Collecting Cameras

Nearing the end of Operation Thin the Herd

I’m in the home stretch, with just a few more cameras to evaluate in Operation Thin the Herd.

I didn’t count cameras before I started, but I’m sure I owned more than 100. As of today, 43 remain in the collection. See my complete inventory here.

Eight of the 43 cameras are new to me and are in my to-shoot queue. They came to me more than a year ago from photographer David Ditta as he shrunk his own extensive collection. (See his collection on his Web site here.) David, if you’re out there, I’m sorry it’s taken me so long to get to your gear. 2019 to be sure.

Kodak Retina IIc

A few cameras have been “on the bubble,” and I could decide to sell them or give them away at any time. For example, until recently I owned two similar Kodak Retinas, a IIa and a IIc, both wonderful. One belongs in my collection, but I didn’t need both. The IIa has a faster lens, but the IIc offers interchangeable front elements and was owned by the father of an old friend. I was originally not in a hurry to decide, but finally chose to send the IIa to my EMULSIVE Secret Santa recipient as a gift in December.

Polaroid SX-70

Another is this minty Polaroid SX-70. I love this camera and the incredible innovation it represents. It works, but a good CLA would make it perfect. SX-70 CLAs aren’t cheap. I’ve considered splurging on one, but I keep holding back because the available films are stinking expensive and nowhere near as good as the old Polaroid films. I just can’t see myself dumping $150 into a CLA only to get soft, washed out images that themselves cost north of two bucks each. It breaks my heart, but this SX-70 will probably be better going to someone who will use it and love it. Yet I hesitate, because I love the idea of this camera so much.

Kodak Monitor Six-20

Several cameras in my inventory never got a turn in Operation Thin the Herd because there was never any doubt I was keeping them. One of them is my Kodak Monitor Six-20 “Special.” Even though it takes discontinued 620 film, even though the shutter linkage is fussy, I love this camera. It does wonderful work. I will commit to one roll of expensive custom-spooled 620 film in it a year. I just bought some expired Verichrome Pan in 620 for it!

Nikon F2

Another no-brainer keeper is my Nikon F2A, which was a generous gift to my collection. It’s a lovely camera and a capable workhorse, but its meter is fussy. I’m about to ship it to premier Nikon F2 repairman Sover Wong for a CLA and meter repair. It will get regular use forever thereafter.

43 cameras is obviously still more than I can regularly use. While I consider myself more a photographer than a collector now, I am still a collector. Yet only a couple cameras in the collection will remain as display items. I enjoy using all of the rest and will put a roll through them once in a while.

After I wrap up Operation Thin the Herd I’ll start shooting David Ditta’s cameras. I’ll even buy a camera here and there and review it, because I still love the experience of a new-to-me old camera. But mostly I’ll get on with making photographs with my thinned herd, getting to know each camera much better, and becoming a better photographer as a result.

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Camera Reviews

Operation Thin the Herd: Canon Canonet QL17 G-III

Black Dog Books

When I started collecting cameras again in 2006 I decided to specialize in fixed-lens rangefinders. I expected that in time I’d own one example of each of Canon’s extensive Canonet line, with the Canonet QL17 G-III as their centerpiece. I soon found a good deal on this one.

Canonet QL 17 GIII

My Canonet had its faults. Leading the way was a wicked light leak from degraded seals, an common affliction with this camera. The shot below of my departed friend Gracie (on Fujicolor 200) shows my Canonet’s light leak in full bloom. After this I sealed the camera’s seams with electrical tape after loading film. Also, lower shutter speeds were suspect, the meter was probably a little off, and the ISO selector was stiff. Yet my Canonet always returned good images.

Gracie

I adored this camera for several years. It easy to carry compared to the much larger and heavier fixed-lens rangefinders I had been buying and the controls all fell right to hand. I loved the sharp, detailed images the lens projected onto any film I threw at it. Here I used Fujifilm Neopan 100 Acros.

Indianapolis Fire Dept., Broad Ripple

I suspected I was going to want to keep this camera as part of Operation Thin the Herd, but not in its sickly condition. So I sent it out for CLA, and then put two rolls of Agfa Vista 200 through it. Wow, what a CLA will do for how a camera feels in your hands. Every control worked as smoothly as the factory originally intended.

Open for Men and Women

The fellow who did the CLA sent it back to me with a zinc-air 675 battery inside. It powered the meter accurately. But this Canonet was designed for 625 mercury batteries, which have a different form factor. Alkaline 625 cells share that form factor, but because they don’t deliver a consistent voltage across their lives they can lead to misexposure. The films I typically shoot have enough latitude that it doesn’t matter, and the alkaline 625s last a long time. The zinc-air 675s die after a few months. 

Lilly Lake, Eagle Creek Park

I pulled the 675 out and inserted a fresh alkaline 625 cell — and it didn’t work. I tried another, and it didn’t work either. Puzzled, I contacted the CLA guy, who apologized and said he’d fix the issue if I shipped it to him, but suggested I just use the 675 cells for their always-accurate voltage. I decided it wasn’t worth the cost and hassle to mail the camera back for adjustment. So I just got to shooting.

Lilly Lake, Eagle Creek Park

I didn’t stick with rangefinders. One person gifted me a Minolta X-700 and someone else an Olympus OM-1, and I fell in love with the 35mm SLR. That’s where my collection has gone, and as a result I haven’t shot this Canonet in six years.

At Coxhall Gardens

It’s a shame, really. There’s still a place in my shrinking collection for a couple good rangefinder cameras. I love my Yashica Lynx 14e for its sublime lens, and my Konica Auto S2 just feels great in my hands. But this Canonet is smaller and lighter than both of them and delivers quality results through its 40mm f/1.7 lens.

At Coxhall Gardens

Many other fixed-lens rangefinder cameras have passed through my hands, and this little Canonet is the best user of them all. It’s a good size even for my largish hands. The little lever on the focusing ring is right where my finger expects it to be, and it glides precisely. Slung over my shoulder I hardly notice it’s there. I’m more likely to grab it for an impromptu photo walk than any other rangefinder I’ve ever owned.

At Coxhall Gardens

For this camera’s turn in Operation Thin the Herd I took it on several impromptu photo walks: downtown Zionsville, Lilly Lake at Indianapolis’s Eagle Creek Park, Coxhall Gardens in Carmel, and on a rainy day to the hip intersection of 49th St. and Pennsylvania Ave. in Indianapolis. It was a fine companion on them all. I only wish that the rangefinder patch were brighter. In dimmer light I struggled to see the split image within it. Maybe that’s just middle-aged eyes.

At Coxhall Gardens

In the decade since I bought this Canonet I’ve been blessed to use some truly outstanding gear. I have a lot more experience now against which to compare this camera. It’s a nice camera. It feels good to use. It gives fine images. But I don’t experience it as great in any of these measures. For most everyday photography I’m going to reach for something like my Pentax ME anyway, mount one of the many excellent lenses I have for it, and get results no less than equal to these.

49th & Penn

There’s nothing about this Canonet that makes it my best choice for a particular situation. In contrast, my cumbersome Yashica Lynx 14e has a killer use: its giant f/1.4 lens returns brilliant photographs indoors on black-and-white film. I can imagine future scenarios where I’ll be glad to have that camera in my arsenal. Not so this Canonet.

Bathroom selfie

To see more photos from this camera, check out my Canon Canonet QL17 G-III gallery.

Given this Canonet’s cult status, I feel like I should keep it in my collection. When I put film into it I really thought I’d fall in love all over again. I managed, disappointingly, to fall only in like.

I’ve waffled for weeks about this camera’s fate. I’ve rewritten the end of this post four times, flip-flopping between Keep and Goodbye all the way. What I finally decided is that because I’ve become an SLR guy, any non-SLR has to blow my socks off in some way to stay in the collection. This Canonet just didn’t do that.

Verdict: Goodbye

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Collecting Cameras

Operation Thin the Herd: Nikon N2000

In Starkey Park

Nikon fans had to be disappointed in their favorite camera manufacturer in 1985 upon the introduction of the N2000. It was the first Nikon SLR ever to have a plastic body. Polycarbonate, to be precise. It was also first to lack a winding lever — automatic winding was built into the body. Perhaps that luxury feature softened the blow for dedicated Nikon shooters.

Nikon N2000

Does Nikon even make a metal-bodied camera anymore? The N2000 pointed toward the future. And when I came upon mine, I found it to be a robust and highly capable tool. Here’s a shot from my very first roll of film in it, Fujicolor 200, through a 50mm f/1.8 Nikon Series E lens. This is my most-viewed photo on Flickr, by the way, with 36,838 views as of the day I am writing this.

Every step of the way *EXPLORED*

I liked this camera so much that I shot it all over Ireland a couple years ago. I was gifted a 35mm f/2.8 AI Nikkor lens that was just right to take in Ireland’s sweeping vistas. I shot Kodak T-Max 400 all over that country.

At Kylemore Abbey

This gives me a great chance to plug my book, Textures of Ireland, which collects the best of my black-and-white Ireland photos. They’re all as beautiful and as deep as the one above, of Kylemore Abbey in County Galway! I’d be thrilled if you bought a copy today: $14.99 plus shipping for paperback and $4.99 for a PDF. Click here to order one!

The N2000 handled beautifully all over Ireland. It proved fully Nikon tough when I fell hard on some slippery rocks — the camera banged right into them, leaving a dent in the bottom plate. It kept working as if nothing had happened.

It was with this memory in mind that I loaded some Fujifilm Superia X-tra 400 into it for a hike through Zionsville’s Starkey Park. It had rained the day before and the trails were wet.

Backlit leaf

I had mounted a 35-70mm f/3.3-4.5 Zoom Nikkor lens that I picked up somewhere along the way. I like this lens a lot, except that at its widest end it has wicked barrel distortion. It shows right up in any shot with straight lines. I corrected this photo’s distortion in Photoshop with a few clicks.

Bridge

I did have some trouble getting good exposures this late afternoon. The sun was low in the sky, casting deep shadows. But by the end of the roll the winder was sounding sickly, meaning that the batteries were weak. Drat! That had to affect the meter’s accuracy.

Stalk

This little zoom lens offers a macro mode, too. I love macro lenses!

Berries

There was plenty of autumn foliage to get close to.

Flowers

I shot this whole roll in Program mode, letting the camera choose all the settings for me. With its automatic winder, all I had to do was focus and press the shutter button. At the end of the roll I did have to manually rewind the film — automatic rewind was one nicety that Nikon wasn’t ready to offer the world yet in 1985.

Rocks

The N2000 was an eager and versatile companion on this hike. If only I had thought to put fresh batteries in before I left the house!

Pond

To see everything I’ve ever shot with this camera, check out my Nikon N2000 gallery.

I just love this plastic Nikon SLR. I love most of my other Nikon SLRs, too, especially my two F2s and my F3. I sure as hell don’t need them all. But it’s good to have a reliable F-mount body that, if damaged or lost, would not reduce me to tears. I can buy another N2000 for under $30. Try that with an F2 or F3.

Verdict: Keep

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Collecting Cameras

Operation Thin the Herd: Pentax H3

Reflecting in the retention pond

You might call the Pentax H3 a basic SLR, stripped of anything not strictly needed to make a photograph. But upon its 1960 introduction it was the state of the SLR art, about as good as you could get.

Pentax H3

I bought mine for a song at a used camera shop. It’s nearly in mint condition. For its first outing I screwed on my 55mm f/2 Super Takumar lens, loaded some Kodak Gold 200, and took it on a road trip.

Flo's

For this outing I mounted my 55mm f/1.8 SMC Takumar lens and shot Agfa Vista 200. I feel fortunate that this camera functions so well and looks so new even though it is nearly 60 years old. All of the controls operate smoothly and surely.

In the vinyl village

The only bummer was having to meter separately. This is a fully mechanical camera with no onboard light meter. The metering app on my iPhone works great. But using an SLR requires two hands, and so on every shot I had to haul the phone out, meter, put the phone away, and then set exposure on the camera. I could have made these photos with my match-needle-metered Spotmatic F in a fraction of the time.

Call the police, hurry hurry

I did shoot some of the roll in full sun at f/16 and 1/250 sec. — good old Sunny 16. But in other conditions I’m not confident enough of my ability to read light not to use a meter.

Pavilion

For years I’ve wanted to learn how to accurately guess exposure based on my reading of the light. But I’ve wanted to do it in the same way I’ve always wanted to learn to play piano — without all that boring practicing. As I walked about with the H3 I thought that maybe this is the right camera for learning that skill. But I can use any of my metered but otherwise mechanical SLR bodies, like my Spotmatic F or even my Nikon F2, for that. I just need to leave the battery out.

Owl

But this H3 is such a jewel. It and that SMC Takumar lent real dignity and grace to the mundane subjects I chose.

It's a grand old flag

To see more photos from this camera, check out my Pentax H3 gallery.

I’ve now come to the cameras where it’s harder to decide whether to keep them. This H3 is just wonderful to use, despite lacking a meter. It feels good in the hand, and all of its controls operate with smooth precision. But my Spotmatic F meets my screw-mount needs completely. When I want to use one of my Takumar lenses, I know I will reach for the SPF 99 times for every one time I would reach for this H3.

Verdict: Goodbye

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Film Photography

Why won’t this thing fire? …oh.

Why won't this thing fire? -oh.

Olympus OM-1, 50/1.8 F. Zuiko, Fujifilm Superia X-tra 400

Selfie in the sun

Yashica T2, Kodak Gold 400

Why won't this thing fire? ...Oh.

Olympus Stylus, Kodak Plus-X

Me, by accident

Kodak Monitor Six-20, Kodak Ektachrome E100G

Unintended selfie

Olympus XA2, Agfa Vista 200

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Collecting Cameras

Operation Thin the Herd: Pentax KM

In the upper room

One of my oldest friends sold me this Pentax KM. His father bought it new in 1976, the year Pentax introduced it and the famous K lens mount. In the 1980s the camera passed down to my friend; somewhere around here I have at least one college-days photo of him using it. I’m very happy to be this camera’s steward today.

Pentax KM

I never fail with this camera. Really. It’s almost magic. According to my notes I shot this tulip with the 28mm f/2.8 SMC Pentax-M lens on Fujicolor 200. I don’t like that lens at all but just look at how lovely it rendered here.

Tulip

Most of the time I shoot the lens that came with this camera, the 55mm f/1.8 SMC Pentax. It is almost certainly a K-mount version of the sublime 55/1.8 Takumar from Pentax’s earlier screw-mount cameras. This lens never misses. It’s just wonderful.

Under the Clock

I took this kit and a roll of T-Max 400 to Purdue for an afternoon with my son. He brought his K1000 along; we spent the afternoon taking pictures. Goodness, was that ever wonderful to me. A fast-ish lens with fast-ish film and my generally steady hand let me do reasonable work indoors. Above, the Stewart Center; below, the Purdue Memorial Union.

Purdue Memorial Union

This is a shot from a library inside Stewart Center. I was surprised that they still follow the Dewey Decimal System, which I thought was passé among libraries today.

Study tables

This is Spitzer Court, with Cary Quad in the background. Damion lives in Cary. It’s very stately. We walked around inside a little bit and its common areas have this very 1890s feel. When you look past the modern pressboard furniture in those rooms, you can almost imagine young bejacketed pipe-smoking men sitting about in high-backed chairs at mahogany tables.

Spitzer Court

You’ll also find plenty of modern architecture at Purdue, like Hampton Hall.

Civil engineering

Damion’s buddy runs the ham radio club, so we got a tour. I just love old electronic gear. Just dig that great typography on that meter.

Ham radio club

They could have just printed “µA” on the meter on the right, but they went all the way and spelled it out in a sober typeface. The space between the letters lends such gravity, such certainty. You may rest assured in this meter’s reading.

Ham radio club

Okay, this has been more about my day at Purdue than about the Pentax KM. Let me reel this back in: this camera performed flawlessly. And perhaps I’m blinded by my love for Pentax gear but I found this camera to be perfectly unobtrusive as I used it. I framed, matched the needle for exposure, focused, and shot my way through this roll in no time flat. I wished I’d brought another roll of T-Max.

Beetle bug

After our long photo walk we walked over to a favorite pub for dinner. I sat the KM on the table, strap dangling. As we got up to leave and I picked up the KM, the strap caught on the table corner and the camera tore from my hand. It landed on the stone tile floor with a sickening splat. The corner of the bottom plate was dented and the UV filter on the lens shattered. Something must have bent slightly on the lens mount, as the aperture ring on any mounted lens now turns clockwise with difficulty. Some steward I am.

Clockworks

To see more from this camera, check out my Pentax KM gallery.

My Pentax KM has been such a never-miss, sure-fire performer that I simply must get it fixed. I’m just very sad that I damaged this like-new camera.

Verdict: Keep

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