Preservation, Road Trips

The beautiful Art Deco church in the small Indiana town

What was I thinking, photographing this Art Deco church building on expired slide film? I wanted beautiful photographs of my visit.

Tyson United Methodist Church, Versailles, IN

Beauty is, of course, subjective. If you enjoy the color shifts of expired film, you probably find these photographs to be lovely. I guess they are, in their own way. I just hoped for realistic color and clarity, as I wanted to share this church as you’d see it if you walked up to it.

Tyson United Methodist Church, Versailles, IN

It’s not that I couldn’t go back and photograph it again; Versailles (pronounced ver-SALES) is only about 80 miles southeast of Indianapolis. I’m sure I’ll do just that one day and get exactly the photographs I want.

Tyson United Methodist Church, Versailles, IN

This church is named for its builder, James Tyson, who made his fortune as the first investor in Walgreen’s drug stores. Completed in 1937, Tyson built the church as a tribute to his deceased mother, a charter member of this congregation upon its 1834 founding.

Tyson United Methodist Church, Versailles, IN

This carefully maintained building of brick, terra cotta, copper, aluminum, and glass famously contains not a single nail in its construction. Many of its materials were imported from around Europe, but the oak pews are of local timber.

Tyson United Methodist Church, Versailles, IN

I was inside for a meeting of the Historic Michigan Road Association; Versailles is a Michigan Road town. Two alignments of the Michigan Road pass through Ripley County, of which Versailles is the seat. The original 1830s alignment lies a few miles to the west, but the road was rerouted through Versailles at the dawn of the automobile era.

Tyson United Methodist Church, Versailles, IN

Such an architectural gem is unusual for a small Indiana town like Versailles. Tyson built two other Art Deco buildings here: a library and a school. The church is arguably the loveliest of the three.

Tyson United Methodist Church, Versailles, IN

Pentax Spotmatic F, 55mm f/1.8 SMC Takumar, Konica Chrome Centuria 200 (exp. 12/2003)

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Tyson United Methodist Church, Versailles, IN

Inside Tyson United Methodist Church
Pentax Spotmatic F, 55mm f/1.8 SMC Takumar
Konica Chrome Centuria 200 (x 12-2003)
2017

This is probably my favorite photo from inside the Art Deco church in little Versailles, Indiana. More photos to come.

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Film Photography, Preservation

single frame: Inside Tyson United Methodist Church

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Camera Reviews, Film Photography

Kodak Six-20, revisited

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I was so impressed with this camera when I bought it seven or eight years ago. I was limiting my collection to folders and rangefinders then, and this mint-condition folding Kodak with Art Deco details was so lovely I just had to own it. I’ve always displayed this camera. I have little display space, so it’s a special camera that doesn’t end up in a closet or in a box under the bed.

Kodak Six-20

Manufactured from 1932-37, the Kodak Six-20 was more style than substance. It featured a 100mm Kodak Anastigmat lens, one step up in quality from Kodak’s entry-level Diway, Bimat, Twindar, and Kodar lenses. Some think this Anastigmat is similar in design to a Tessar. Yet its maximum aperture is only f/6.3, and the No. 0 Kodon shutter in which it is set offers just three settings: 1/25, 1/50, and 1/100 sec, plus time and bulb. Not very versatile.

Kodak Six-20

The Six-20 offers two viewfinders: a brilliant peer-down viewfinder attached to the lens assembly, and a pop-up sports viewfinder on the body side. On mine, the brilliant viewfinder is so cloudy as to be useless.

Kodak Six-20

This was the kind of camera a gentleman could slip into his coat pocket, or a lady could carry in her clutch, and look stylish when pulling it out. Only a gentleman or a lady could afford this camera: it was $38 when new, which is equivalent to $666 in 2016.

Kodak Six-20 Kodak Six-20

I shot this camera once before, in 2010. See the review here. I got terrible results and blamed a combination of camera gremlins and photographer incompetence. But I’ve learned a lot about using old gear and making photographs in the years since, and so I decided to try again. I began by cleaning the lens, which is easily accessed from the back by opening the aperture wide and setting the shutter to T. I then shot the shutter at every speed many times to loosen it up.

The Kodak Six-20 unsurprisingly takes 620 film, which hasn’t been manufactured since 1984. It’s the same film as still-manufactured 120, but on narrower spools. You can respool 120 onto 620 spools, or buy it pre-respooled at premium prices. Because neither option excites me, I swore off 620 cameras a few years ago. But as my grandmother always used to say, “never say never.” I bought a roll of expired (1/2004), cold-stored, hand-respooled Kodak Verichrome Pan from the Film Photography Project store and spooled it into this octogenarian camera.

My first stop was a nearby Episcopal church. Armed with my monopod to keep the camera stable, and my iPhone light meter app to get exposure right, I got to work. This is my favorite shot from the roll.

Church building

Somebody forgot to put the toys away on the church playground.

Toy trucks

From the church, I walked around the surrounding Warfleigh neighborhood a little. The Meridian Street Bridge cuts through on its way over the White River. The sun, low in the west, created gobs of annoying flare. I had to have my back fully to the sun to avoid it. I’m sure Kodak made a snap-on hood for this lens; I wish I had one.

Meridian Street bridge

These shots all look a lot better than the original scans, which were hazy and low contrast. Fortunately, in this modern age Photoshop corrects those problems quickly and easily. But even Photoshop couldn’t help with the flare.

Starbucks

I finished the roll (just eight photos!) over in the Butler-Tarkington neighborhood, where there’s a Graeter’s ice-cream shop. It was busy on this warm Saturday evening.

Graeter's

By the way, the Six-20’s shutter requires no cocking. That’s unusual for a folding camera of this era. I’m betting that the No. 0 Kodon is a simple rotary shutter similar to those found on box cameras.

See the rest of my photos from this camera in my Kodak Six-20 gallery.

I was actually about to sell this camera. I’ve been thinning my herd, as cameras were stuffed into every nook and cranny around here and the madness had to stop. I’ve shed probably 50 cameras and am not done yet. But something made me pause and try this one again. I’m glad I did; after this experience I’ll be keeping it.


Do you like old film cameras? Then check out all of my reviews!

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Circle TowerIn recent weeks I’ve shared a couple photos of parts of Circle Tower, a building on Monument Circle at the heart of Indianapolis. (See them here and here.) The other day I found this photo I took in 2013 of the whole building with my Canon AE-1 Program camera and my 50mm f/1.8 Canon FD lens on Arista Premium 400 film.

This is my favorite building on Monument Circle. I love its tiered upper floors. A long time ago, a nice steakhouse used to occupy one of those floors. I shared several fine meals there with friends, sometimes driving in from Terre Haute just for the experience. I was so disappointed to find it closed at some point after I moved here. It’s too bad — I’d love one more opportunity to have a nice dinner near a high window looking down on the Circle.

Photography, Preservation

Captured: Circle Tower

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Circle Tower arch

Circle Tower arch
Canon PowerShot S95
2015

Photography, Preservation
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Circle Tower

Circle Tower
Canon PowerShot S95
2015

Photography
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