Cross this bridge at a walk Kodak Monitor Six-20 Anastigmat Special Kodak Gold 200 (expired) 2013
I won’t soon forget the day I made this photograph. Margaret and I were still dating, and I took her to Bridgeton to see the bridge.
Bridgeton had always been a private place for me, a place I go when life has knocked me around hard and I need to reconnect with the good in the world. At first it was because the people of Bridgeton had kept the original 1868 bridge in good repair. Later it was because after arson destroyed that bridge, those same people rallied to build a new bridge.
It was this day I shared this little piece of my heart with her. Funny it felt that way, because some years before I told the world about Bridgeton on this blog here.
It was a truly lovely day. Margaret packed a light picnic lunch, which we shared on a grassy area alongside the bridge. She asked a passerby to photograph us with another film camera I had along. I can’t find that photograph!
If you’re wondering why this photo on Kodak Gold 200 is in black and white, it’s because Dwayne’s processed it in black-and-white chemicals by mistake. On this photo, at least, it worked out fine.
I love this photograph so much that I have a print of it framed and hanging in my home. It’s from a visit I made to the covered bridge at Bridgeton, in Parke County, Indiana, in 2006, just after it was built. Arson claimed the original 1868 covered bridge here.
When I was in my 20s, I drove up to Bridgeton and its first bridge when I needed some time alone to think. (I told that story here.) So when the new bridge was completed, I made a trip as soon as I could. I’m glad I did, because since then these beams have been covered in graffiti. I don’t mind graffiti, actually. I’m just happy to have this photo of the naked beams.
Not long ago the folks at the Film Photography Project came upon a cache of expired-since-1995 Kodak Gold 200 color film in size 620, and offered it for sale in their store. It was pricey at $14 per roll, but wanting to try a couple of my 620 cameras I bought two rolls. I shot the first roll in April on Route 66 using my Kodak Brownie Hawkeye and was disappointed with the faded, grainy results. See them here.
Recently I spooled the remaining roll into my Kodak Monitor Six-20. I wanted to use the Monitor again anyway, and I wanted to try the Kodak Gold in a camera where I could control the exposure so I could better test the film’s capabilities. That the Monitor has the fine Anastigmat Special lens only sweetened the deal.
Then the processor dunked my $14 color film into the wrong chemicals and I got black-and-white images back. At first, I was severly disappointed. But quickly I recognized that the images had potential. Contrast was poor, but a touch of Photoshop cured that ill and brought these images right to life.
I took the Monitor with me to Bridgeton. I had three cameras along on that trip: the Monitor, my Pentax Spotmatic, and my Olympus XA. The Monitor did the best job of capturing the sky, and edged the other cameras for sharpness.
I find it difficult to frame shots with the Monitor’s tiny bubble viewfinder. This bridge portal was all akimbo in the original image, so I straightened and cropped it for best effect.
My house faces east, and sometimes the morning sun bathes my little front garden in some delicious light. All too often I’m rushing to work and can’t stop and really enjoy it. But the light was right one lazy Saturday morning, so I put my Monitor on a tripod and took this photograph from my front stoop. I also shot the scene in color with my digital camera; see that shot here for comparison.
My Monitor is not a pleasure to use. I’ve already mentioned the difficulties framing shots. The shutter button has a long travel and is stiff at the end where it trips the shutter, so I usually trip it by sticking my finger in by the lens barrel and moving the linkage. And the wind-stop feature on mine doesn’t work well, so I have to work around it. But I so love the results I get from it that I am likely to shoot it again. Perhaps I will soon, because the Film Photography Project offers fresh, hand-respooled 620 films now.