saying yes. I’m especially pleased with how it captured the iconic sign of the Berghoff Restaurant.

The Berghoff, Chicago

We had tickets to see the new production of The Phantom of the Opera; this was the marquee. (I’d never seen the show in any form before. The production was first rate, but I was surprised to find I don’t like the story.)

Phantom of the Opera at the Cadillac Palace Theatre

There was a dull muddiness to all of these photos as scanned. I shouldn’t be surprised — the negatives were incredibly thin. I shot at the box speed of 500, but I wonder now if I should have shot at half that. Or perhaps my lab didn’t know what to do with this film and underdeveloped it. I opened these images in Photoshop’s RAW editor and used the Black and Dehaze sliders to tame the muddiness. Sometimes it wouldn’t be fully tamed without losing all the shadow detail. I had to stop short of that in the photo below.

The Loop, Chicago

Skies were overcast all weekend, creating diffuse, even light. But there wasn’t always enough light for Film Washi D to pull detail out of the shadows.

Umbrella Men

Not knowing this about the film yet, I lucked into using it to good effect here.

Shadowy Tower

But give Film Washi D some blacks and some whites to play with, and it brings them home with aplomb.

Painted rhino

If I had this roll to shoot over again, I would have shot nothing but street with it. I made exactly one street image, this one, shot from my hip. I thought there was something interesting in this lone woman at the end of this line of chairs, and I was right. The Film Washi D captured a reasonable range of tones.

Seated

The woman spied me with my camera, even though it was at my hip, and shouted obscenities at me. She was most unhappy about being my subject. So here you go, lady: you’re immortalized on the Internet.

Many thanks to Analogue Wonderland for the chance to try Film Washi D and give it this one-roll review.

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