Not long ago the folks at the Film Photography Project came upon a cache of expired-since-1995 Kodak Gold 200 color film in size 620, and offered it for sale in their store. It was pricey at $14 per roll, but wanting to try a couple of my 620 cameras I bought two rolls. I shot the first roll in April on Route 66 using my Kodak Brownie Hawkeye and was disappointed with the faded, grainy results. See them here.
Recently I spooled the remaining roll into my Kodak Monitor Six-20. I wanted to use the Monitor again anyway, and I wanted to try the Kodak Gold in a camera where I could control the exposure so I could better test the film’s capabilities. That the Monitor has the fine Anastigmat Special lens only sweetened the deal.
Then the processor dunked my $14 color film into the wrong chemicals and I got black-and-white images back. At first, I was severly disappointed. But quickly I recognized that the images had potential. Contrast was poor, but a touch of Photoshop cured that ill and brought these images right to life.
I took the Monitor with me to Bridgeton. I had three cameras along on that trip: the Monitor, my Pentax Spotmatic, and my Olympus XA. The Monitor did the best job of capturing the sky, and edged the other cameras for sharpness.
I find it difficult to frame shots with the Monitor’s tiny bubble viewfinder. This bridge portal was all akimbo in the original image, so I straightened and cropped it for best effect.
My house faces east, and sometimes the morning sun bathes my little front garden in some delicious light. All too often I’m rushing to work and can’t stop and really enjoy it. But the light was right one lazy Saturday morning, so I put my Monitor on a tripod and took this photograph from my front stoop. I also shot the scene in color with my digital camera; see that shot here for comparison.
My Monitor is not a pleasure to use. I’ve already mentioned the difficulties framing shots. The shutter button has a long travel and is stiff at the end where it trips the shutter, so I usually trip it by sticking my finger in by the lens barrel and moving the linkage. And the wind-stop feature on mine doesn’t work well, so I have to work around it. But I so love the results I get from it that I am likely to shoot it again. Perhaps I will soon, because the Film Photography Project offers fresh, hand-respooled 620 films now.
See more from this roll, along with some great color shots from my Monitor, in my Kodak Monitor Six-20 gallery.
Other 620 cameras in my collection:
Kodak Six-20 and Kodak Duaflex II.