Downtown New Augusta

Welcome to downtown New Augusta
Olympus XA
Kosmo Foto Mono
2017

While I was shooting up my first roll of Kosmo Foto Mono (which I review tomorrow — but for a preview, see my profile on the Kosmo Foto blog) I stopped briefly in New Augusta, a small town that has long since been swallowed up by Indianapolis.

I lived near here for a long time, and it became a place I visited from time to time just for photography. I wouldn’t mind living here. Even though New Augusta is surrounded by suburban strip malls on one side and light industrial on the other, when you’re on its streets it feels like a hundred miles from anywhere.

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Film Photography

single frame: Welcome to downtown New Augusta

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Preservation, Road Trips

The beautiful Art Deco church in the small Indiana town

What was I thinking, photographing this Art Deco church building on expired slide film? I wanted beautiful photographs of my visit.

Tyson United Methodist Church, Versailles, IN

Beauty is, of course, subjective. If you enjoy the color shifts of expired film, you probably find these photographs to be lovely. I guess they are, in their own way. I just hoped for realistic color and clarity, as I wanted to share this church as you’d see it if you walked up to it.

Tyson United Methodist Church, Versailles, IN

It’s not that I couldn’t go back and photograph it again; Versailles (pronounced ver-SALES) is only about 80 miles southeast of Indianapolis. I’m sure I’ll do just that one day and get exactly the photographs I want.

Tyson United Methodist Church, Versailles, IN

This church is named for its builder, James Tyson, who made his fortune as the first investor in Walgreen’s drug stores. Completed in 1937, Tyson built the church as a tribute to his deceased mother, a charter member of this congregation upon its 1834 founding.

Tyson United Methodist Church, Versailles, IN

This carefully maintained building of brick, terra cotta, copper, aluminum, and glass famously contains not a single nail in its construction. Many of its materials were imported from around Europe, but the oak pews are of local timber.

Tyson United Methodist Church, Versailles, IN

I was inside for a meeting of the Historic Michigan Road Association; Versailles is a Michigan Road town. Two alignments of the Michigan Road pass through Ripley County, of which Versailles is the seat. The original 1830s alignment lies a few miles to the west, but the road was rerouted through Versailles at the dawn of the automobile era.

Tyson United Methodist Church, Versailles, IN

Such an architectural gem is unusual for a small Indiana town like Versailles. Tyson built two other Art Deco buildings here: a library and a school. The church is arguably the loveliest of the three.

Tyson United Methodist Church, Versailles, IN

Pentax Spotmatic F, 55mm f/1.8 SMC Takumar, Konica Chrome Centuria 200 (exp. 12/2003)

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Tyson United Methodist Church, Versailles, IN

Inside Tyson United Methodist Church
Pentax Spotmatic F, 55mm f/1.8 SMC Takumar
Konica Chrome Centuria 200 (x 12-2003)
2017

This is probably my favorite photo from inside the Art Deco church in little Versailles, Indiana. More photos to come.

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Film Photography, Preservation

single frame: Inside Tyson United Methodist Church

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Photography

Eastman Double-X 5222 in the Olympus Stylus

I have a terrible habit of buying four or five rolls of a film I’d like to try, shooting one roll, and then buying four or five rolls of another film I’d like to try. I’ve repeated this pattern enough times that I have probably 50 rolls stockpiled in the fridge. So I put a moratorium on buying more film until I shoot what I have.

The last time I shot Eastman Double-X 5222 I used my Nikon F2 and a 50mm f/2 AI Nikkor lens. This movie film gave me blacks so deep I could have fallen into them, and textures so rich and realistic I expected to feel them if I touched the screen. So when I decided to shoot another roll I chose an entirely different kind of camera: my point-and-shoot Olympus Stylus. I wanted to see if the film behaved differently.

I didn’t get the same rich blacks this time, but I did get the same realistic textures.

Around the Corner

I was at church for a meeting, so I made some quick photos. Once again these images invite me to touch the screen to feel the rough brick.

West Park Christian Church

I brought the Stylus inside to shoot a couple rooms, which were set up for our day care to resume the next morning.

First Steps Day Care

I love the moodiness created by the window light and the corner shadows.

First Steps Day Care

The church is in an old city neighborhood with alleys. Ours is concrete and was probably poured 100 years ago.

Concrete Alley

On the way home I passed this run-down building, which I bet began life as a grocery store. I am impressed with how well the clouds rendered, especially since I didn’t use a yellow or orange filter.

Used Tires

I took the Stylus along on a too-brief visit to South Bend, my home town. I was there on business, but I made a few minutes for a coffee at the Chocolate Cafe downtown.

South Bend Chocolate Cafe

I miss South Bend. I’d love to run a little bookstore in the State Theater building. Too bad this shop owner thought of it first.

Idle Hours

A storm rolled in quickly as I walked a couple blocks of Michigan Street. In reading the light the Stylus misguidedly decided it needed to fire the flash, serving only to create flares off every reflective surface. If I didn’t need to explicitly turn off the flash every time I power up the Stylus, I’d shoot it a lot more often.

Michigan Street

Still, I’m not getting rid of my little Stylus anytime soon. It fits into my jeans pocket and packs a great lens. And it liked the Double-X just fine.

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History, Photography

Favorite subjects: St. Paul’s Episcopal Church, Indianapolis

My first photographic visit to St. Paul’s Episcopal Church wasn’t until 2014, and I regret that I didn’t start photographing this lovely building earlier. It’s just a wonderful subject. Taken at distance, classic shapes of sacred architecture layer before you while cut limestone textures add interest. Moving in close, plenty of compelling details lurk in the nooks and crannies.

Arches

Nikon F2AS, 50mm f/1.8 Nikon Series E, Ilford Delta 100, 2015

St. Paul’s was founded in 1866 in downtown Indianapolis, but by the late 1930s it was clear that the church’s future lay north of the city, in what was then considered the country. The church secured a plot beyond the Indiana Central Canal on a recently built extension of North Meridian Street, Indianapolis’s main north-south street and grand thoroughfare. People were starting to move out there into newly built, early suburban neighborhoods. St. Paul’s decided that’s where it needed to serve.

North Meridian

Pentax ME, 50mm f/1.4 SMC Pentax-M, Kodak Gold 200, 2017

St. Paul’s new building was constructed just after World War II  where Meridian makes a distinctive and singular curve as it prepares to cross the White River a half mile to the north.

StPaulsMap

Imagery and map data © 2017 Google

For a subject to be a Favorite Subject, it needs to be close to home so I can reach it easily. St. Paul’s is a short drive down Kessler Boulevard from my home. I pass it right by on my way to Broad Ripple.

I was headed to Broad Ripple, actually, the first time I photographed St. Paul’s. It was evening and light would soon run out. As I waited at the light on Kessler at Meridian I spied the church out of the corner of my eye. It wasn’t the first time I’d noticed the church, of course. I’d even been inside it once, for a wedding. But that day I realized that if I just pulled in and photographed this church, I’d have more time behind my camera before light faded. And then the church offered so much to shoot that I came back again and again.

The church’s design provides lots of intersecting planes, which can create interest.

Planter

Canon T70, Canon FD 50mm f/1.8, Fujicolor 200, 2015

St. Paul's

Agfa Isolette III, 85mm f/4.5 Agfa Apotar, Kodak T-Max 400, 2015

Church building

Kodak Six-20, Kodak Verichrome Pan (expired), 2016

Light plays well across this church, creating beautiful shadows.

St. Paul's Episcopal Church

Nikon F2AS, 35-70mm f/3.5-4.5 AI Zoom Nikkor, Ilford Delta 400, 2014

Church door

Canon A2e, 50mm f/1.8 Canon EF, Fujicolor 200, 2016

St. Paul's Episcopal Church

Nikon F2AS, 35-70mm f/3.5-4.5 AI Zoom Nikkor, Ilford Delta 400, 2014

St. Paul's Episcopal Church

Nikon F2AS, 35-70mm f/3.5-4.5 AI Zoom Nikkor, Ilford Delta 400, 2014

I’ve yet to explore all of this lovely church’s details.

Ring things

Nikon F2AS, 50mm f/1.8 Nikon Series E, Ilford Delta 100, 2015

Just a random turtle

iPhone 6s, 2016

Serious statue

Canon A2e, 50mm f/1.8 Canon EF, Fujicolor 200, 2016

Red berries

Canon A2e, 50mm f/1.8 Canon EF, Fujicolor 200, 2016

Angel lighting the way

Canon T70, Canon FD 50mm f/1.8, Fujicolor 200, 2015

As I was putting this post together I realized I had inadvertently created a series of photos that zoom in from this door to an iron bench that usually stands nearby.

Arched door

Canon T70, Canon FD 50mm f/1.8, Fujicolor 200, 2015

St. Paul's

Agfa Isolette III, 85mm f/4.5 Agfa Apotar, Kodak T-Max 400, 2015

Leaves on the iron bench *EXPLORED*

Canon A2e, 50mm f/1.8 Canon EF, Fujicolor 200, 2016

One thing I like about photographing churches is that even though I am trespassing, strictly speaking, nobody ever seems to care. I guess I look harmless enough as a middle-aged man with an old film camera in his hands. I stay away when a church building is obviously in use, but frequently I’ve been to St. Paul’s when a few people are about and they always leave me to my photography. If anyone from St. Paul’s ever reads this, please accept my thanks!

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Second Presbyterian Church, Indianapolis

Ghostly church
Kodak Six-20
Kodak Plus-X
2010

The first time I photographed Second Presbyterian I was shooting my folding Kodak Six-20 and some Plus-X that I bought pre-respooled as 620 from B&H. The entire roll came back looking like this, to my disappointment.

I came across the negatives recently and they look normal. My wife bought me a new flatbed film scanner for my birthday, and it takes medium-format film, so I may try scanning the negs myself when I get moved and settled.

I’ve reviewed the Kodak Six-20 twice: here and here.

Photography

single frame: Ghostly church

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