View from the hotel window Nikon F3, 35mm f/2.8 AI Nikkor Kodak T-Max P3200 2018
I just love how much definition the T-Max P3200 delivered at night through our Chicago hotel window. Just look at the cars in the glowing parking garage! They’re so clear you can almost tell what make and model some of them are.
If you’re looking at this on a computer monitor rather than on your phone or tablet, you can see how even at this larger size the considerable grain doesn’t detract at all from the image.
Despite our many weekend getaways to Chicago’s Loop, this was the first time we sought out Central Camera. We found it closed on Sunday. But because we were staying over through Monday, we went back.
We stepped in, and it felt like stepping into 1948. There were counters on both sides and an aisle down the middle. The left side was crammed with used gear. I dared not dwell. I passed through to the film counter. Oh my gosh, but I’ve not seen that much film for sale in one place since the 1980s.
The array of films in stock was impressive. I bought four rolls of Arista.EDU 200. Yes, they carried Arista.EDU from Freestyle Photo! The kind young woman behind the counter wrote my receipt by hand.
I did get one color shot of the exterior, so you can take in the sign’s great shade of green.
Double exposure of my brother, 1985 Argus A-Four Kodacolor VR 200 (probably) 1985
My brother ran for the high-school track team. The practice track was behind the school, along a side street. Mom and Dad used to drive over there and watch practice.
It was my senior year. I have negatives from a roll of film I shot that May as I was preparing to graduate. This photograph tells me I was using my Argus A-Four camera. That’s because it’s the only 35mm camera I owned then that allowed me to take a double exposure.
I didn’t mean to take this one. I took one shot of my brother leaning against the fence, and then a minute later took another — but forgot to wind in between. Also, I turned the camera both times for a landscape photo, but the second time upside down from the first time.
It made this double image of my brother, made perfectly symmetrical with a judicious crop.
Autumn at Lilly Lake Canon Canonet QL17 G-III Agfa Vista 200 2018
This photo was featured in Flickr Explore on November 19. It’s always fun to see all the likes and comments when one of my photos makes Explore.
I wonder how many Flickr viewers had any idea that I was shooting film? To know, they’d only have to click through to my image’s page and read the description.
Can an experienced eye guess that this is a film photograph? To me, the sky is the tell. It has a nuance to it that digital cameras seem unable to capture. They tend to render skies almost too perfectly, with wispy clouds against a sea of perfect azure.
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While I was looking for work I had a lot of coffee, lunch, and drinks appointments with people in my industry, as I tried to find opportunity. Even though this exhausts me — I am a pegging-the-meter introvert — I really love catching up with colleagues and getting to know people in my industry whom I hadn’t met yet. My appointments had me driving all over Indianapolis and its north suburbs, and I always brought a camera along. One of those cameras was my Canonet QL17 G-III. Agfa Vista 200 was inside.
I met the VP of Engineering of a well-known local startup one morning near his South Meridian Street office Downtown. This little sliver of Indianapolis’s main street has been isolated from the rest of Meridian Street thanks to resolving an awkward fork with another major street. It has allowed two blocks of charming old houses to remain.
Here’s where northbound Meridian Street ends, with its view of the Indianapolis skyline. The building at the photo’s center is Salesforce Tower, housing the largest employer of software people in Indiana. It was built in 1990 as Bank One Tower.
A little park stands where Meridian Street used to. After you cross through it you reach the Slippery Noodle Inn, Indiana’s oldest bar. This is its south wall.
Here’s a quick look down an alley, toward the old Union Station. A whole bunch of tracks run through Downtown, elevated since before anybody can remember.
Bird and Lime electric scooters litter Downtown’s streets. I rode one once. It was kind of fun, but not worth what it cost.
I strolled looking for interesting scenes to photograph. I forget where this scene is exactly, but it’s within a couple blocks of those scooters.
Same with this festive scene devoid of customers on this chilly, gray morning.
I know exactly where this restaurant is, however: on Meridian Street just north of the tracks. My wife and I come here from time to time, as we like fresh Guinness, Irish whiskey, shepherd’s pie, and fish and chips.
I made a point of walking the few blocks over to St. John the Evangelist Church to photograph this great door. Then I walked back to my car and drove to my next appointment.
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Stephen Dowling of Kosmo Foto sent me a few rolls of film from his fridge in thanks for a favor. It was mostly slide film, something I haven’t shot very much as my skinflint tendencies reliably turn me to inexpensive stuff like Fujicolor 200. I’ve been shooting it a roll here and a roll there. After enjoying a roll of my usual inexpensive stuff in my Nikon N2000 recently, I went for broke and loaded a gifted roll of slide film: Fujifilm Provia 400X.
My 35-70mm f/3.3-4.5 Zoom Nikkor lens was already on the camera, so I left it there. Say what you will about zoom lenses, and this zoom lens in particular — Ken Rockwell calls it one of Nikon’s worst lenses ever — but I like this lens. It’s sharp enough, the zoom range is super useful for the subjects I shoot on photowalks, and it offers a macro mode. The wicked barrel distortion evident at its wide end is easily corrected in Photoshop.
I am pleased with the rich color this film delivered. It hits a sweet spot between realistic and deep. These are the colors I remember when I was on the scene, but they’re richer, deeper somehow, and they make me want to go back and experience them again in person.
This place, by the way, is Broad Ripple, a hip neighborhood on Indianapolis’s Northside. I visited it because it’s so colorful. I loved being able to shoot this ISO 400 slide film on a cloudy day — most slide films I’ve shot before are much slower, ISO 50 or ISO 100, requiring slower shutter speeds and a steadier hand.
I also shot some of this roll on a bright, sunny day in downtown Fishers. This was the last time I shot any film there before I lost the job that brought me there five days a week. I hated that long, tedious commute and don’t miss it. There’s no good way to get to Fishers from anywhere. After you’re there, though, it’s not too bad.
The Provia 400X kept on delivering. Just look at those blues and greens.
Here’s a quick look down one of Fishers’ few remaining original downtown streets. I showed you some of them not long ago in this post. I’m sure that in the next few years this will all be gone in favor of urban density. I shot this in late October, just as the trees were beginning to turn. We had an unusually warm early autumn, which delayed the onset of color. But when it came, it came fast and intense. The trees were largely bare after just a couple weeks.
The 35-70mm lens’s macro mode let me get right up on some of the leaves.
Provia 400X’s speed let me experiment with a few shots inside. The subject isn’t terribly interesting but the colors are spot on with reality — after I Photoshopped out a green caste that the ambient incandescent lighting imparted.
I tried a bathroom selfie. My black hoodie was a bit of a stretch for the Provia, even with 240 watts of light burning right over my head.
I also made a quick trip to The Ruins at Holliday Park in Indianapolis. I just love that place. I need to go photograph it proper one day and show it to you. This one photo will have to do for now.
My other slide-film experience has been a single roll of Velvia 50 and a whole bunch of Ektachrome E100G. The Velvia is super ultra saturated, which would be fun sometimes but isn’t my style most of the time. The E100G is nice stuff but a little too blue. This Provia really hits a sweet spot for me: realistic but rich color rendition.
Fujifilm doesn’t make Provia 400X anymore, and remaining stocks are all past their use-by dates. This roll was expired, but Stephen obviously stored it properly and it performed as new. This is very nice stuff and it’s a shame it’s discontinued.