Arched door

Arched door
Canon T70, Canon FD 50mm f/1.8, Fujifilm Fujicolor 200

Film Photography
Camera Reviews

Canon T70

From its invention the SLR moved inexorably from all mechanical and manual toward full electronic automation. My favorite SLRs offer open-aperture metering and aperture-priority autoexposure, but manual everything else. That places them in the mid-to-late 1970s. Older SLRs feel like too much work with stop-down metering or no metering at all. And later SLRs are too easy: just frame and press the button.

Canon’s T series SLRs represent the last transitional step before full automation. The 1984 T70 automates everything but focusing. A few years later, Canon’s EOS series would finally automate that.

Canon T70

T-series cameras were the first SLRs to proudly look like they were made of plastic. Camera makers had been using more and more body plastic since the mid 1970s, but had the decency to paint those parts to sort of look like they were still metal. With the T series, Canon said nuts to it. They also said nuts to dials and knobs, changing over to little buttons with an LED window that shows settings.

Canon T70

Two aspects of the T70 felt familiar: setting the aperture ring to A for automatic exposure, and mounting Canon FD lenses onto the body. Beyond that I was in uncharted territory. I liked that the T70 wound and rewound the film for me. That’s why the T70 looks kind of lopsided, by the way: the winder and the battery chamber are hidden within that enormous grip. And the heavens sang Hallelujah: the T70 takes two AAs, not some hard-to-find button battery like so many old cameras. However, somewhere deep inside that body lurks a lithium battery that remembers your settings. Replacing it involves taking the camera apart. Ick.

Canon T70

The big and bright viewfinder takes a little of the sting out of knowing that the internal battery will die one day. Will that render this camera inert? I hope never to find out. Also, despite that big grip making the T70 look unbalanced, it doesn’t feel that way in the hands. I found it to be quite comfortable.

But I found the controls to be uncomfortable. It would be several more years before camera makers figured out that it’s easier to twist a mode dial than to press buttons to cycle through modes. A dial makes it obvious just by looking how to set your mode. The buttons? You have to read the manual to figure them out.

At least the T70 offers a generous range of exposure modes: three program modes, a shutter-priority mode, a couple of flash modes, and even a stop-down metering mode for when you’ve adapted older FL-mount lenses. The T70 even offers full manual mode; you press DOWN and UP to select shutter speed. The T70 even offers two metering modes: center-weighted average and “selective area” which meters just the center 11 percent of the frame. Whatever modes you choose, your settings appear in the easy-to-read LCD panel.

My T70 came with an FD 50mm f/1.8 lens — a fine lens, as I learned when I shot one on my Canon AE-1 Program.

By the way, you might also enjoy my reviews of the Canon TLb (here), FT QL (here), AL-1 (here), and AE-1 Program (here). Or dip your toes in the EOS waters with my reviews of the EOS 650 (here) and EOS A2e (here). Or just look at all of my camera reviews here.

I shot an entire roll of Fujicolor 200 using center-weighted average metering and normal program mode. I forgot to set ISO — thank goodness whoever used this camera before me shot ISO 200 film too. Cameras that set ISO by reading the film canister’s DX code were just starting to appear when the T70 was new, but alas, the T70 missed that bus.

This angel lighting the way is my favorite photo from my test roll.

Angel lighting the way

I spent some time at a park near my home where the city recently built this building. I think it has something to do with the sanitary sewer system recently installed in my part of town, as enormous pipes were laid from the street into this building — a pumping station, perhaps? Anyway, the T70 handled easily, in no small part because I kept my fingers off the top-plate controls. Seriously: this is a great point-focus-and-shoot camera. It just goes.


I used to bring my sons to the former playground here when they were very young. That construction obliterated this park for more than a year, and I worried that the playground would not be rebuilt. But this much nicer playground was installed at the end of the project.

Shadows 2

Unfortunately, by that time my kids were too old to care. I come here every now and again just to make photographs, as the colors are good. The light wasn’t very interesting this day, however.


I took the T70 to work. This is the corner of my desk. The Magic 8 Ball is for my guests to play with. I’ve had it for years and remain amused by how many people pick it up and ask questions of it.

In my office

I spent a little time photographing the Episcopal church over on Meridian Street. The shapes and textures are interesting there. I had just looked through a book of Ansel Adams Polaroids and noticed how often he had at least three “layers” in his photographs. It helped me notice this three-layered scene.


I’ve shared more photos from this roll in my Canon T70 gallery.

If you’re looking for a lazy day of shooting, it’s easy to like the Canon T70: frame, focus, press the shutter button, get nice photographs. Heck, sometimes I even found myself wishing the T70 would just focus for me already.

Maybe it’s just me, but I don’t find it easy or obvious to futz with the UP and DOWN buttons. But I did learn the much more complicated controls of my Canon S95 digital camera. It’s my main camera; I wanted to get the most from it. If I were similarly motivated, in time I’d learn the T70’s nuances and become quite adept with it.

If you like old film cameras, check out all of my reviews here!
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