I’m starting to develop 35mm black-and-white film now. It was my goal all along — I started with 120 because it let me shoot a roll fast so I could get to the developing. I shoot way more 35mm than 120 normally.
Last week I shared a roll of Arista EDU 200 I shot, developed, and scanned. I thought surely it and my whole box of to-shoot film was damaged by a space heater I kept too close by. But a commenter said “hey, maybe your Rodinal has gone weak.” I did open a new bottle of Rodinal to process some Eastman Double-X 5222 and, spoiler alert, it turned out perfect. So it was the Rodinal. Maybe I didn’t get the cap on right last time, and for the little bit left in the bottle the air scotched it.
I didn’t get that comment before I used that potentially compromised bottle of Rodinal to process this P30. Several photos turned out reasonably well. They might have looked better in fresh Rodinal. But they show P30’s signature characteristics: nearly undetectable grain, rich blacks, strong contrast, and a reasonable tonal range.
I shot this roll in my Pentax Spotmatic F with the 55mm f/1.8 SMC Takumar lens attached. I developed it in Rodinal 1+50 at 21° C for 12 minutes, 40 seconds. Ferrania advises 20° C for 14 minutes, but the ambient temperature led to 21° developer and I had to adjust development time. I used the Massive Dev Chart’s converter. The first two shots are from downtown Carmel, and the next four are from Broad Ripple.
Some photos didn’t fare as well. Anything with significant amounts of sky in it suffered. I shot all of these around Broad Ripple.
Interestingly, the film closest to the outside of the roll fared the worst. This is one of the first photos I made on this roll. It still shows P30’s signature rich blacks, despite being so mottled overall.
One last photo, just because I like it. That’s my wedding ring on the ring holder thing we keep near the kitchen sink. It’s Belleek pottery; we bought it at the Belleek factory in Northern Ireland when we visited a few years ago.
I have one last roll of P30 Alpha, which I just retrieved from my freezer. I’ll shoot it soon and I expect far better results from it, developed with fresh Rodinal 1+50.
The Rainbow Bridge in Broad Ripple Pentax K1000, 55mm f/1.8 SMC Pentax Kodak Gold 400 2017
This bridge was built in 1906 to carry Guilford Avenue over the Central Canal in Indianapolis’s Broad Ripple neighborhood.
Underneath the deck, it’s a typical single-span concrete arch. What sets this bridge apart is its railings. The oval “links” are unique.
I have a dim memory from 25 or more years ago of the railings being painted in a more random color pattern. I have a clear memory of this railing being much shorter — in about 2013 a row of block was added underneath the links. See a photo of the shorter railing here. This was probably done to make it harder to fall off the bridge into the canal.
Stephen Dowling of Kosmo Foto sent me a few rolls of film from his fridge in thanks for a favor. It was mostly slide film, something I haven’t shot very much as my skinflint tendencies reliably turn me to inexpensive stuff like Fujicolor 200. I’ve been shooting it a roll here and a roll there. After enjoying a roll of my usual inexpensive stuff in my Nikon N2000 recently, I went for broke and loaded a gifted roll of slide film: Fujifilm Provia 400X.
My 35-70mm f/3.3-4.5 Zoom Nikkor lens was already on the camera, so I left it there. Say what you will about zoom lenses, and this zoom lens in particular — Ken Rockwell calls it one of Nikon’s worst lenses ever — but I like this lens. It’s sharp enough, the zoom range is super useful for the subjects I shoot on photowalks, and it offers a macro mode. The wicked barrel distortion evident at its wide end is easily corrected in Photoshop.
I am pleased with the rich color this film delivered. It hits a sweet spot between realistic and deep. These are the colors I remember when I was on the scene, but they’re richer, deeper somehow, and they make me want to go back and experience them again in person.
This place, by the way, is Broad Ripple, a hip neighborhood on Indianapolis’s Northside. I visited it because it’s so colorful. I loved being able to shoot this ISO 400 slide film on a cloudy day — most slide films I’ve shot before are much slower, ISO 50 or ISO 100, requiring slower shutter speeds and a steadier hand.
I also shot some of this roll on a bright, sunny day in downtown Fishers. This was the last time I shot any film there before I lost the job that brought me there five days a week. I hated that long, tedious commute and don’t miss it. There’s no good way to get to Fishers from anywhere. After you’re there, though, it’s not too bad.
The Provia 400X kept on delivering. Just look at those blues and greens.
Here’s a quick look down one of Fishers’ few remaining original downtown streets. I showed you some of them not long ago in this post. I’m sure that in the next few years this will all be gone in favor of urban density. I shot this in late October, just as the trees were beginning to turn. We had an unusually warm early autumn, which delayed the onset of color. But when it came, it came fast and intense. The trees were largely bare after just a couple weeks.
The 35-70mm lens’s macro mode let me get right up on some of the leaves.
Provia 400X’s speed let me experiment with a few shots inside. The subject isn’t terribly interesting but the colors are spot on with reality — after I Photoshopped out a green caste that the ambient incandescent lighting imparted.
I tried a bathroom selfie. My black hoodie was a bit of a stretch for the Provia, even with 240 watts of light burning right over my head.
I also made a quick trip to The Ruins at Holliday Park in Indianapolis. I just love that place. I need to go photograph it proper one day and show it to you. This one photo will have to do for now.
My other slide-film experience has been a single roll of Velvia 50 and a whole bunch of Ektachrome E100G. The Velvia is super ultra saturated, which would be fun sometimes but isn’t my style most of the time. The E100G is nice stuff but a little too blue. This Provia really hits a sweet spot for me: realistic but rich color rendition.
Fujifilm doesn’t make Provia 400X anymore, and remaining stocks are all past their use-by dates. This roll was expired, but Stephen obviously stored it properly and it performed as new. This is very nice stuff and it’s a shame it’s discontinued.
What is now the Broad Ripple neighborhood of Indianapolis started as two rival towns far north of the city limits and along the White River. It was 1836 and construction of the Indiana Central Canal had been approved. The two towns were platted that year to bracket it, Broad Ripple to the north and Wellington to the south.
The Mammoth Internal Improvement Act that funded the Canal and other infrastructure improvements would quickly cause a financial panic that brought Indiana to the brink of bankruptcy. Many of the Act’s improvements were aborted, including the Canal. Of the hundreds of miles the Canal was intended to span, just eight miles were completed, all within Indianapolis.
But the Canal’s construction brought people to the area, and the two towns grew. But by the 1880s Wellington had become a thriving community while Broad Ripple foundered, dwindling to about 35 residents. Yet when a new post office was located in Wellington but given the name Broad Ripple, the less-prosperous town won out and the entire area soon had the name all of Indianapolis knows today.
At first, just the canal and a single dirt road (now Westfield Boulevard) connected Broad Ripple to Indianapolis. In 1883, a railway came to Broad Ripple that connected to Chicago; it would later become the Monon Railroad. In 1894, electric street cars were extended into Broad Ripple; in 1904, the same tracks were used to carry interurban trains. The advent of the automobile led Indiana to form its first highway system in 1917; Westfield Boulevard became part of State Road 1 and, later, the first alignment of US 31. Broad Ripple had become very well connected.
With so many ways to reach Broad Ripple from all over, the town increasingly became a place to go for fun. The well-to-do built cottages along the river; an amusement park went up on the eastern outskirts of town. Businesses filled the town’s main street.
And then in 1924 Broad Ripple was annexed into Indianapolis, and more and more houses were built in the area. It started to become a neighborhood, and the former town’s identity as an amusement destination began to wane. The amusement park was transformed into a city park. The village started to become a commercial center for residents.
In time, buses replaced the streetcars and interurban and the tracks were paved over. US 31 was routed several block west onto Meridian Street, newly built north of the canal. Even the fabled Monon Railroad went defunct. And as happened in every American city, the suburbs kept pushing farther and farther away from the city center. By the 1960s, Broad Ripple was in decline. Residents were leaving and businesses were failing. But the falling rents created opportunity. Quirky shops went into the storefronts and even into some of the homes. A vibrant night life formed, with bars opening along the main street and the former movie theater, the Vogue, becoming a concert venue. Broad Ripple was, once again, a destination for fun.
My first visit to Broad Ripple was in this era. It was about 1992, and the Terre Haute radio station where I worked gave me tickets to see a concert at the Vogue. And then when I moved to Indianapolis a couple years later I ended up in a neighborhood that’s a quick drive from Broad Ripple. I’ve been there most of the last 23 years. Broad Ripple remains a common destination for me.
Broad Ripple’s main street, today called Broad Ripple Avenue and known as “the strip,” was a fun mix when I moved here: by day, popular shops and art galleries; by night, bars and late-night food joints for a younger crowd. I found the night life to be great fun then.
Now that I’m pushing 50, that kind of nightlife isn’t fun for me anymore. But I still enjoy Broad Ripple’s offbeat shops. My favorite coffee shop in town is there; I’ve written a few blog posts at one of its tables. And the Village remains a great place to go for some photography. I’ve visited it dozens of times for just that purpose.
Some things haven’t changed over these years. The strip remains lively and young; the streets just off the strip appeal more to those who’ve graduated from their 20s. The tiny Broad Ripple Kroger remains open somehow. Many of the former residences off the main business district still contain small businesses and restaurants. And when you drive through you can still imagine a time when Broad Ripple was a small town.
But much has changed in Broad Ripple. Businesses have come and gone, of course. Art galleries that used to dot the strip have mostly closed, replaced by more bars and late-night food joints. The Monon rail bed has become a very popular running and biking trail. Bazbeaux Pizza, which started in a garage, moved into a very nice facility down the street. And a giant polka-dotted chair was painted onto the side of a building.
For more than 40 years, Broad Ripple has had a quirky, offbeat, hippie vibe. But that is beginning to change as yet another major transition comes to the area: urban densification. The neighborhoods around Broad Ripple have been very popular over the last quarter century or so, which has driven home prices and rents up. Developers have taken notice. They’ve sought and won zoning changes and are building multi-story apartments and parking garages with first-story retail. The buildings crowd the street. Broad Ripple had formerly felt open and airy, but it increasingly feels closed-in and tight.
I love old bridges and I have a preservationist’s heart. So I was sad to see that the railing on the 1906 bridge over the Canal was altered, I’m sure to make it safer. The railing was about knee height before, making it easy to fall off.
Taking the long view, change has been constant in Broad Ripple. But many places of quirky charm from Broad Ripple’s most recent era remain. I never lack for photographic subjects there. I can always photograph the Monon bridge or the polka-dotted chair one more time. Or I can walk down a side street I haven’t visited in a while and see what’s new.
Broad Ripple has survived many transitions before and forged a new identity. I expect it will survive this one just the same.
Shop Tibet Canon EOS A2e, 50mm f/1.8 Canon EF Kodak Tri-X 400 2017
Tomorrow I continue my Favorite Subjects series with a very long post about Broad Ripple Village. I’ll give a thumbnail of the area’s history tomorrow, but in short this was once a town outside Indianapolis but is today one of its neighborhoods.
I’ve photographed this little shop over and over again, unconsciously. It wasn’t until I looked back through all my photos of the Village that I saw how many times I’d captured it!