Indiana Statehouse

Indiana Statehouse at night
Canon PowerShot S95
2018

Margaret and I stayed Downtown to celebrate our second anniversary. Our room had a commanding view of the city, including this view of the Indiana Statehouse. Lit as it was at night, it looked like a cardboard model.

The S95 did all right with the low light but I surely wish it handled lit signs better.

The Statehouse, as well as our room, were on the old National Road, later known as US 40, always known as Washington Street in Indianapolis.

Get more of my photography in your inbox or reader! Click here to subscribe.
Advertisements
Photography

single frame: Indiana Statehouse at night

.

Image
History, Road Trips

The bridges that carried the National Road and US 40 over the White River in Indianapolis

Today it carries only pedestrians in White River State Park in Indianapolis. But this seven-span concrete-arch bridge was built in 1916 to carry the National Road across the White River. It was the latest of several bridges that carried the National Road and US 40 here.

Former US 40 bridge

It opened a year before Indiana formed the State Highway Commission, which would become the Indiana Department of Transportation. In 1917 that body formed a small network of highways out of existing major roads. The National Road was one, bearing the name “Main Market Highway No. 3,” or, later, State Road 3. In 1926, with the creation of the national highway system, it became US 40.

And so it remained until the mid-1980s, when a new bridge was built to the south and US 40 was routed onto it. The old bridge and the land on either side of it would become White River State Park. The first park attraction was the Indianapolis Zoo, which opened west of the bridge in 1988. The Eiteljorg Museum of American Indians and Western Art opened next, in 1989. An IMAX theater followed in 1996, and the Indiana State Museum in 2002. The NCAA relocated its headquarters to the park in 1999. These two map excerpts, courtesy MapIndy, show the area before (in 1979) and after (in 2017).

US40IndyWhiteRiver1979US40IndyWhiteRiver2017

Here’s a view of the park from the JW Marriott hotel, which abuts it. The 1916 bridge is at far left, and the NCAA complex at right. But notice the tree-lined walking path that borders the NCAA buildings? Remarkably, it is the original alignment of the National Road.

White River State Park

Here’s a ground-level view that shows it.

NCAA

This 1852 map of Indianapolis, part of a larger Indiana map I found at the Library of Congress, shows this alignment clearly. It’s always less expensive to build and maintain a bridge built perpendicular to a river’s banks, and that’s almost certainly why the road angles slightly north here.

1852 Indianapolis map - Library of Congress

The bridge here was a wooden covered bridge. The only images I can find of it are drawings; this is the best of them, from History of Indianapolis and Marion County, Indiana, by B. R. Sulgrove, published 1884 (available here).

WhiteRiverNRCoveredBridgeIndy

Remarkably, I find later maps showing two bridges here, one on the original alignment and one on the later. Below are two snippets of maps of this site, the first from an 1889 atlas and the second from 1903 by Rand McNally. I wonder whether the upper bridge carried westbound traffic and the lower bridge eastbound.

WashingtonStWhiteRiver-1889AtlasWashingtonStWhiteRiver-1903RandMcNally

But I was puzzled. It is well known that the Great Flood of 1913 destroyed the bridge here — and some resources say it was the wooden covered bridge. But photographs from the day of the flood show a deck-truss bridge (a bridge with metal trusses below the bridge floor) — and only a deck-truss bridge. A second bridge, if it existed, would have been so close to this one it certainly would have made it into some of the photos! Here’s one photo of that bridge, taken an hour before it collapsed in that flood. Image courtesy The Indiana Album, Barbara Stevens Collection (viewable here).

WhiteRiverNRBridge1913

So I asked the fabulous Indiana Transportation History group on Facebook. The founder, Richard McLelland Simpson, found this article from the June 29, 1901, issue of The Indianapolis News, which shines some light.

IndianapolisNews29Jun1901

This doesn’t look like the bridge that was eventually built, which the group thinks opened in 1904. But the article does confirm the existence of two bridges, and a plan for this new bridge to replace them both.

The 1916 bridge has clearly been the hardy one, standing firmly for more than 100 years.

Former US 40 bridge

Click here to get Down the Road in your inbox or reader six days a week!
Standard
Film Photography

Shooting Agfa CT Presica 100, original emulsion, cross-processed

While I had my Nikon N90s out I decided to shoot one of the rolls of expired slide film that Stephen Dowling of Kosmo Foto gifted me some time ago. This time I chose Agfa CT Precisa 100, expired since January of 2006. This is another of the Agfa films that survives, zombie-like, after Agfa stopped making its own films. The film sold as CT Precisa today is made in Japan, and by all accounts it’s not the same.

Word on the street is that this stuff loves to be cross-processed — that is, developed in the C-41 chemistry used for color print film. So that’s what I did. Roberts, the photo store Downtown, still has a minilab and they cheerfully processed and scanned my roll.

Stout's

I shot part of the roll Downtown after I got a good barber-shop haircut. I’ve bought shoes at Stout’s — it’s like stepping into 1942 in there, with the same technology and the same service.

Downtown Indy

I aimed my camera (with the 28-80mm f/3.3-5.6G AF Nikkor lens) at anything colorful as I walked along Delaware Street and on the first block of Massachusetts Avenue. The entrance below was to a Burger King when I worked in a building across the street more than 20 years ago. Today it’s a tapas joint.

Barcelona Tapas

I made the photo below to finish the roll before dropping it off for processing at Roberts. I’m a little disappointed that the sun washed out the hood and snout of the Camaro so strongly but I’m showing the photo anyway because of all the colors I got otherwise.

Corvette snout

I also brought the camera to Zionsville Village and made some of my usual shots.

In Zionsville

I really liked how cross-processed CT Precisa rendered the greens of grass — so supernaturally vibrant.

Black Dog Books

Look around online for people who’ve cross-processed this film and they’ll all tell you it really brings out the blues. Sure enough, that’s what happened here.

In Zionsville

After my last roll of expired slide film was so washed out, I researched online whether exposure compensation could help. The wisdom I came upon over and over was that if you weren’t sure how the film was stored, overexpose — but only by about 1/3 stop given slide film’s narrow latitude. So I did. And I didn’t need to; everything was slightly overexposed. Photoshop rescued every shot. This stuff must have been stored frozen until I got it.

Checkers

Shooting this roll of CT Precisa was great fun. Maybe I’ll come upon another someday.

Get more of my photography in your inbox or reader! Click here to subscribe.

 

Standard

Ike & Jonesey's

Ike & Jonesey’s
Nikon N90s, 28-80mm f/3.3-5.6G AF Nikkor
Fujifilm Superia X-tra 400 (at EI 200)

It’s funny how when I go Downtown to have fun, I tend to stay north of Washington Street, which is the north-south dividing line in Indianapolis. I don’t do it on purpose — that’s just how it works out. But now that Margaret has a job Downtown but south of Washington, I’ve walked those Downtown streets and have found that there’s fun to be had there too.

Ike & Jonesey’s has kept their party going for 25 years now. When I moved to Indy in 1994 I remember hearing ads for them on the radio. I guess they have (had?) a very popular dance floor. Finally I know where they are located. Not that I dance. Heavens no.

If you’d like to get more of my photography in your inbox or reader, click here to subscribe.
Film Photography

single frame: Ike & Jonesey’s

.

Image
Film Photography

Shooting Agfa APX 100, original emulsion

If you buy an Agfa film today, Agfa doesn’t make it. The company got out of the consumer market in 2004.

They licensed their brand to other manufacturers, which use some of the old Agfa film names even though the emulsions are different. It’s confusing. One such film is Agfa APX 100, a black-and-white negative film. Photographers who’ve shot both tend to agree: the new APX 100 is adequate, but the original Deutsche APX 100 was wonderful and special.

And so I was greatly pleased when three rolls of the original emulsion, expired in July of 1998 but always stored cold, were gifted to me. It didn’t take me long to drop a roll into my Pentax ME and take both on a walk in Downtown Indianapolis. That’s the Indiana Statehouse there at the end of Market Street. I made this photograph standing on the Soldiers and Sailors Monument at the city’s center.

Market St. toward the Statehouse

I confess that I’ve already shared the best photos from this day with you in a series of posts a couple weeks ago; see them here. But there was hardly a bad image on this roll. This film captured rich blacks without ever washing out whites. It absorbed strong reflected sunlight, returning good definition and detail.

At Court St.

My 50mm f/1.4 SMC Pentax-M lens was attached as I walked around Monument Circle. Above is Meridian Street looking north towards the Circle; below is Circle Tower.

Circle Tower

I had an objective: to make my way over to Roberts Camera and buy a 35mm f/2.8 SMC Pentax-A lens I knew they had in their used inventory. I mounted the lens to my camera before I exited the building. One of the first shots I made was of Leon’s, a tailor shop just down the street from Roberts. Leon’s made the suit I got married in.

Leon's

I walked away from Roberts and Leon’s down St. Clair Street enjoying my new lens’s wide view. Had I been three seconds faster, the walking fellow would have been in a much more interesting spot on the frame below.

Pennsylvania

Here’s the same building in the whole. Leon’s is behind it, and Roberts is barely in the photo behind Leon’s.

Brick building

Spinning around about 90 degrees I made this photo of Central Library, with my car in the foreground. The Scottish Rite Cathedral lurks at left. One day I’ll make a subject of that stunning building.

Library

Central Library is at the north end of the American Legion Mall; the Indiana War Memorial stands at it south end. I scaled its steps to make some photos, including this one of the Minton-Capehart Federal Building. The flag is at half staff because on the day I made these photos, a Boone County deputy killed while on duty was laid to rest. That’s the county to the northwest of Indianapolis.

From the Indiana War Memorial

From the War Memorial, here’s the view of the American Legion Mall, with Central Library at its other end.

From the Indiana War Memorial

I adore the War Memorial as a place to make photographs. I’ve been here many times and always seem to find something new to see.

Indiana War Memorial

Growing tired, I made my way home. I stopped in the neighborhood at 56th and Illinois Streets to finish the roll.

Restaurant

I love the surrounding neighborhood. Margaret and I wouldn’t mind living there. But the homes sell fast, which has driven prices high. We could probably afford the payment, but at our age we’d be making it until we are 80. It makes us sad, but we have to say no thanks.

Illinois St.

And oh, look, I’ve told you more about my walk than I did about Agfa APX 100. It’s because I have no criticism to offer. Letting the Pentax ME control every exposure on this bright, sunny day, APX 100 managed the light that fell onto it with great balance between shadows and highlights. APX 100 is a lovely black-and-white film and it’s a shame it is no longer being made.

Get more of my photography in your inbox or reader! Click here to subscribe.
Standard

Minton-Capehart Federal Building, Indianapolis

Brutalist pathway
Pentax ME, 35mm f/2.8 SMC Pentax-A
Agfa APX 100 (expired 7/1998)
2018

I’m no fan of Brutalist architecture. It has the grace of Soviet design and the class of a punch in the mouth. But of late I’ve grudgingly admitted that it is worthy of preservation.

Indianapolis has a fabulous example of the form: the hulking Minton-Capehart Federal Building. It’s Downtown. You need no directions — just drive around and you’ll find it. You can’t miss it.

This pathway leads to the building’s entrances.

If you’d like to get more of my photography in your inbox or reader, click here to subscribe.

 

Film Photography, Preservation

single frame: Brutalist pathway

.

Image