In the last couple years a new generation of students realized they could make something much more of their online stream. They’ve revitalized the online “station” with new studios and office space. It’s down the hall from the original space. The original studios and office have been removed and that space repurposed. The school also repainted the entire floor, which means the giant WMHD logo I painted on the wall in 1988 is finally gone.
About a year ago, current General Manager Katana Colledge found my posts about WMHD here and reached out via my contact form. We’ve corresponded ever since, me telling my old WMHD stories and Katana telling me all the great stuff the station is working on.
They’ve continued their stream, but have improved the software that runs it for better sound quality. They have also returned to having some DJs, but rather than them being live as back in my day they all prerecord their shows and queue them up in the stream for the right time. They also upload those shows to Mixcloud; see them here. You’ll also find several shows from the old days there, including all of my shows that I recorded.
WMHD has also added a podcast recording room, offers guitar lessons, and holds jam sessions for students, staff, and faculty. They also bring their DJ equipment to campus events and provide music. Or at least they did before COVID-19 paused it all; they’re finding creative ways to stay connected with students online now.
As Katana told me all about it, I could feel the same level of excitement and commitment as students had in my time. That energy has waxed and waned over the years. It’s great to see it back.
The station put together a show to relaunch WMHD, and asked a few alumni to choose three songs and introduce them. I was one of those alumni! Here is the entire launch show. My intro and three songs begin a few seconds before the 40 minute mark.
Go here to read my alma mater’s news story about the relaunch, in which I’m quoted!
I collected things. Cameras probably came first, starting at age eight. I started collecting coins at about the same time. Mom brought me an old “wheat ears” penny and explained how the mint had changed the design on the back at some point (1959, it turns out). That was all it took to hook me. I went after pennies first, then nickels, dimes, and quarters. I got into the habit of always checking my change for old coins, and that’s how I filled most of my collection. In the late 1970s and through the 80s it was still fairly common to find coins in your pocket that dated back to World War II. I had one of every penny from 1941 through about 1985. I pressed each coin into Whitman cardboard albums.
The summer I worked at the Dairy Queen, my cash drawer was a goldmine of old coins. Once I found an 1898 Indian head penny in there. I always had a dollar or so of replacement change in my pocket to swap for the treasures in the cash drawer. I quit actively collecting coins during college. But I still have all the coins from childhood in a box, and I still habitually look through my change. Sometimes I’ll still find a “wheat ears” penny in there.
I also collected stamps for a while, laying them into giant albums. I thought the most beautiful stamps came from Hungary. I remember a series of Hungarian stamps about lace doilies. They’d printed the stamps so the lace pattern was raised. I’d never had such a tactile experience with a tiny piece of paper! Yet I gave up stamps after just a few years because I felt like I could never collect them all, as I could coins. I liked completing the coin albums (all of the Washington quarters! all of the Roosevelt dimes!), and stamps just never ended.
I also collected Coca-Cola stuff: bottles, glasses, advertising signs. I liked the bottles the best. I learned how to read the codes stamped into the sides to determine when they were made, and I loved how the older ones had the original bottling company pressed into the glass on the bottom. I sought bottles embossed with Indiana cities. Fun fact: the iconic Coca-Cola bottle was designed by the Root Glass Company of Terre Haute, Indiana.
For several of my teenage years I assembled plastic model cars. I spent hours and hours at a work table in our basement rec room with the special model glue and endless little bottles of paint. Here’s a fuzzy 1981 photo of some of my model cars on my bookshelf in my childhood room.
By my teenage years my introversion had bloomed. I had just a couple friends, but that was all I really wanted or needed. I liked doing things alone! I was making a little money mowing lawns, shoveling snow, and delivering papers, enough to keep laying down the $5 that a model kit cost. I enjoyed the assembly and the fine painting of the details. I always bought models where the plastic was colored as I didn’t enjoy spray painting the bodies. I didn’t have a good place to do it anyway.
Putting these kits together in the basement, I came to thoroughly enjoy radio as a companion. I’d turn to 92.9 FM to listen to U93, our city’s Top 40 station. (Unbelievably, that station is still going and celebrated 40 years in 2019.) I quietly put together my kits while listening to the day’s top hits, sometimes singing along, always stopping to listen to whatever the DJ had to say. Knowing that a real person was at the station playing music for everyone helped me feel connected to my city. I was too nervous to call in requests. I tried to win a few contests, but we still had rotary phones and they were too slow. By the time I got a ring, they’d already have their winner.
During my difficult first marriage, I let all of my hobbies slip away. I thought I had to devote myself to my family. What I did was utterly lose myself. When that marriage ended, I picked up a camera as a form of recovery. I took cameras onto the open road and photographed whatever I found. Soon I started writing about my cameras and the photos I make with them. Today, photography and blogging are my hobbies. Thanks for coming along!
The station went on the air in 1981, and off the air for good in 2013. Who could have foreseen how radio would be come less and less vital? Fewer and fewer students wanted to be on the air, and finally the school threw in the towel.
A small group of students shifted the station to online streaming and still operate it that way. You can listen here. Over the summer, the current station manager found some of my old blog posts about WMHD and emailed me to ask about the old days. She described a small but vibrant group that keeps WMHD streaming, but also involved in providing live music at campus events. It’s exciting to see.
I was looking through some old files the other day when I came upon these two WMHD bumper stickers from around 1987. I designed them myself.
It’s crazy to imagine it now, but in 1987 computers were primitive compared to what we have today and they lacked the tools to design such things. I used paper and pencil to design this sticker. I used a straightedge to draw the WMHD logo. If I recall correctly, I traced some curved object to get the D right.
I used rub-on letters for “Rose-Hulman 90.5FM.” These were sheets with lots of letters on them. You could get them in a bunch of different fonts, but I chose this typewriter font because it looked clean. I drew a faint line and then, letter by letter, put the sheet down onto the paper letter side down, lined up the letter on the line and next to the adjacent letter, and used a pencil to scribble across each letter to transfer it from the sheet to the paper. It was exacting work.
Then I sent the finished artwork off to a bumper-sticker company with written instructions to make the background black, the WMHD and 90.5FM letters yellow, and Rose-Hulman white. I forget how many we ordered, probably 1,000. They came back perfect.
After I graduated I put one on my new car. Looking at it now, I see that it is a slightly different design. We must have run out of the original stickers and lost the original artwork. I would have had to recreate the artwork for a second sticker run!
This wasn’t the only time or way I rendered the WMHD logo. The school let me and some buddies paint the hallway in the dormitory our station was in. We chose this red-stripe-on-white scheme to replace a drab beige. I painted our logo on the wall next to the broadcast-studio door. Because I always did our logo by hand, they came out a little different every time. We painted these walls in 1988 and they stayed this way for nearly three decades. My son made this photo of me next to the logo in 2012.
I loved my time on WMHD. It gave me pleasure and joy as I ground my way through engineering school. I used to do the morning show (story here), and I was on the air when Space Shuttle Challenger exploded (story here).
So many children dream of being a fireman or a policeman when they grew up. Not me. I wanted to be the voice on the radio. And look: here I am! Microphone before me, Sennheiser HD40s hanging around my neck, my finger on the turntable’s go button. Let’s do this!
I’ve written many times about my time at WMHD (click here to read every story) but have shown few photographs. I dug through my archives to find some. While you’re looking at what I found, here’s 45 minutes of my show from Dec. 8, 1987, to provide the soundtrack!
WMHD was the student station at Rose-Hulman Institute of Technology, a tough engineering school in Terre Haute, Indiana. Students built this station from the ground up, including its studios.
Here are our station’s engineers, Steve and Tim, doing some late-night work to keep the equipment in fine tune. It was their custom to take over the station on Saturday nights, playing album sides into the wee hours as they worked.
This was the lobby of our broadcast studio. If you know your rock album covers you’ll recognize our mural as being a reproduction of the 1981 Yes album, Classic Yes.
The station’s office was across the hall. I became station manager in 1987; this was my desk.
Here’s the rest of the office. That’s the Program Director’s desk, our cabinet full of public files behind it. I remember the discussion that led to the drawing on the chalkboard: this is the layout for the booth in the production studio we were building.
My buddies tolerated my random photography but I don’t think they understood it. I simply wanted a record of this place so I could remember it better. Mission accomplished; seeing these images puts me right back in that studio, keeping my good memories fully intact. I feel incredibly fortunate that I got to be a part of WMHD, and to fulfill my childhood dream of being on the air.
Times change. Radio started to lose its luster with the millennial generation, and Generation Z abandoned it in favor of streaming. Student interest in WMHD flagged; the station quit broadcasting over the air in 2013. Rose-Hulman sold the license to crosstown Indiana State University, which operates the station now as WZIS-FM from studios on their campus. The former WMHD studios don’t exist anymore.
The desire to broadcast hasn’t died entirely, however. A small group of Rose students operate an Internet music stream that they call WMHD. You can listen here if you’re curious.
I love this story, which I’ve published twice before (2008 and 2013).
What’s the most embarrassed or humiliated you’ve ever been?
I used to think it was the day a female friend of mine cried out as we parted in a crowd, “But Jim! You can’t leave! What about the baby?”
But that doesn’t come close to the time I was laid low on the public airwaves.
I was in my early 20s, working part time on the air for Terre Haute’s rock radio station. We were proud to be number two in the market in a part of the world where country music was king. The country station commanded a third of the audience by just showing up. We, on the other hand, worked our butts off to stay in second place. We were successful enough that our full-time DJs were all minor local celebrities.
To stay visible we did lots of events. Terre Haute being a blue-collar and college town we wound up at a lot of bars, the kind that serve watery beer in red plastic cups. We’d promote some band that was playing and we DJs would turn out wearing station swag.
Because I wore my staff shirt, people acted like I was their long lost buddy. It was kind of fun until too much beer had flowed, at which point some guy would start telling you at top volume how much your station really sucked because it didn’t play enough Ozzy, or some girl missing her front teeth would ask sweetly if you had a girlfriend. Even if she had all of her teeth, every DJ knows that Radio Rule #1 is don’t date your listeners. It never goes well.
One Saturday night at an event I sat down with the program director and the two DJs from the morning show, “Scott and Debbie in the Morning.” Now, a part-timer like me would not normally spend time with such lofty talent as the morning show, as Radio Rule #2 is part-timers are in the lowest caste, the sort of people the full-timers ignore.
But the program director liked me. “Jim, you are like gold,” he told me, “because you show up for all your shifts and you follow the format.” I said, “Wow, um, that bar’s pretty low. What does that say about the other part-timers?” He wouldn’t answer. But he usually invited me to hang out with him at these events, and when I did, the morning show had to give me the time of day.
A young woman was sharing our table that night. She was sixteen kinds of cute. Young and slender, doe eyed with long brown hair, so nicely built. She increasingly turned her attention to me, moving in closer, smiling big and looking away when I caught her gaze, and giggling a lot. By the time she had downed a couple more beers, her body language said she’d follow me anywhere I wanted to go. It was flattering. It was exciting.
Then she started to talk — of hating her fast-food job, of wanting to get on at the record-and-CD club that employed half the town because it would free up her nights and she could hit the bars with her friends more often, of her three small children from three different dads, and of how she had to call the cops on one ex the night before and how another ex was getting out of prison in a couple months. The look in her eye seemed to say, “Will you be baby daddy number four?” Images of paternity suits and paychecks garnisheed for child support began to fill my head.
Red alert! Evasive maneuvers! Fully grasping the wisdom of Radio Rule #1, I stared into my empty cup trying to find a way to exit with grace. Which I did, except for the with-grace part. “Wow, lookit the time, gotta go!”
Monday morning as I drove to my regular job, Scott and Debbie were talking about the Saturday-night event, what a great time it was, and all the DJs who were there. They wouldn’t normally mention lowly part-timers, because let’s face it, listeners don’t remember their names. But then Debbie said, “And did you believe Jim Grey, who works weekends here? This super cute chick was coming on to him, she was so hot! I wanted to tell them to get a room! And then he just sat there! He didn’t do anything! He could have done anything he wanted with her that night, but he wouldn’t even look at her! You have to wonder if he likes girls!“
My stomach knotted and I saw red. She had just made me look like a geek with no social skills in front of every listener in a 50-mile radius! And this was the kind of screw that no matter which way you turned it, it went further in. I would just have to suck it up. Of course, I barely made it past the front door at work before someone said, with a big question-mark look on their face, “I heard about you on the radio this morning! What was that all about?” Two more people asked about it before I made it to my cube — where I hid out the rest of the day under headphones so I could pretend not to notice people who came by.
That’s how I learned a corollary to Radio Rule #2: uppity part-timers will be put in their place!
After I moved to Indianapolis I sent an audition tape to every station in town. None of them bit. Only one station bothered to send me a rejection letter, which kindly said that I might have been fine for Terre Haute but I wasn’t ready for the big time. I took the hint and moved on from radio forever.
But I still remember the fun I had. And I have lots of aircheck tapes, all of which I digitized a few years ago so I can enjoy those memories anytime.
For my last show, I asked the program director to schedule a certain song coming out of my last break, a song new that year from The Allman Brothers Band. Its first two lines were spot on:
Everybody wants to know where Jimmy has gone He left town, I doubt if he’s coming back home
Here’s the audio I recorded of that last break. You’ll hear me talk after a song and start the first commercial. Then you’ll hear the end of the last commercial in that break – and then you’ll hear me sign off for good.
I walked out of the building and out of radio forever. I listened to the rest of the song in my car as I drove home.
Eagle-eyed readers will remember this post from the first time I published it, about this time of year in 2012.