Film Photography

New light seals in the Nikon F3, tested on Adox HR-50

When I shot my Nikon F3 in January, I discovered that the light seals had failed. Actually, I discovered it when the scans came back from the processor and I saw the red streaks across my images. Isn’t that how it usually goes?

Nikon F3HP *EXPLORED*

I immediately bought an F3 light-seal kit online, but it took me until August to get around to installing it. I put off things I don’t like to do. Fortunately, the kit I bought came with excellent instructions and everything I needed. It took me about a half hour to do the job, and then I had to wait a couple days for the adhesive to set.

Then I mounted my 35mm f/2.8 AI Nikkor lens and loaded my last roll of Adox HR-50 film. I took the F3 around with me on a couple walks and bike rides, and on our trip to Louisville. Here are the shots I like best.

Mc D

I shot the F3 in aperture-priority mode. About a third of the photos were a half or a full stop overexposed. I was able to fix it well enough in Photoshop most of the time. I hope the meter in my F3 isn’t going wonky.

Mazda in the parking lot

I whiffed focus on the photo above. When you look at it at full scan size it’s entirely out of focus. At blog size, it has a dreamy, tilt-shifty look that I like.

Live Music

I got stronger contrast this time than I did the last time I shot this film. I was impressed with its good middle grays last time. Perhaps this film doesn’t like overexposure.

Closed umbrella

The HR-50 just doesn’t look as good this time as it did last time I shot it. While we were in Louisville, I had no choice a couple times but to leave the F3 and the HR-50 in the trunk of my hot car. That may have affected the film as well.

Ghost sign

Downtown Louisville was still reeling from protests after the killing of Breonna Taylor when we visited. Between that and COVID-19, the streets were pretty empty.

Louisville building

I also took the F3 to New Augusta, which I hadn’t visited in a long time. Somewhere I have a photo of this house looking abandoned. Someone’s moved in and given it the attention it deserves.

Old house in New Augusta

It’s not a trip to New Augusta unless I photograph the old train station. It and an adjoining house were for sale a couple years ago. Margaret and I talked for a couple weeks about buying the property! What a great little guest house the train station would have made.

Augusta Station (in New Augusta)

I developed this film in Adox HR-DEV diluted to 1+49 and scanned it on my CanoScan 9000F Mark II. I’m growing more and more convinced that my scanner is the weak link in my 35mm workflow. These just need far too much unsharp masking.

On the tracks

It’s been fun to try Adox HR-50. I seldom reach for films this slow because they demand such good light. But under the right circumstaces, HR-50 looks very good. It’s worth finding the light that suits it.

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Schwinn parts

While I had the roll of Adox HR-50 in my Olympus OM-1, I made a series of photos of my bicycle. Some years ago I bought a 1986 Schwinn Collegiate from a Craigslist seller, had it overhauled, and have been riding it ever since. I like its springy seat and upright riding position. The bike has a few dents and the paint is chipped here and there, but it rides well.

The 50mm f/1.8 F.Zuiko lens and the Adox HR-50 came together to render my bike in ways that pleased me deeply. These photos show a rich range of tones, and the selective focus adds dimension and depth. They could be a little sharper, but I’m not sure I’ve fully dialed in my scanning and sharpening settings yet.

Schwinn parts
Schwinn parts
Schwinn parts
Schwinn parts
Schwinn parts
Schwinn parts

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Film Photography

Schwinn Collegiate

A series of photos of details of my bicycle.

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Film Photography

Shooting Adox HR-50

Whitestown

I suppose idle curiosity made me choose Adox HR-50 when the good folks at Analogue Wonderland offered me yet another roll of film to try. HR-50 is a specialty film aimed at landscape and streetscape photography, which is right up my alley. It’s also a relatively new film, as ADOX introduced it in 2018.

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Analogue Wonderland sent me this film in exchange for this mention. Buy Adox HR-50 from them here. Or choose from one of the 200 other films they keep in stock every day!

But then I put off shooting it for several months. As I read about it around the Internet, I got the sense that this film performs best in Adox’s HR-DEV developer. The Massive Dev Chart doesn’t even list times for most popular developers for this film. So how would my usual labs process it?

Fortunately, I was learning how to develop my own film. I figured that after I started getting repeatable results, I’d give this film a go. I bought the smallest bottle of HR-DEV to go with it. All of my preconditions met, I loaded the roll into my Olympus OM-1, mounted a 50mm f/1.8 F.Zuiko lens, and took it on photo walks over the next several weeks.

Church doors

Given the film’s slow speed I looked for bright days to shoot it. Even on lightly colored subjects like this sandstone church, HR-50 returned rich, even tones.

Whitestown UMC

I brought the HR-50 out on lunchtime walks through my neighborhood, as well. It kept doing a great job of capturing a good range of tones. I am especially pleased with its rich blacks.

Flowering tree in the front yard

HR-50 even does a good job rendering the sky without using a filter.

Stone column

I made a few photos where the sun was not behind or to the side of the camera. In those cases, the photos came out a little dark and lacking a little shadow detail. I don’t know whether that’s the OM-1’s metering or some characteristic of the HR-50.

Retention pond

Even when the sun reflected off a surface, the HR-50 refused to blow out.

No outlet

Despite this film’s stated use for streetscapes and landscapes, I moved in close for a few photos. HR-50 kept giving me the same solid range of tones and imperceptible grain.

Posies

I developed this film in HR-DEV diluted 1+49 per Adox’s time and temperature instructions. I scanned them using VueScan and my Canon CanoScan 9000F Mark II. These might just be the best results I’ve ever gotten from my home development and scanning. Nothing like using a film’s recommended developer to remove risk.

Ash leaves

Interestingly, Adox does not recommend using Rodinal, my favorite developer, with this film. It also does not recommend D-76, which makes sending this film out to a lab for processing a challenge as so many of them use D-76 or one of its clones.

I like this film. I’ll use it again. Especially since I have so much HR-DEV developer left!

Like what you see? Buy some Adox HR-50 for yourself at Analogue Wonderland here.

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