Speed Graphic Nikon F50, 50mm f/1.8 AF Nikkor Kodak Max 400 2021
A longtime camera collector and professional photographer retired several years ago and sent me a box of cameras from his collection that he no longer wanted. Some of them were broken in some way while others worked, either fully or well enough to test. I’ve shot several of them now, and their reviews are up on this site.
This one is a Miniature Speed Graphic, manufactured somewhere between 1939 and 1946, and it takes 2×3 sheet film. I’m sure that if I invested the time to figure it out, I could get wonderful photographs from it. I have decided to let it look glorious on my fireplace mantel instead. SLRs and TLRs have captured my heart.
A major feature of this blog is reviews of old film cameras. I’ve reviewed 146 cameras so far! See the entire list here.
Thanks to Internet search, camera reviews drive a great deal of traffic to this site. It’s interesting to track the reviews that have gotten the most views here over the years. Here are the top five most viewed reviews since this blog’s inception:
I’m curious to understand how these cameras end up ranked as they are. I know some things about it. For example, the Nikon Nikkormat EL couldn’t possibly have made the 2015 list, as I didn’t review it until 2016.
Also, my Yashica MG-1 review, which is from 2010, was very likely the only review of this camera on the Internet for many years. But since then, several other photobloggers have reviewed this camera, giving it competition. Moreover, search engines prefer newer articles — my 11-year-old article is positively ancient.
I’d love to say that a growing interest in 35mm point-and-shoot cameras is what’s pushing my reviews of the Pentax IQZoom cameras and the Nikon Zoom Touch up the rankings. This could play a role; the Nikon Zoom Touch review is from 2014 but has only recently started to get this much activity. But my other popular point-and-shoot reviews are all from the last couple of years. A review can’t rank if it hasn’t been written yet!
None of the cameras I use most — the Pentax ME, the Nikon F3, the Olympus XA, the Yashica-12 — make even the top twenty in any given year. I believe it’s because so many others have reviewed them. When you search for “Pentax ME” on Google today, the number one result is Ken Rockwell’s review. My little site is always going to have trouble competing with Ken Rockwell’s well-known and popular site!
So if there’s one lesson to learn from my stats, it’s to review cameras that have few or no other reviews yet!
In its heyday, Sears was on a quest to sell anything an average person could want. They were Amazon, minus the Web site and the free shipping. Sears offered a vast number of products under its own brands, including cameras under the Tower brand. A number of different manufacturers produced Tower cameras, usually simply relabeling for Sears a camera they already sold directly. Such was the case with this box camera for 120 film, the Sears Tower Flash 120, which Sears sold in the late 1940s and early 1950s. Made by Bilora in (then) West Germany, it was identical to the Stahl Box (Steel Box) camera but for a different face plate.
Like most box cameras, it offers a meniscus lens set behind a rotary shutter. A switch on the front lets you choose between bulb and a timed shutter of probably 1/30 second. The aperture is almost certainly f/11 — I’ve seen other Tower Flash 120s with “f/11” printed on the face plate. The box is made of metal, rather than the usual cardboard. Also, you operate the shutter with a proper button on the camera’s face, rather than a lever on the side. The button even accepts a cable release, although like most boxes, there’s no tripod mount. The Tower Flash 120 offers two waist-level viewfinders, portrait on top and landscape on the side.
I’ve seen two other versions of the Tower Flash 120. One wraps the box’s sides, top, and bottom with a ribbed, rubbery skin. The other uses a plainer face plate (it says “Model 7,” but I’m not aware of models 1 through 6) and a smooth, rather than textured, front and back. Some Tower Flash 120s use a slotted shutter-speed switch rather than the tabbed one on my copy.
My Tower Flash 120 was was donated to my collection by a longtime collector who retired and downsized. It came with its flash attachment, which takes two AA batteries. I’m not much for flash photography so I didn’t try it. But the battery compartment was clean, so I see no reason it shouldn’t work.
If you like box cameras, also check out my reviews of some classic Kodak boxes, the No. 2 Brownie, Model D (here) and Model F (here), as well as the No. 2 Hawk-Eye Model C (here) and its 50th Anniversary of Kodak companion (here). Or look at my reviews of the Ansco B-2 Cadet (here) and Ansco Shur Shot (here). Or check out all of my camera reviews here.
I’ve had this camera for a few years, but have put off a minor repair it needed. The bit of plastic that is the red window around back had come unglued. Repairing it meant bending the film pressure plate to get it out of the way, and I was afraid of damaging it. I finally braved it, and with a bead of super glue the camera finally returned to fully usable condition. I bent the pressure plate back into place with no trouble, but unfortunately a little super glue squished out and dried visibly on the red plastic. Fortunately I could still read the markings on my film’s backing paper.
I loaded some Ilford FP4 Plus into the Tower Flash 120. This film expired in December of 1994 but was stored frozen, so I figured it would be okay. The box opens from the sides near the front, by pressing the small button on each side simultaneously.
The smooth, easy shutter button guards against camera shake. You still need a steady hand, however, thanks to the slow shutter.
Surprisingly reflective glass made the viewfinders hard to use. In all but bright, direct sunlight, I saw my silhouette in the viewfinders, which obscured my subjects.
Thanks to the small, reflective viewfinder, it’s hard to frame subjects. Every last photo I made was far from level. I straightened them all in Photoshop.
The lens is remarkably free of vignetting, and is soft only in the very corners.
I shot the whole roll in my yard, as I sometimes do. Except for the balky viewfinders, the Tower Flash 120 was pleasant to use and returned decent results.
To see more from this camera, check out my Sears Tower Flash 120 gallery.
Remarkably, the Sears Tower Flash 120’s body is based on a camera Bilora made starting in 1935. That goes to show that the box had long been perfected, but was still viable as a family snapshot camera even that many years later. It’s flash attachment made it even more useful. I am unlikely to use this camera often because I enjoy my 1910s-era Kodak box cameras so much more. But if you are box curious, or your collection leans hard into boxes, you would be well served to find one.
If you like old film cameras, check out all of my reviews here! To get Down the Road in your inbox or feed reader, subscribe here.
Not long ago I shared three all-metal, all-manual SLRs you can still get for under $50, all fine machines. But they all require you to set exposure manually, based on the onboard meter’s reading. It can be so nice for a camera to offer exposure automation! If that sounds good to you, then check out these semi-automatic 35mm SLRs for under $50.
Full programmed, aperture-priority, and shutter-priority autoexposure take some of the fuss out of shooting. You’ll find many wonderful cameras in this category — including many popular options that routinely sell for well north of $100. I’m looking at you, Canon AE-1, Nikon FE/FA, Minolta X-700, and Olympus OM-2! They’re all wonderful cameras, and if you can afford them you should buy them! But you might be on a tight budget and need to spend far less.
I can think of five great cameras that offer either some level of exposure automation that you can still buy for under $50 every day on eBay. Read my tips for buying on eBay without getting taken for a ride here. You can also buy from UsedPhotoPro and KEH for a little more, but you get their good guarantees.
Here now, five semi-automatic 35mm SLRs for under $50.
Read my review here. I love this camera. I’ve shot mine a ton. It was the camera I took on a once-in-a-lifetime trip to Ireland. I chose it because it take all of my wonderful Nikon lenses — but if it were damaged, lost, or stolen I could buy another for next to nothing.
The N2000 (also known as the F-301) offers two program modes, aperture-priority autoexposure, and manual exposure. Its shutter fires as fast as 1/2000 sec. and it even allows for continuous shooting at at about 3 frames per second. It works with films of ISO 12 to 4000. The N2000 runs on four AAA batteries, easily purchased at any drug store.
Read my review here. This camera isn’t pretty, but it is a fine performer. It takes the whole range of easy to come by, inexpensive Canon FD-mount lenses. They often show up on eBay with the wonderful 50mm f/1.8 Canon FD lens already attached.
The T70 offers a generous range of exposure modes: three program modes, a shutter-priority mode, a couple of flash modes, and even a stop-down metering mode for when you’ve adapted older FL-mount lenses. The T70 even offers two metering modes: center-weighted average and “selective area” which meters just the center 11 percent of the frame. Whatever modes you choose, your settings appear in the easy-to-read LCD panel. The T70 offers a big and bright viewfinder, and it winds and rewinds your film for you. Two common AA batteries power everything.
This might just be the biggest bargain on a programmed autoexposure 35mm SLR.
Read my review here. This is the real sleeper of this bunch. Originally sold at Sears, it’s the same camera as the Ricoh XR-7, the top of Ricoh’s SLR line in the early 1980s. But because it looks like a no-brand camera, people overlook them.
Really, you can look at any of the Sears KS-series SLRs as they’re all made by Ricoh and are all good performers. The KS-2 just happens to be fully featured, with aperture priority autoexposure and full manual exposure. Its shutter’s top speed is 1/1000 second. It takes films from ISO 12 to 3200. It offers a self timer, a hot shoe, multiple exposure capability, and depth-of-field preview. Two common SR44 button batteries power the KS-2. Most drug stores carry them.
But the best part is that these Sears/Ricoh SLRs feature Pentax’s K lens mount. You can mount any of Pentax’s wonderful manual-focus K-mount lenses. The Ricoh/Sears lenses are no slouches, either.
Read my review here. Minolta’s XG cameras were a step down from their pro line, aimed at advanced amateurs. The XG-1 was the entry-level camera in the line.
After you load film into the XG-1, just set the shutter speed dial to A, choose an aperture, and let the XG-1 do the rest. Its cloth shutter is stepless from 1/1000 to 1 sec. A shutter-speed scale appears inside the viewfinder. You can set the XG-1’s exposure manually, too, but the camera doesn’t make it easy. This camera is really designed for aperture-priority use. It needs two SR44 button batteries to work.
The XG-1 feels the most luxurious to use of all of these cameras. I especially enjoy its electronic shutter button, which requires only a light touch.
Pentax ME/ME Super
Read my ME review here and my ME Super review here. I’ve used my Pentax ME more than any other camera I’ve ever owned. It’s the smallest and lightest camera in this list, and is so easy to handle.
The Pentax ME is an aperture-priority-only camera. I like that just fine, but if you want manual exposure control you’ll want the ME Super instead. If you don’t care either way, buy whichever one you find first at the price you like.
The ME and ME Super are reasonably flexible, working with films up to ISO 1600 and allowing exposures as fast as 1/1000 sec. on the ME and 1/2000 sec on the ME Super. All of this convenience relies on two SR44 button batteries.
I almost didn’t include this camera because it’s a little harder to find than the others for under $50. It surprises me, because only a handful of years ago you could buy these any day of the week for under $20! If you want one, buy it soon, before prices are consistently above that $50 threshold.
There you have it, five semi-automatic 35mm SLRs for under $50. Any of these cameras will prove a fine companion when you want the ease of automatic exposure.
The prices of old film cameras have been slowly on the rise since about 2015, when this hobby started to become more popular. Before then, you could pick up some really stellar 35mm SLRs for under $50, as I did with a Pentax K1000 and a Minolta SR-T 101. You’d be very lucky to find a deal like that today! These cameras go for $100 or more now.
Never fear: you can still buy some great old-school metal, manual 35mm SLRs for under $50. You’ll find your best bargains on eBay; read my tips for buying on eBay without getting taken for a ride here. You can also buy from UsedPhotoPro and KEH and get their good guarantees, but you’ll pay more.
Here are three 35mm SLRs for under $50 that I’ve owned and can vouch for.
Read my review here. Built in the mid 1970s, the TLb takes Canon’s full range of FD lenses. When I see these for sale, they often come with the 50mm f/1.8 Canon FD lens already attached. It’s a fine performer. FD lenses are often excellent bargains themselves because in the 1980s Canon abandoned the mount. You can also use the older Canon FL lenses on the TLb if you don’t mind stopping down to meter.
The Canon TLb’s focal plane shutter has a top speed of 1/500 sec. A 625 battery powers the CdS-cell light meter. It was designed for now-banned mercury cells, but I shot mine with PX625 alkaline cells I bought on Amazon and had no trouble. (Read why here.)
The TLb is the little brother to Canon’s FTb, and lacks a few of the FTb’s features such as mirror lockup, self-timer, 1/1000 sec. top shutter speed, and hot shoe. Canon also offered the TX at about the same time, which is the same as the TLb except it includes a hot shoe. These two cameras usually go for more than $50, but not always, so include them in your search. All three cameras handle the same.
Read my review here. Pentax offered a range of Spotmatic cameras from the mid-1960s through the mid-1970s. Pictured at right is the original Spotmatic SP, but you will also find the SP500, the SP1000, and the SP II. You’ll also find the F, which is a little different (read my review here), but probably not for less than $50.
Spotmatics offer a focal plane shutter with speeds up to 1/1000 sec. (1/500 sec. on the SP500) and through-the lens metering. You have to press the stop-down lever on the side of the lens housing to activate the meter so you can set exposure, and then release it to make the photograph.
Spotmatics take lenses in the M42 screw mount. Pentax made a huge series of them with the Takumar name and they’re all terrific. But many other companies made M42 lenses as well. A Spotmatic opens the door to a whole world of interesting optics.
One challenge with these cameras is that the meter requires the 1.35-volt PX400 battery, which hasn’t been made in ages. The 1.55-volt 387 battery fits, and the Spotmatic includes circuitry to adjust the voltage to the expected 1.35 volts. You can buy 387 batteries at Amazon.
Nikon Nikkormat FTn
Read my review here. Nikon’s Nikkormat line (Nikomat in Japan) is often overlooked in favor of the company’s Nikon-branded offerings. It’s a shame, because if you get a Nikkormat FTn in good nick and take care of it, you’ll make beautiful images with it for the rest of your life. These are incredibly well-built machines.
The 1967-75 Nikkormat FTn is the most fully featured camera in this list. It offers a vertical focal-plane shutter with speeds from 1 to 1/1000 sec. It also features center-weighted average through-the-lens metering, as well as depth-of-field preview and mirror lockup.
The Nikkormat FTn takes Nikon F-mount lenses, but there’s a quirk. To mount a lens and meter it properly, you have to set the aperture to 5.6 and make sure the coupling pin is all the way over before you mount the lens. As you mount the lens, line up the coupling shoe on the lens with the pin on the body. Then with the lens mounted, you have to turn the aperture ring all all the way to the smallest aperture and then all the way to the largest aperture. It’s the “Nikon twist,” and after you’ve done it a couple times it will be second nature.
A 625 mercury battery powers the meter, but of course mercury batteries are banned. I always used PX625 alkaline batteries I bought on Amazon despite their slightly different voltage. (Read why that works well enough here.)
There you have it: three metal, mechanical 35mm SLRs for under $50. All of them work with a wide array of wonderful lenses. Get a good one, and with care they will serve you well for years.
I’m trying an experiment today: I updated a camera review from many years ago and republished it as new today. It’s the post immediately before this one.
I’ve added a redirect on the old URL so searches come to the new review.
So many of my reviews are very old — the first one on this site, of the Kodak Retina Ia, dates to 2008. Have you ever read it? I doubt it. It might be interesting to republish it. Trouble is, I don’t own that camera anymore. I have nothing more to say about it.
I do still own the Kodak Monitor Six-20, on the other hand, and have used it recently. I’ve learned more about how to make good images with it, more about its quirks, more about its shortcomings. I have something new to say about it.