Personal

Thanks to the Internet, the Chinese have figured out how to cut out the middleman

I love a good rugby shirt. They’re kind of out of style, but I still want to own a few more. So recently I did a search on Google Shopping looking for some. I found this one for a good price:

It was sold by the Bronson Mfg. Co., which I’d never heard of. But it sounded all-American.

When I checked out, I thought it was odd that their site didn’t allow me to enter credit card info, but rather insisted I use PayPal. That should have been a red flag, but I wanted that shirt and I went ahead. Instantly, I got this receipt from PayPal:

Whaaaaaaaat?

I’m betting The Bronson Mfg. Co. is just a name that some anonymous Chinese factory uses to sell its stuff directly to consumers, cutting out the need to deal with the likes of JCPenney or Kohl’s. The Chinese text in that receipt translates to “Oude (Luoyang) Network Technology Co., Ltd.,” in case you were curious.

I’ve noticed that lots of goods on Amazon, particularly durable goods and light electronics, have odd brand names like Yosuda and Huion. I’m betting those are Chinese companies as well, selling directly on Amazon.

I suppose it doesn’t matter much how Chinese goods come to me, whether directly or via Kohl’s or whatever. I just don’t like the deception. On the other hand, I can’t imagine that I’d buy a rugby shirt from an online store called Oude (Luoyang) Network Technology Co., Ltd. It just doesn’t shout “quality clothing.”

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Jewel Box Jewelers

Jewel Box Jewelers
Kodak VR35 K12
Fujifilm Fujicolor 200
2021

This is my favorite image I made with the point-and-shoot Kodak VR35 K12. It was dusk, and light was dim but plentiful. But the VR35 K12 struggled with this light and returned unusably dim images — except for this one. The light from the window and from the lamps above the awning saved the day.

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Film Photography

single frame: Jewel Box Jewelers

A dusk photo of a store window.

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Ride Across Indiana, Road Trips

Visiting Vigo County, Indiana, on the National Road and US 40

On my bicycle ride across Indiana, I had pedaled through Wayne, Henry, Hancock, Marion, Hendricks, Putnam, and Clay Counties when I reached the last county of the trip, Vigo. This county borders Illinois and was the end of my trip.

It began to rain steadily as I rode off State Road 340 back onto US 40, and thus into Vigo County. My front handbrake was useless, and my handlebars were too slippery to hold. My rear coaster brake still stopped the bike, albeit slowly; it made riding not completely unsafe. I knew I would not make it to the Illinois line this day. My friend Michael lives near downtown Terre Haute, so I made his home my final destination.

Before I reached Terre Haute I passed through tiny Seelyville. There you’ll find Kleptz’s Restaurant, which has been operating since before I went to college just down the road from here at Rose-Hulman in the late 1980s.

Kleptz' Restaurant, Seelyville, IN

As you can see, Kleptz’s is a big old house. Some friends of mine stopped in for a drink back in the late 80s and they described sitting in Kleptz’s as like sitting in someone’s living room.

I’m a big fan of old neon signs. There used to be a good one on this building, but it’s been gone since 2009. When I photographed it that August, I didn’t know it was doomed.

Kleptz Bar

I don’t normally photograph modern gas stations on my trips, but I did this time.

Casey's, Seelyville, IN

It’s because I remember the building that used to stand on this corner. Here it is from that August, 2009, road trip.

Downtown Seelyville

I photographed this building in the unincorporated town of East Glen because in 1989, freshly graduated from college and looking for an apartment, I considered renting one of the upstairs apartments here. The downstairs was a hair salon even then. (I’m happy I found the apartment I did; read that story here.)

Salon, East Glenn, IN

I’ve photographed this Clabber Girl billboard a number of times over the years. Clabber Girl Baking Powder is one of Terre Haute’s claims to fame. This billboard has been greeting people as they approached town for probably 80 years. Every so often, it receives a restoration.

Clabber Girl billboard

Just beyond the billboard lies Rose-Hulman Institute of Technology, the number one undergraduate engineering school in the nation (according to U.S. News and World Report). This is my alma mater.

Entrance to Rose-Hulman, US 40 Terre Haute

Here’s where US 40 meets State Road 46 on the west edge of Rose-Hulman’s campus. Several years ago, US 40 was rerouted to follow SR 46 down to I-70, and then to follow I-70 into Illinois. The National Road, however, continues straight ahead.

US 40 at SR 46

In Terre Haute, I stopped in the rain to have a hot-fudge sundae at this Dairy Queen. It’s on the National Road on the east side of town. A handful of Terre Haute DQ’s had neon signs like this one. They were custom made; you’ll find them only in Terre Haute. This and one other location in town still have them.

DQ, Wabash Ave., Terre Haute

From here, I rode straight to my friend’s house. I really wanted to document the National Road in Terre Haute, especially where it originally passed by the Vigo County Courthouse. That will have to wait for a future dry day.

Margaret drove to Terre Haute to pick me up. My friend, his wife, Margaret, and I all went out for dinner and drinks before Margaret and I headed home. Back in my day, my favorite Terre Haute bar was Sonka’s, on the National Road near downtown. It’s still going!

Sonka's

I’ve driven the National Road from its beginning in Baltimore, MD to its end in Vandaila, IL. To read everything I’ve ever written about it, click here.

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Blogosphere

Recommended reading

💻 The show Saturday Night Live is hot right now. It’s been hot and not several times in its long history that stretches back to the 1970s. But the Internet era has changed how its popularity is measured. In short, who watches it on NBC at 11:30 anymore? Television writer Ken Levine explores this topic. Read The ninth or tenth resurgence of SNL

Christ Church Cathedral
Voigtländer Vito II, Kodak Plus-X, 2015

💻 Paul Niedermeyer writes about the Muntz Jet, a frog-eyed but otherwise attractive sporty car from the 1950s, made and marketed by “Mad Man” Earl Muntz. Muntz was probably better known for the inexpensive televisions he made back then. Read Automotive History: 1949-1954 Muntz Jet – “I Buy Them At Retail And Sell Them At Wholesale”

📷 Christopher May made a couple truly lovely images of a passing BNSF train and tells the story of getting those images. I love it when people tell the stories behind their images! Read One Image, One Story: Evening Autorack

📷 I’m drawn to medium-format folding cameras. arh found a nice one with a rangefinder, in its original box. Read Balda Baldinette

📷 John picked up a Voigtländer Vito II with a history that he knew about, including photographs made with it back in the day. Some of those photos were made in Devon in southwest England, and so he took it back to Devon to make more photographs. Read A Trip Down Memory Lane (via Devon) with the Voigtländer Vito II

My photo essay book, Vinyl Village, is available!
Click here to learn more and get a copy!

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Camera Reviews

Kodak VR35 K12

I don’t know for sure, because I wasn’t there. But I’ll bet that when Kodak introduced its VR35 line of 35mm point-and-shoot cameras in 1986, it was after someone in the Eastman Kodak board room said, if you can’t beat ’em, join ’em. Point-and-shoot 35mm cameras had come on the scene, and they were eating into Kodak’s Instamatic business. Kodak turned to Japanese cameramaker Chinon for manufacturing help. Out came a capable, if chunky, line of cameras. The Kodak VR35 K12 was the second best camera in the series.

Kodak VR35 K12

At the top of the line was the VR35 K14, which offered only a date back over the K12. Mike Eckman reviewed that camera at length on his site; see it here. This is a well-specified point-and-shoot camera with a 35mm f/2.8 four-element Tessar-design lens at its centerpiece. You can’t go wrong with a Tessar! It also features auto exposure, infrared auto focus, a popup flash with fill and night modes, and a motor drive. This point-and-shoot ain’t messing around.

Kodak VR35 K12

The lens cover doubles as the flash, and because it opens so wide it separates the flash from the body for better results. It does look strange when open, though.

Kodak VR35 K12

This camera is large, as point-and-shoots go. Its body is about the same size as an SLR, minus the pentaprism. But it’s far lighter than an average SLR. It’s also obviously far less complicated to use: just frame and press the button on the top plate. The camera does the rest.

Kodak VR35 K12

The camera even winds the film for you with its loud winder. Loud winders were typical of the genre in the 35mm point-and-shoot’s early days. The VR35 K12 even does most of the work of loading the film: insert the cartridge and pull the leader across to the yellow mark, close the door, and lift up the lens cover. After a cacophony of whirs and clicks, you’re ready to go. You’ll know you’ve succeeded when the green FILM RUN light blinks. When you reach the end of the roll, the VR35 K12 rewinds the film for you.

The VR35 K12 reads the DX code on your film, but recognizes only films that consumers commonly used in those days: ISO 100, 200, 400, and 1000. If there’s no DX code, or the DX code is for a speed the camera can’t recognize, the camera uses ISO 100. You can’t adjust ISO or exposure.

Autofocus appears to operate in three zones: portrait, group, and landscape. I don’t know what distances those zones represent. Press the shutter button down halfway to focus and the rest of the way to fire the shutter. The camera focuses within the frame marks just above the center of the viewfinder. If your subject is not within those frame marks, place it there and press the shutter button down halfway to focus. Then holding that button down, compose your shot as you want and press the button the rest of the way. Also, in a rare and very nice feature, if the subject is too close the portrait symbol blinks in the viewfinder. I can’t tell you how many point-and-shoot cameras don’t have a feature like this and you are left to guess distance when shooting close.

If you press and hold the shutter button, the camera fires every two seconds.

The flash fires whenever the camera thinks flash is needed, and you can’t turn it off. I found its flash sensor to be pretty decent, only once firing the flash in a situation where I wouldn’t want it. There’s also a manual fill flash feature. When your subject is darker than the background, slide and hold the Fill Flash switch on the camera’s front while you press the shutter button.

The VR35 K12 doesn’t work without a battery. The camera was intended to use Kodak’s proprietary Ultralite battery, which is out of production. Fortunately, it also runs on a standard 9-volt battery. I had one in the fridge that I bought a couple years ago that was still well within its best-by date, but my VR35 K12 didn’t work with it. I bought a fresh battery and all was well.

By the way, if you like compact 35mm point-and-shoot cameras, check out my reviews of the Kodak VR35 K40, the Canon Snappy 50, the Canon AF35ML, the Yashica T2, the Olympus Stylus, the Olympus Stylus Epic Zoom 80, and the Minolta AF-Sv. You can also have a look at every camera I’ve ever reviewed here.

These cameras are meant for consumer color films, but I shot black-and-white in it anyway. I have some 12-exposure rolls of Ultrafine Extreme 400 that I use when I’m not fully sure of a camera’s functioning, because the film was inexpensive and I don’t feel like I’ve lost much if a roll doesn’t work out. I’m not sure why I felt hinky about this camera, but I did. I shouldn’t have worried. Here’s my wife and our granddaughter. Notice how the flash lights the scene evenly, even this close.

Bubbles

A few photos on the roll (that I’m not showing you) suffered from mild camera shake. I found the shutter button sometimes stiff, which probably caused the shake. Here’s an alleyway in Lebanon, Indiana.

As seen in an alleyway

The winder shrieks as it advances frames. That’s typical of point-and-shoots of this era but it sure is a jarring sound. Here’s the fountain in front of the library in Thorntown, Indiana. I developed this film in Ilford ID-11, by the way.

Thorntown Library statue

I kept going with a roll of Fujicolor 200. Check out that slightly blurred background when I focused on these potted flowers. This is about as close as you can get to a subject.

Potted flowers

Ellison Brewery is a two-minute walk from my Downtown Indianapolis office and makes for a nice, colorful subject.

Ellison's

I made this photo inside my company’s offices with no flash. The VR35 K12 handled this available-light situation just fine.

Paper lamp

My ideal walking-around point-and-shoot fits in the palm of my hand. That was so not the VR35 K12. Thankfully, its long strap let me sling it over my shoulder. It’s not heavy to carry. That’s my company’s building behind this Jeep Cherokee, which is always exactly right in this spot.

Cherokee

The lens delivers good sharpness and detail.

Kilroy's

To see more from this camera, check out my Kodak VR35 K12 gallery.

I didn’t love the Kodak VR35 K12. The Kodak VR35 K40 I used to own had a slower lens and was fixed focus, but was a little smaller and easier to hold. I preferred it. Yet the VR35 K12 returned plenty of interesting images for me. In 1986, this camera would have been a great choice. It’s still not a bad choice, especially given that you can buy these for 20 bucks.

If you like old film cameras, check out all of my reviews here!
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Photography

I meant to schedule post about autumn color in the suburbs to go live on December 10. This happens to me every once in a while — I forget to set the schedule before I hit the Publish button. I wish WordPress had an “Are you sure?” prompt when you do that.

Now I have to come up with something else for December 10.

Oops.

Aside