North toward the Monument

North toward the circle
Nikon N90s, 28-80mm f/3.3-5.6G AF Nikkor
Ilford FP4 Plus
2019

On Tuesday I showed you a photo I made from the Soldiers and Sailors Monument, at the heart of Downtown Indianapolis. Today I’m showing you a view of that monument that I made from a block to the south, along Washington Street, which is also the historic National and Michigan Roads.

Tuesday’s photo showed you the Emmis building, completed in 1998; it’s out of the photograph right around the corner from the building on the left, the Guaranty Building, where you’ll find a swank martini-and-cigar bar in the basement.

The Soldiers and Sailors Monument, at 284 feet 6 inches tall, was completed in 1901. It is built of oolitic limestone quarried in Owen County, Indiana. It is a tribute to fallen soldiers in the American Civil War, the American Revolutionary War, and conflicts related to the War of 1812, the Mexican-American War, and the Spanish-American War.

Believe it or not, before it was built the governor’s residence stood here! Also, believe it or not for many years U.S. Highway 31 went around this circle. I’ve seen photographs on the circle that show US 31 shields. My mother has a memory as a girl in the 1950s driving around the circle as US 31 on he family’s way to dropping off her older brother to study at Indiana University, an hour to the south in Bloomington.

The good people at Analogue Wonderland sent me this roll of Ilford FP4 Plus in exchange for this mention. Get your FP4 Plus from them here.

Film Photography

single frame: North toward the circle

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On the circle

On the circle
Nikon N90s, 28-80mm f/3.3-5.6G AF Nikkor
Ilford FP4 Plus
2019

When I last worked Downtown in Indianapolis — and yes, we write it with a capital D here — the building in the middle of this photograph didn’t exist. It was a vacant lot. Whatever had stood there before had been razed. For all I know the building(s) there were razed for what was to come: the headquarters of Emmis Communications, which owns radio and TV stations in many major markets including New York and Los Angeles, as well as here in Indianapolis. That was in 1996; the building was complete in 1998.

But I’d moved on from that job by then and was working in a suburban office park on the Northwestside. Again, yes, that’s how we write “northwest side” here. Anyway, I worked various jobs in the north suburbs for more than 20 years before landing Downtown again this year. In the 90s, Downtown was just beginning to resurge after a long period of decline and neglect. Today it’s hard for me to believe how vibrant and vital and interesting it is. I love working Downtown and I hope I never have another job in the suburbs.

But Monument Circle is much the same as it always was, with the exception of the completed Emmis building.

The good people at Analogue Wonderland sent me this roll of Ilford FP4 Plus in exchange for this mention. Get your FP4 Plus from them here.

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Film Photography

single frame: On the circle

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Film Photography

Ilford FP4 Plus in the Nikon N90s

Tavern at the Point

After I got outstanding results from Ilford’s classic FP4 Plus black-and-white film (photos here), earlier this year in my Olympus XA, I wanted to try it again.

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The kind people at Analogue Wonderland sent me another roll to try, in exchange for this mention. They sell more than 200 films from around the world! That includes all of the classic films from Ilford and Kodak plus all the fun new films from small and boutique brands. And they ship just about everywhere. Get your Ilford FP4 Plus from them here.

Up Illinois St.

I hadn’t used my Nikon N90s in a while so I got it out and mounted the basic but fun 28-80mm f/3.3-5.6G AF Nikkor lens. Nikon included this lens with most of its consumer SLRs in the early 2000s. I got mine when it came with a used Nikon N65 I bought. Except for some barrel distortion on the wide end, easily corrected in Photoshop, it’s a good performer.

Monument in the sky

That lens weighs just seven ounces, which is great, because the N90s is a large, heavy semi-pro body. Read my review of it here. This “gelded” lens lacks an aperture ring, limiting the camera to Program mode for exposure.

Wheeler Mission

I left this kit in a drawer at work over several weeks and took it out for a photo walk whenever I could get away at lunch. As you can see in the photos above, FP4 Plus does a great job rendering clouds in the sky. But as I shot this roll, summer faded into autumn. In Indiana, that often means more cloudy than sunny days. The FP4 Plus delivered a great range of tones in all weather.

Brutal

One of my pet peeves with some slower-speed black-and-white films is a tendency to blow highlights. FP4 Plus has never done that to me. It returns good detail for me even in strongly reflected sunlight.

The Artsgarden

Old School Photo Lab developed and scanned this roll and did their usual excellent work. But as I’ve been teaching myself to develop my own black-and-white film, I’m wondering how this film will look in Rodinal, my developer of choice. I’m eager to try it.

Chairs

Ilford FP4 Plus is a fantastic medium-speed (ISO 125) black-and-white film. If you’ve never tried it, do, right away. You can get yours from Analogue Wonderland, in 35mm and 120, here.

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Swings at Lugar Plaza

Swings at Lugar Plaza
Olympus OM-1, 50mm f/1.8 F.Zuiko
Kodak ColorPlus
2019

Now that we’re into November I’m thinking about this blog’s traditional end-of-year posts, one of which is the ten images I like best that I made all year. I may have made more images in 2019 than in any other year, but I’m a little disappointed that I’ve made few that satisfy me deeply.

As I upload my work to Flickr, I add the few I like best to an album I call Portfolio, which you can see here. My ten 2019 favorites will come from these. This image, of a newly installed public swing in front of the City-County Buidling in Downtown Indianapolis, is in that album but won’t make the ten-favorite cut. I like the almost 3-D effect of the swing canopy jutting forth from the plane of the City-County Building exterior, though.

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Film Photography

single frame: Swings at Lugar Plaza

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Lime scooters

Lime scooters
Nikon N90s, 50mm f/1.8 AF Nikkor
Ilford HP5 Plus
2019

I’ve ridden Lime scooters a lot since the first of August when I strained a tendon in my hip. I had been taking the stairs up to my office every morning, twelve flights, as a form of exercise. I suspect that because of an old knee injury my form was bad, leading to the tendon strain.

At first, I could barely put weight on my right leg. For about eight weeks I minimized walking and stairs, which allowed for some healing but not enough. My doctor sent me to a physical therapist, who has given me some great exercises that are moving the healing needle a lot faster. I’m able to walk around Downtown as I want to now, and even take some stairs, with only light residual pain.

But the Lime scooters were zippy fun while I was riding them. The only trouble is that to go six blocks costs north of two bucks. That adds up fast.

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Film Photography

single frame: Lime scooters

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Lacy Building

The Lacy building
Argus Argoflex Forty
Kodak Ektar 100
2019

This is my second-favorite building on Monument Circle, the Lacy Building. Circle Tower with its Art Deco touches is my favorite, but for some reason I’ve photographed the Lacy Building more.

Last time I shared a photo of it, I was surprised and happy when an old college chum left a comment saying that the Lacy family are his relation, and their firm is still headquartered here.

When you’re in college, your buddies are just your buddies and you don’t think much about where they might come from. I didn’t, anyway.

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Film Photography, Preservation

single frame: The Lacy building

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