Film Photography

Eastman Double-X 5222 in Rodinal

The conventional wisdom on the Internet is that Rodinal isn’t the best developer for Eastman Double-X 5222. But I’ve now used this combination and it’s fine.

Vee dub grille

When I loaded this roll into my Nikon N90s, Indiana’s governor had not yet shut everything down to slow the spread of the coronavirus. We were just starting to talk about isolation and social distancing. Many companies, including mine, were asking people who could work from home to do so. I can, so I did. I decided to take a midafternoon walk around the area just to stretch my legs. I live right by a strip mall so I walked over there. The Lowe’s parking lot was packed.

Old Chevy truck in front of Lowe's

I didn’t encounter a soul outside while I walked, however. A few storage barns were on display at Lowe’s; here’s the window of one of them. My past experience with Double-X 5222 has been of high contrast images. But those were in full sun. I’m sure the overcast day helped manage the contrast. But could the Rodinal also have helped show more grays in the film? I really like the tones in the shutters and flower box.

Window

The Thai restaurant was still open. The Mexican restaurant next door had a sign in the window saying they’d be doing carryout orders only, and asking everyone to stay safe and healthy. They were ahead of the curve.

Sidewalk chalkboard

This being a modern subdivision, retention ponds are everywhere. They provide opportunities to photograph reflections.

Lowe's

I shot this film at EI 250 and diluted my Rodinal to my usual 1+50. I normally shoot this film at EI 200, but the Massive Dev Chart had a 1+50 recipe for EI 250 and not EI 200. The Rodinal resulted in reasonable grain and okay smoothness in the details in most shots. The photo below is an exception — when you look at it at full scan resolution, the vinyl siding looks all mottled. But at blog size it’s fine.

Vinyl village reflection

Walking back toward home, I saw that one of my neighbors had his beater Jeep parked out front. It’s black with white fenders, and sports aluminum wheels. I wondered how the Double-X would render that, so I shot it. The wheels turned out to be more of a dull gray than their real-life low-sheen silver.

Jeep wheel

This whole subdivision used to be someone’s farm. I remember driving out this way 20 or more years ago and finding acre after acre of cornfields. The farmhouse survives, a lonely little petunia in this onion patch. (Can you tell I’m not much of a fan of these vinyl-village subdivisions? We will move from here one day and I hope never to live in one again.)

Steps to the old house

I came inside for the last few shots on the roll. Again I photographed the Belleek ring holder that’s on our kitchen windowsill. That’s my wedding ring.

Belleek ring holder

Finally, here’s the window in our back door with a stained-glass ornament my wife’s mother made. The outer petals of this flower are bright orange. I always think it’s interesting to know when a black-and-white photo is of a colorful subject, and what colors are in the subject.

The stained glass thing is orange and white in real life

It’s interesting to see how Rodinal handled the Eastman Double-X 5222. It worked, and for my normal blog purposes it was fine. But it wasn’t spectacular. I’ve used Old School Photo Lab to develop most of my black-and-white film and they use Clayton F76 developer, which is an analog to Kodak D76. These developers are known for finer grain and better shadow detail. The scans I got back from Old School please me somewhat more than these in terms of sharpness, detail, and tonality.

I shot this film because I’m shooting up my old film, and I had a roll of it left from a purchase several years ago. If I come upon some again and I wasn’t shooting something that mattered, I’d use Rodinal again to develop it. But ultimately, I want to find some films that pair excellently with Rodinal and make those my go-to black-and-white films.

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Film Photography, Travel

Crossing the Chicago River on Kodak T-Max 400

I had a lot of good photographic luck on our early-January trip to Chicago. So much so that I’m still sharing photographs from the trip in late March! I made these crossing the Chicago River at both Jackson Street and Adams Street. On Adams Street, we were walking to our breakfast at Lou Mitchell’s; on Jackson Street, we were on our way back. It was the end of our trip; driving home followed breakfast. I had Kodak T-Max 400 in my Olympus XA, and I hoped to finish it before we got back to our parking garage. I failed, but it was fun trying. I’m usually careful not to waste shots when shooting film, but on this walk I photographed freely. It was a lot more fun that way!

On the Chicago River
On the Chicago River
On the Chicago River
On the Chicago River
On the Chicago River

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Red Line information

Red Line information
Olympus XA
Kodak T-Max 400
2020

Indianapolis’s bus system has never been all that great. The routes don’t serve large parts of the city, and the buses come at most every half hour.

The city is trying to change that with a new set of rapid-transit bus lines. The first, the Red Line, opened late last year. It runs north-south along a critical transportation corridor, connecting the University of Indianapolis on the Southside to Broad Ripple (and, in some cases, almost the north city limit) on the Northside. The Red Line’s electric buses reach stops every ten minutes.

I took my team at work to lunch in Broad Ripple last fall, and we rode the Red Line both ways. This is the stop Downtown at the bus terminal, where we began and ended our trip. It sure beat driving and finding a place to park.

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Film Photography

single frame: Red Line information

The Red Line bus terminal in Indianapolis.

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Film Photography
Pentax ME

I got my Pentax ME out last week to use it, to find that its meter wasn’t responding.

At the moment, I don’t have a functioning K-mount body. I still haven’t sent my Pentax KM in for repair after accidentally damaging it during Operation Thin the Herd.

Fortunately, my Pentax Spotmatic F is still going stong. So I used that. I also got out my Nikon N90s and, just today, my Nikon N2000 for some work. I really like all of those cameras. The N2000 continues to surprise me by how pleasant it is.

Still, it feels very weird not to have a functioning K-mount body. Both my ME and KM need to go to Eric Hendrickson stat.

K-mount woes

Aside
Chicago Skyway Bridge

Driving across the Chicago Skyway Bridge
Olympus XA
Kodak T-Max 400
2020

I barely slept the last night we were in Chicago. So I handed my car keys to Margaret. It gave me this lovely opportunity to photograph the Chicago Skyway Bridge while we were crossing it.

This bridge, built in 1958, carries the Chicago Skyway, also known as I-90, across the Calumet River. At the end of the Skyway, eastbound, is Indiana. This is a toll bridge, but thanks to my EZPass transponder I have no idea what the charge is. I just add some money to my account before we go and let the EZPass pay the toll.

It was midmorning Monday. Traffic was light. For a moment, it looked like we had this busy bridge all to ourselves.

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Film Photography

single frame: Driving across the Chicago Skyway Bridge

A through-the-windshield shot of the Chicago Skyway Bridge.

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Film Photography

Ferrania P30 Alpha in Rodinal

I’m starting to develop 35mm black-and-white film now. It was my goal all along — I started with 120 because it let me shoot a roll fast so I could get to the developing. I shoot way more 35mm than 120 normally.

Last week I shared a roll of Arista EDU 200 I shot, developed, and scanned. I thought surely it and my whole box of to-shoot film was damaged by a space heater I kept too close by. But a commenter said “hey, maybe your Rodinal has gone weak.” I did open a new bottle of Rodinal to process some Eastman Double-X 5222 and, spoiler alert, it turned out perfect. So it was the Rodinal. Maybe I didn’t get the cap on right last time, and for the little bit left in the bottle the air scotched it.

I didn’t get that comment before I used that potentially compromised bottle of Rodinal to process this P30. Several photos turned out reasonably well. They might have looked better in fresh Rodinal. But they show P30’s signature characteristics: nearly undetectable grain, rich blacks, strong contrast, and a reasonable tonal range.

Barber Shop
Garage
All locked up
Monon Coffee Co.
The Bungalow
Mpozi mural

I shot this roll in my Pentax Spotmatic F with the 55mm f/1.8 SMC Takumar lens attached. I developed it in Rodinal 1+50 at 21° C for 12 minutes, 40 seconds. Ferrania advises 20° C for 14 minutes, but the ambient temperature led to 21° developer and I had to adjust development time. I used the Massive Dev Chart’s converter. The first two shots are from downtown Carmel, and the next four are from Broad Ripple.

Some photos didn’t fare as well. Anything with significant amounts of sky in it suffered. I shot all of these around Broad Ripple.

Monon bridge
The Bungalow
Bridge to Fresh Thyme

Interestingly, the film closest to the outside of the roll fared the worst. This is one of the first photos I made on this roll. It still shows P30’s signature rich blacks, despite being so mottled overall.

Meijer

One last photo, just because I like it. That’s my wedding ring on the ring holder thing we keep near the kitchen sink. It’s Belleek pottery; we bought it at the Belleek factory in Northern Ireland when we visited a few years ago.

Ring holder

I have one last roll of P30 Alpha, which I just retrieved from my freezer. I’ll shoot it soon and I expect far better results from it, developed with fresh Rodinal 1+50.

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