Film Photography

When you shoot old gear, you have to expect it will develop faults sooner or later

Nikon F3, 35mm f/2.8 AI Nikkor, Fujifilm Superia Venus 800

I took my Nikon F3 along on a trip to Chicago with Margaret early this month. I shot two rolls of color and one of black and white in it. The color rolls are back from the processor and immediately upon opening the files my heart sank.

Dollars to doughnuts my F3’s light seals have failed. This red streak appears in direct proportion to how long it was since I made the previous photo. A photo made quickly after a previous photo didn’t leave enough time for light to sneak past the failed seal.

I’m going to try to replace the seals myself. I’ve never done it before, but I’ve read instructions and it looks tedious but totally within my skills. A set of seals with instructions were just $12 on eBay (here). Many thanks to everyone who has “bought me a coffee” with the button at the bottom of each post for your part in buying those seals!

This makes me realize, however, that I should send my F3 out for CLA (clean, lube, and adjustment). This is one of my go-to cameras — indeed, it’s the only camera I’d keep if I could keep only one. I want it to work reliably for the long haul. The friend who donated the F3 to the Jim Grey Home for Wayward Cameras suggested Blue Moon Camera and Machine for the CLA, and so that is where it will go.

Several cameras are in my CLA/repair queue. First up: my Nikon F2A, which has had a fussy meter for as long as I’ve owned it. It’ll go to Sover Wong in the UK. Eric Hendrickson will eventually get both my Pentax KM, which I dropped and damaged the last time I used it, and and my Pentax ME-F, which has an inaccurate meter. I also want to send my Yashica Lynx 14e to Mark Hama to give it an overhaul and correct its meter, which is a stop off.

I have also received a Pentax ME Super and a Kodak Retina IIa from a reader, both of which minor issues. I’ll put test rolls through both as soon as I can, but I’ll be shocked if I don’t enjoy them and want to keep them. They’ll end up in the CLA queue too. The Pentax will go to Eric Hendrickson but the Retina will go to Chris Sherlock in New Zealand.

Finally, my sister-in-law gave me the Kodak Retina Reflex III that had been her father’s. My initial inspection shows that it basically works, though the meter is hit or miss. I’ll eventually put a test roll through it. If it functions well enough mechanically, I’ll send it to Chris Sherlock for overhaul in honor of the family connection.

Readers left lots of great suggestions about where to send cameras for CLAs and repairs in this post.

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