Photography

Shooting the 50mm f/2 SMC Pentax-M lens

In case you can’t tell, I’ve been on a jag of shooting my prime manual-focus Pentax lenses. It’s also given me a chance to shoot up some film that’s been sitting in my fridge for far too long. So: my 50mm f/2 SMC Pentax-M lens went on, and a roll of Kentmere 100 went in, my Pentax ME. And I took it along when I went to visit my son at Purdue. We drove across the river into Lafayette and strolled through downtown.

Signboard

I’ve always enjoyed this f/2 prime, but after I bought my 50/1.4 it never got much play. I admit it: I liked the cachet of having that f/1.4 lens on my camera. Look at me, the photographer with the f/1.4 lens! But for everyday shooting I didn’t really need that extra stop.

I have generally not, however, enjoyed Kentmere 100. It’s soot and chalk, prone to blown highlights. But it did all right under this lens. And what a grand theater marquee that is!

Lafayette Theater

A mural down one alley featured all these faceless people. I can’t decide whether it’s cool or creepy, but either way it’s compelling.

Your face here 1

Lafayette’s downtown is lovely, chock full of old buildings that appear to have been maintained or restored. So many Indiana downtowns have not been so fortunate. My hometown of South Bend lost half its downtown buildings to urban renewal. My college town of Terre Haute saw many of its old downtown buildings torn down from neglect.

Looking up

My son and I also walked through a park on Lafayette’s east side. This shot of a tree in the park shows a little of Kentmere’s highlight-blowing tendencies.

Tree

On a different day I shot this flag. I’m a little bummed out to see that light leak in the bottom corner. A couple other shots were so afflicted. Could my ME need new seals? Is it finally time to send it out for a good CLA? The answer appears to be yes on both counts.

Flag

Finally, here’s a new McDonald’s. Actually, this is an old McDonald’s. Believe it or not, this was until recently an iconic red Mansard-roofed McDs. They tore the old skin off and put on a new one. I don’t know what is making the company remake its buildings in such generic style. Take off the golden arches and this could be any office building anywhere.

McDonald's

This lens handled flawlessly and returned sharp results, as it always does. The Kentmere mostly kept its highlight-blowing tendencies at bay. The only clinker was the light leak this roll revealed.

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On Illinois Street

56th and Illinois
Pentax K1000, 55mm f/1.8 SMC Pentax
Kodak Gold 400
2017

Margaret and I keep walking Indianapolis neighborhoods, considering where we might like to settle after we’re empty nested in a few years. The neighborhood around 56th and Illinois appeals deeply to me.

Photography

Photo: Street scene, 56th and Illinois, Indianapolis

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On Illinois Street

Planter box on Illinois Street
Pentax K1000, 55mm f/1.8 SMC Pentax
Kodak Gold 400
2017

I think every film has its use. I just hadn’t found the right one for Kodak Gold 400 yet. I just haven’t liked the color I get when I use it. But it yielded surprisingly good color in my K1000 with this 55/1.8 lens. It’s still truer-than-life Kodak color, saturated, candylike. But it captured the dusky hues here pretty well, and that’s not something I expect from consumer-grade Kodak film.

Photography

Photo: Planter box on Illinois Street.

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Photography

Shooting the 55mm f/1.8 SMC Pentax lens

I am wasting my time shooting any normal prime lens on my Pentax cameras other than this 55mm f/1.8. Just look at this! Such color, such sharpness, such sensitive detail! On workaday Kodak Gold 400 no less!

At Second Presbyterian Church

On the same day I photographed Second Presbyterian Church with a 28mm lens, I brought my Pentax K1000 with this 55mm f/1.8 lens too. While that 28mm lens really brought this giant church into the frame, this 55mm lens did a much better job of capturing the church’s detailed beauty.

At Second Presbyterian Church

That Kodak Gold 400 surely likes red. And this lens handles beautifully.

At Second Presbyterian Church

I took the K1000 and this lens to several favorite photographic haunts, including Juan Solomon Park. I’ve shot its colorful playground many times since it opened several years ago.

At Juan Solomon Park

There’s actually been a playground here since before I moved to Indy in the 1990s. The city just redid it from the ground up when they used this park site for a building that is part of an expansion of sewage services to this part of the city. The old playground was fine, but the new one is top flight. I especially love the colorful play surface of soft replaceable tiles.

At Juan Solomon Park

I also took the K1000 over to Broad Ripple one chilly day for a walk. I’ve photographed this unusual bridge railing many times. The bridge was built in 1906, but a couple years ago the railing was altered. The row of blocks below the links was added, I assume to increase the railing’s height for safety. The purist in me thinks this was a shame.

Rainbow Bridge

I just thought the painting on this dumpster enclosure was interesting.

Dumpster Enclosure

I usually shoot my 50/1.4 SMC Pentax-M lens on my K-mount cameras, but it doesn’t deliver the color or detail that 55/1.8 does. I’ll just admit it: I use that 50/1.4 partially because of that vaunted 1.4 number, as if it says something about me as a photographer. Nuts to it. I’ll let my work do the talking. And with this 55/1.8, I’ll definitely have something to say.

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At West Park Christian Church

Curved pews
Pentax KM, 28mm f/1.8 SMC Pentax-M
Kodak Tri-X
2017

I know of only one other church in town with curved pews: the former Central Methodist Church, now Indiana Landmarks Center. Their pews, like their whole facility, are lovingly restored. Our pews, like our whole building, could use a lot of love. An exuberant teenager sat too hard on one of our pews a couple years ago and broke it. My father, a cabinetmaker, and I glued it back together as best we could. It was clear it had been repaired many times.

Photography

Photo: Curved pews at West Park Christian Church

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At West Park Christian Church

In Remembrance of Me
Pentax KM, 28mm f/2.8 SMC Pentax-M
Kodak Tri-X
2017

This is the communion table at my church, West Park Christian Church, on Indianapolis’s Near Westside. The pulpit is behind it — a short pulpit for our vertically challenged pastor. The ladder is a prop he used in a sermon series about The Beatitudes.

Photography

Photo: Communion table at my church.

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