I’m still photographing the loveliest sunsets I see when I look out my back door, past the Toyota dealer. Here are the photos I’ve made since I last shared some with you.

Sunset over the Toyota dealer
Sunset over the Toyota dealer
Sunset over the Toyota dealer

I used my Canon S95 for all of these as it is always on my desk, steps from the back door. A couple of these photos strained its low-light performance so I increased the blacks in Photoshop to hide the shadow clipping.

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A few more Toyota sunsets

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Photography

Autumn color in recent years past

Autumn is reaching its peak right about now in central Indiana. Is it just me, or did the leaves start to change later than normal? Isn’t peak normally past by now?

Photographing autumn color helps me appreciate a season I historically have not enjoyed because its arrival means winter is coming. I do not enjoy winter.

This year my time is short. I forced open a small window of time last Saturday to photograph some color, even though peak had not yet arrived.

The refrigerator in the garage died. I kept my film in there. Dealing with it made me realize that I’ve stockpiled a lot of film. Now I’m trying to shoot it all up, including a roll of Fuji Velvia, the original RVP emulsion, expired since 2006 but always kept frozen. I took it and my Yashica-12 out last Saturday, and I put the film in the mail for processing only on Wednesday. It could be a couple weeks before I, and therefore you, see the results.

But man have the colors gotten much nicer since Saturday. It makes me want to post autumn photos now! So I’ve spelunked my archives. These images will have to tide you, I mean me, over.

Autumn color in the neighborhood
Kodak EasyShare Z730 Zoom, 2009.
Autumn at Turkey Run
Canon PowerShot S80, 2010.
Red leaf
Kodak EasyShare Z730 Zoom, 2012.
Red tree
Nikon N65, 28-80mm f/3.3-5.6 AF Nikkor, Fujicolor 200, 2012.
Little leaves, out of focus
Olympus Stylus, Kodak Gold 200, 2013.
Red and path
Nikon F2, Fujifilm Velvia 50, 135mm f/3.5 AI Nikkor, 2014.
In transition
Nikon F2, Fujifilm Velvia 50, 135mm f/3.5 AI Nikkor, 2014.
Cemetery shade
Nikon N2000, 50mm f/1.8 Nikon Series E, Kodak Ektar 100, 2014.
Autumn leaves
Minolta SR-T 202, 50mm f/1.4 MD Rokkor-X, Kodak Gold 200, 2015.
Strange Evening Light
Nikkormat EL, 55mm f/2.8 Micro-Nikkor, Fujifilm Fujicolor 200, 2016.
Autumn tree in Crown Hill
Certo Super Sport Dolly, Model A, Kodak Ektar 100, 2017.
Yellow tree on Old 334
Olympus XA2, Agfa Vista 200, 2018.
Red
Olympus XA2, Agfa Vista 200, 2018.

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Standard

Today, just some photographs of horses we met while at Shaker Village. I have little experience with horses. When I was a boy I sat on one once. We were on some farm for some reason and the farmer had a truly enormous horse. I was hoisted up onto its back, and was slightly frightened by the height. I suspect this has shaped my attitude towards these beasts ever since.

But the fellow in the first photograph below sauntered right up to me and with the greatest gentleness used his muzzle to unfold my left hand to see if anything was in it for him. There wasn’t, but he seemed not in the least disturbed. He hung out with Margaret and me for a few minutes and then went on to grazing the grass.

Draft horses
Draft horses
Draft horses
Drawn
Grazing horses
Grazing horses
Grazing horses

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Horse country

Just some photos of horses today.

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Shaker Village at Pleasant Hill

Cooper’s Shop
Pentax K10D, 18-55mm f/3.5-5.6 SMC Pentax-DA AL
2019

As we packed to leave for Shaker Village of Pleasant Hill I considered which film camera I should take along. I still have 43 of them to choose from (full list here). It’s often hard to choose, and it was especially so this time for some reason.

I decided not to dither, and instead packed my digital Pentax K10D DSLR with its 18-55mm zoom.

The K10D was introduced in 2006, and the DSLR state of the art has advanced considerably since then. My wife’s six-year-newer Nikon D3200 can get some photos my K10D can’t, primarily in dim light. A couple of my dim-light shots would have been wonderful had they been less noisy and had I been able to choose a higher ISO for a faster shutter speed and less risk of shake.

But the vast majority of photos I make with the K10D are in good light, where the camera performs perfectly well. I love the warmth it captures.

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Photography

single frame: Cooper’s Shop

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Shaker Village at Pleasant Hill

Early evening at Shaker Village
Pentax K10D, 18-55mm f/3.5-5.6 SMC Pentax-DA AL
2019

Margaret and I get away four times a year for a long weekend, usually in March, June, September, and December. Margaret started a new job recently and its demands will sadly keep us from our usual December visit to Chicago. To compensate we made two trips this summer, one to her hometown of St. Charles, Illinois, a few weeks ago, and one to Shaker Village of Pleasant Hill in Kentucky over Labor Day weekend.

I’ll share more from Shaker Hill in posts to come, but in short the Shaker religious sect arrived here in 1805 and built quite a village of stone, brick, and wood frame buildings. They were innovative, building a system of running water throughout the village; the yellow buildings on the right were part of that system. They also lived communally; the stone building was one of three major houses the people lived in.

Today it’s a tourist destination with lodging on site. We stayed in a room in what had once been the East Family Wash House. The houses were named for their relative geographic location in the village, the people who lived in each house were called a family, and each family had a building in which they did their laundry. Innovatively, their laundry facility was horse powered, reducing the human manual labor of washing all those clothes and linens!

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single frame: Early evening at Shaker Village

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While Margaret and I stood on the bridge overlooking the Fox River in St. Charles, this man and boy waded out into the river and started fishing.

Fishin'

I zoomed my lens in as far as it would go, but the pair were still mighty small. So I put them more-or-less on rule-of-thirds lines and bathed them in context.

Fishin'

In my 52 years I’ve never watched anyone wade out into the middle of a river in a city’s downtown to fish.

Fishin'

As you can see, it’s easy enough to do in St. Charles: just ease down the stairs from the Municipal Center with your gear and step in.

Fishin'

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Fishin’

Just a man and boy fishing, in the middle of a river, in a city’s downtown. How improbable!

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