Coming soon: a review of the circa-1950 Argus Argoflex Forty. It’s basically a box camera in twin-lens reflex guise, but it has a good, coated Anastigmat lens that’s sharp from corner to corner.
I had a great time with it and a roll of expired Verichrome Pan. I heard that this 620 camera can take 120 film if you snip the edges off the film spool and use a 620 takeup spool. I did that to a roll of Ektar, which is at the processor’s now. As soon as I get scans back I’ll finish writing my review of this camera and share it with you.
As the last of the Shakers left their central-Kentucky village — or died — in the early 1900s, their village fell into private hands and became known as Shakertown. Some buildings were given new uses, others were left to rot.
The same kind of determination and hard work the Shakers put into building their village went into restoring it. Some buildings were beyond saving, and some were already gone, but those that remain are a living look back into this religious sect and its way of life. Read a little bit about their history here.
Nestled amid the rolling hills of central Kentucky, 25 miles southwest of Lexington, you’ll find a village built and occupied by members of the Shaker religious sect from 1805 to 1910. Many of the buildings they built still stand, most of them in restored condition. It’s a remarkable collection of structures, suggesting a large and vibrant community. Here are many of the doors from Shaker Village. It’s a tourist destination today; where you see Open signs on the doors, it means visitors are invited in to wander and explore.
The Birch Bayh Federal Building and United States Courthouse Pentax ME, 35mm f/2.8 SMC Pentax-A Film Washi S 2019
I’m at best a beginning student in photography appreciation, with limited ability to describe the qualities of a good photograph. For that matter, I’m not even sure I can judge a photograph to be good, not on some universal scale. I just like what I like.
I like this photograph. The 35mm lens brings in tons of interesting context surrounding this neoclassical federal courthouse. The glowing sunlight cast against the building’s facade contrasts pleasingly against its shadowy flank.
It’s said that Film Washi S performs best in diffuse light. For a day of black-and-white photography in full sun, I should have been better served shooting something like T-Max 100 or FP4 Plus. But I would have missed out on the chiaroscuro effect, though unintended, obtained in shooting this film in non-ideal light.
Analogue Wonderland provided me this roll of Film Washi S in exchange for this mention. Buy yours from them here.