Lilly Lake, Eagle Creek Park *EXPLORED*

Autumn at Lilly Lake
Canon Canonet QL17 G-III
Agfa Vista 200
2018

This photo was featured in Flickr Explore on November 19. It’s always fun to see all the likes and comments when one of my photos makes Explore.

I wonder how many Flickr viewers had any idea that I was shooting film? To know, they’d only have to click through to my image’s page and read the description.

Can an experienced eye guess that this is a film photograph? To me, the sky is the tell. It has a nuance to it that digital cameras seem unable to capture. They tend to render skies almost too perfectly, with wispy clouds against a sea of perfect azure.

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Film Photography

single frame: Autumn at Lilly Lake

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Film Photography

Shooting Fujifilm Provia 400X

Fire station

Stephen Dowling of Kosmo Foto sent me a few rolls of film from his fridge in thanks for a favor. It was mostly slide film, something I haven’t shot very much as my skinflint tendencies reliably turn me to inexpensive stuff like Fujicolor 200. I’ve been shooting it a roll here and a roll there. After enjoying a roll of my usual inexpensive stuff in my Nikon N2000 recently, I went for broke and loaded a gifted roll of slide film: Fujifilm Provia 400X.

The Bungalow

My 35-70mm f/3.3-4.5 Zoom Nikkor lens was already on the camera, so I left it there. Say what you will about zoom lenses, and this zoom lens in particular — Ken Rockwell calls it one of Nikon’s worst lenses ever — but I like this lens. It’s sharp enough, the zoom range is super useful for the subjects I shoot on photowalks, and it offers a macro mode. The wicked barrel distortion evident at its wide end is easily corrected in Photoshop.

Monon bridge

I am pleased with the rich color this film delivered. It hits a sweet spot between realistic and deep. These are the colors I remember when I was on the scene, but they’re richer, deeper somehow, and they make me want to go back and experience them again in person.

Purple link

This place, by the way, is Broad Ripple, a hip neighborhood on Indianapolis’s Northside. I visited it because it’s so colorful. I loved being able to shoot this ISO 400 slide film on a cloudy day — most slide films I’ve shot before are much slower, ISO 50 or ISO 100, requiring slower shutter speeds and a steadier hand.

The Depot

I also shot some of this roll on a bright, sunny day in downtown Fishers. This was the last time I shot any film there before I lost the job that brought me there five days a week. I hated that long, tedious commute and don’t miss it. There’s no good way to get to Fishers from anywhere. After you’re there, though, it’s not too bad.

Fountain

The Provia 400X kept on delivering. Just look at those blues and greens.

Mean street of Fishers

Here’s a quick look down one of Fishers’ few remaining original downtown streets. I showed you some of them not long ago in this post. I’m sure that in the next few years this will all be gone in favor of urban density. I shot this in late October, just as the trees were beginning to turn. We had an unusually warm early autumn, which delayed the onset of color. But when it came, it came fast and intense. The trees were largely bare after just a couple weeks.

Red leaves

The 35-70mm lens’s macro mode let me get right up on some of the leaves.

Pillow on our couch

Provia 400X’s speed let me experiment with a few shots inside. The subject isn’t terribly interesting but the colors are spot on with reality — after I Photoshopped out a green caste that the ambient incandescent lighting imparted.

Bathroom selfie

I tried a bathroom selfie. My black hoodie was a bit of a stretch for the Provia, even with 240 watts of light burning right over my head.

The Ruins

I also made a quick trip to The Ruins at Holliday Park in Indianapolis. I just love that place. I need to go photograph it proper one day and show it to you. This one photo will have to do for now.

My other slide-film experience has been a single roll of Velvia 50 and a whole bunch of Ektachrome E100G. The Velvia is super ultra saturated, which would be fun sometimes but isn’t my style most of the time. The E100G is nice stuff but a little too blue. This Provia really hits a sweet spot for me: realistic but rich color rendition.

Fujifilm doesn’t make Provia 400X anymore, and remaining stocks are all past their use-by dates. This roll was expired, but Stephen obviously stored it properly and it performed as new. This is very nice stuff and it’s a shame it’s discontinued.

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Photography, Road Trips

An autumn drive down State Road 45

It’s a surprisingly twisty highway, State Road 45 between Bloomington and Bean Blossom here in Indiana. But then, this is about where the glaciers stopped flattening this state. North from here, roads run straight for as far as the eye can see; south from here, they must follow at times challenging terrain. State Road 45 leads the pack. I’ve photographed this road before, in 2013 (here) and 2006 (here), but never before in the autumn. This overcast but bright day gave surprisingly delicious light for capturing the colors and textures here.

Indiana State Road 45

Indiana State Road 45

Indiana State Road 45

Indiana State Road 45

Indiana State Road 45

Indiana State Road 45

Indiana State Road 45

Pentax K10D, 28-80mm f/3.5-4.7 SMC Pentax-FA 

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Abandoned bridge on Old SR 37

Gazebo
Pentax K10D, 28-80mm f/3.5-4.7 SMC Pentax-FA
2017

My old friend Dawn and I made our annual road trip recently. We tried to tour the old alignments of State Road 37 between Indianapolis and Bloomington. But from a bit south of Martinsville we were stymied: SR 37 was actively being reconstructed to become I-69, and the old alignments were no longer reachable.

The last old alignment before the construction zone includes this 1925 pony-truss bridge over Indian Creek. On earlier tours of this road I was able to drive across this bridge, but it is now closed and slated for demolition. Sad, sad face. I’ll share more photos in an upcoming post.

Photography, Road Trips

single frame: Gazebo

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Red leaf

Red leaf
Kodak EasyShare Z730 Zoom
2012

Once in a while I’ll take a day off work just to go out into the world and be alone. I usually do it after a particularly stressful period. Exploring the world distracts me for a while, and being alone recharges me.

This particular day I chose to stay close to home. I took my old Kodak digital camera over to Holliday Park for a hike through the woods to take in the autumn color.

That Kodak digicam sure can render color.

Photography

single frame: Red leaf

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Stories Told

It’s done its job

Lots of big, broad trees filled the suburban neighborhood where my first wife and I made our home. They shaded our sprawling red-brick ranch house, confident and serene. I wanted that confidence, that serenity for my family. It’s probably why I bought the house.

And then the leaves started to fall that first autumn. Prodigiously. The first Saturday she and I and my stepson spent all day raking and bagging. And the next Saturday. And the one after that. And then one weekend it rained. Relief! A weekend off! Except that the next weekend it took both days to rake and bag it all up.

It was awful. It dragged on for weeks before the last leaf finally fell. The next autumn was worse because my wife was pregnant — the job fell mostly to me and my stepson.

I did not want another punishing autumn. “If we had a lawn tractor,” I said sweetly to my wife, “one with a bagging attachment, I could line it with lawn-and-leaf bags and just suck the leaves into them. I’d drive the bags down to the curb, tie them off, and leave them for the city to collect. I could do this job by myself in half the time it takes all of us to rake.”

That pushed her right over: she bought me a tractor and a bagging attachment for my next birthday. It cost $1100, a lot of money for my young family. It was worth it for her to never wield a rake again.

Craftsman tractor

Oh my gosh, but I loved cutting the grass with it! I felt so suburbanly manly on it. And it really did make leaf season bearable, and free my wife and sons to do other things. They were happy, I was happy, everybody was happy.

My new baby boy was fascinated with it, so I put him on my lap and drove him around the back yard at low speed. To my happy boy it was the coolest thing ever! He wanted a ride every time I got the tractor out. His younger brother, when he came, was wary of it and didn’t like the noise it made. But if his brother was going to ride around on it with me he wasn’t going to miss out.

Craftsman tractor

And then of course our marriage crashed and burned, and I moved out. The tractor stayed behind while the divorce wound through the system, eighteen painful months. After the trial and the decree, my ex-wife somehow didn’t realize that she had agreed to give the tractor to me. When I asked for it (and my tools, and a few other things she also didn’t seem to know were awarded me) she refused. And then she reread our agreement and realized she had no choice. And then she called at dusk one drizzly day to say my stuff was out on the front lawn and I needed to come get it.

I managed to rent a U-Haul just before the place closed, and I managed to find a friend willing to help on short notice. The tractor and most of my tools were there. But the U-Haul’s ramp was narrow and slippery and so we had to lift the tractor up into the truck, and back out again at the house I was renting. Five hundred pounds, I hazard to guess. I’d put my back out for sure if I had to try that now.

Craftsman tractor

But I was so happy to have it back. I was renting a house on an enormous lot, and the tractor cut my mowing time down to about three hours! Even that was a burden. I was relieved to finally buy a house of my own on a much smaller lot, about a third of an acre.

And here I’ve been for ten years. The tractor just keeps going, 20 seasons now. Every second year I changed the oil, air filter, fuel filter, spark plug, and blades. It has needed a few repairs: the starter, the steering gear (which broke the first month I owned it), the front tires, and the drive belt. Not bad. Oh, and the welds that attached the hood failed a few years ago. I bought two cheap locking pliers and clamped the weld points with them. It worked great!

Craftsman tractor

The tractor has continued to be a blessing in the autumn. Or at least it was until my 21 ash trees died a couple years ago. I could probably rake up all the leaves from my yard on just a few autumn Saturday afternoons now. But because the tractor just kept running, I kept using it.

But now I’m preparing to move into my wife’s home. Her yard is small, far too small for a tractor. So about a month ago I sold my tractor. A fellow who keeps the grounds at the nearby cemetery bought it. He paid my asking price in twenties, drove it onto a trailer, and hauled it away.

Tractor

I thought I’d be sad about it. I wasn’t; I’m not.

This surprises me.

I lost so much to which I was attached when I divorced, first and foremost the ability to live with my sons every day as they grew up. But I lost a great many possessions, too — things that I had to sell, things that were not awarded me, things that were awarded me but never reached me, things that my ex damaged or destroyed.

Of the many possessions I really enjoyed, the tractor was one of the few that found its way to me intact. I always loved using it. Even though it’s loud, I was at peace driving it. In that seat I could really think. And when I put it away, I had accomplished something and my yard looked good.

Tractor and Bagging Attachment

But it has done its job for me. I don’t need it anymore. I’m happy that someone else will get good use from it.

Another thing to which I’ve become deeply attached is my house. I wasn’t remotely in love with it when I bought it. The floor plan is weird. One bedroom is tiny. The main bathroom was in terrible condition. But it was structurally sound, it had enough bedrooms for me and my sons, the location was right, and most importantly I could afford the mortgage after the divorce left me broke. (It was just before the housing bubble burst. I bought the house with no money down.)

And as I rebuilt my life and built good relationships with my growing sons, I came to love this house.

Or at least I thought I loved the house. This year as I did heavy, long-procrastinated repairs and (with help) painted the interior stem to stern, I came to see it: this house represents what I built while I lived in it, namely, a happy, healthy life and good relationships with my sons. Neither was assured when we arrived. This house was the quiet, safe, stable place for us to do the work. I love what we built!

house_for_sale

And now my sons are grown and gone, and I’m remarried. This house has done its job. I don’t need it anymore. I’m happy that someone else will get good use from it.


This blog was less than a year old when I moved here. I wrote a post about the place then, called A Place to Start Again. I hope you’ll read it; it’s here. I wrote, “I’m making a new start in my little house, and who knows how I’ll grow while here.” I grew, all right, beyond what I could have imagined or hoped. I made something good out of a horrible mess. I’m mighty satisfied.

P.S.: I wrote this the day before the listing appeared. The morning the listing appeared, I got two very strong offers and accepted one.

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