Carmel Arts and Design District

Carmel Arts and Design District
Nikon F2, 50mm f/2 AI Nikkor
Agfa APX 100 (expired 7/1998)
2018

I don’t remember downtown Carmel, Indiana, before it was built up. I guess it wasn’t much, just a handful of old buildings. I don’t know; I never spent any time here.

Which, I suppose, is why the city built up its downtown. It’s now full of restaurants, shops, and galleries. My wife and I come here from our Zionsville home several times a year, sometimes just to have a pint of Guinness at Muldoon’s, but just as often to attend one of the many events here. They have an annual car show I really like.

Calling it the “Arts and Design District” feels like a ridiculous affectation, a name affixed in hopes it would one day come true. But as small-city downtowns go, it’s pretty nice.

If you’d like to get more of my photography in your inbox or reader, click here to subscribe.

Advertisements
Film Photography

single frame: Carmel Arts and Design District

.

Image
Downtown Kirklin

Downtown Kirklin, Indiana
Nikon F2, 50mm f/2.0 AI Nikkor
Agfa APX 100 (x-7/98)

2018

I took the F2 along when Margaret and I toured the Michigan Road from Indy to Logansport just after Thanksgiving. The light was weird this day, and mighty dim for the ISO 100 film I was packing. Many of my photos suffer from camera shake. Fortunately, not this one.

I have a soft spot in my heart for little Kirklin. I remember how hapless and forlorn it was when I first stopped here, in 2008, during my original Michigan Road survey. That’s the Michigan Road cutting laterally across the center of the frame, by the way. That building on the opposite corner was about ready to fall in when I first saw it. Somebody rescued it.

Get my photography in your inbox or reader! Click here to subscribe.

Film Photography, Road Trips

single frame: Downtown Kirklin, Indiana

.

Image
Window in our room at Hotel Allegro

Morning light, hotel window
Nikon F3, 35mm f/2.8 AI Nikkor
Kodak T-Max P3200
2018

Just one more shot from the F3 on that remarkable T-Max P3200. It did a wonderful job rendering both the light and dark areas of this scene. As I shot this, through my viewfinder I could clearly see a television on top of the cabinet at right. The P3200 does have its limits.

Get my photography in your inbox or reader! Click here to subscribe.

Film Photography

single frame: Morning light, hotel window

.

Image
Film Photography

Right now, Amazon (in the US) has 24-exposure 35mm Fomapan 100 on sale for $2.59 a roll. You have to buy $25 of merchandise from them to get this price — but that can be 10 rolls of this very film. Who knows how long this will last, so if this appeals to you go buy some now here.

Shut
Nikon F2AS, 35mm f/2.8 AI Nikkor, Fomapan 100, 2016

Fomapan 100 is a beautiful classic cubic-grain black-and-white film. I find that it tends toward blown highlights, but other film photographers tell me that if I would just process it myself (rather than sending it to a lab) I could control that easily. Check out my review of this film here.

A bargain on Fomapan 100

Aside
View from a 15th-floor hotel window

View from the hotel window
Nikon F3, 35mm f/2.8 AI Nikkor
Kodak T-Max P3200
2018

I just love how much definition the T-Max P3200 delivered at night through our Chicago hotel window. Just look at the cars in the glowing parking garage! They’re so clear you can almost tell what make and model some of them are.

If you’re looking at this on a computer monitor rather than on your phone or tablet, you can see how even at this larger size the considerable grain doesn’t detract at all from the image.

Get my photography in your inbox or reader! Click here to subscribe.

Film Photography

single frame: View from the hotel window

.

Image
Film Photography

A pilgrimage to Central Camera

A pilgrimage to Central Camera

Despite our many weekend getaways to Chicago’s Loop, this was the first time we sought out Central Camera. We found it closed on Sunday. But because we were staying over through Monday, we went back.

A pilgrimage to Central Camera

We stepped in, and it felt like stepping into 1948. There were counters on both sides and an aisle down the middle. The left side was crammed with used gear. I dared not dwell. I passed through to the film counter. Oh my gosh, but I’ve not seen that much film for sale in one place since the 1980s.

A pilgrimage to Central Camera

The array of films in stock was impressive. I bought four rolls of Arista.EDU 200. Yes, they carried Arista.EDU from Freestyle Photo! The kind young woman behind the counter wrote my receipt by hand.

I did get one color shot of the exterior, so you can take in the sign’s great shade of green.

Central Camera

To get Down the Road in your inbox or reader, click here to subscribe!

Standard