It is truly too bad that I dropped and damaged my Pentax IQZoom 170SL earlier this year. My first replacement was a dud. My second works, but I’m getting a lot of blurred photos. Am I just being careless with the camera? Is there something not quite right with this one? My first 170SL was a little magic machine that just delivered, shot after shot. I’m not aware that I’m handling this 170SL any differently.

I brought it to the annual car show in Lions Park in Zionsville. A roll of Kodak Max 400 was in the camera when it arrived, so I shot it. Turns out it was quite expired.

Zionsville Car Show 2023
Zionsville Car Show 2023

I continued with a roll of Kodak ColorPlus. The lab that has been developing my color film lately sells this film at a good price, so I bought a couple rolls. I’m deciding now that I just don’t like this film very much. The colors aren’t to my liking (the reds are especially oversaturated, and have an orange tinge), and it has a lot of grain.

Zionsville Car Show 2023
Zionsville Car Show 2023
Zionsville Car Show 2023
Zionsville Car Show 2023
Zionsville Car Show 2023
Zionsville Car Show 2023
Zionsville Car Show 2023

I finished with a roll of good old Fujicolor 200. I stocked up on the Japan-made Fujicolor 200 before it disappeared from store shelves. Unfortunately, fully half of the images on this roll suffered from shake and were not usable. Now, I had flash turned off for all of these images. It’s possible that led to shutter speeds slow enough that shake would be a risk. But leaving flash on to fill, and get faster shutter speeds, would have led to reflection washouts in these cars’ paint.

Zionsville Car Show 2023
Zionsville Car Show 2023
Zionsville Car Show 2023
Zionsville Car Show 2023
Zionsville Car Show 2023
Zionsville Car Show 2023

This 170SL handled just as I expected. I’ve not done a lot of close work with a 170SL before. The camera focuses from about three to four feet, depending on how zoomed in you are. For these close shots I stood about four feet away and just zoomed in to frame things as I wanted. It worked out well.

I need to test my theory about fill flash being off. I will put another roll of film through it soon, trying flash on and flash off at various focal lengths. I’ll also be extra, extra careful to hold the camera steady, and see if the problem persists.

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Comments

13 responses to “Yet another Pentax IQZoom 170SL”

  1. nwellons Avatar
    nwellons

    I really enjoy your stories and this was very nice, both the story and photos. I’m thinking about what you said about the camera selecting shutter speeds that could have led to blurring. I shoot manually, usually without a meter. Looking at the shadows, it appears that shooting “Sunny 16” would lead to exposures of 1/200 at f/16. Unless you are using telephoto, it appears shutter speed would not be a problem, even if the camera automation was using f/16. Good luck with figuring out the problem.

    1. Jim Grey Avatar

      When I force the flash off, I wonder what aperture and shutter speed the camera is choosing. I get a lot more shake-ruined photos when I force flash to be off. So yes, more to figure out!

  2. Andy Umbo Avatar
    Andy Umbo

    I also think there was a wider level of fidelity in those point and shoot lenses. Some softer than others. I had an early series Nikon that had two focal lengths, and it was positively soft at both!

    1. Andy Umbo Avatar
      Andy Umbo

      You never read about a lot of Nikon early point and shoots any more, but I owned this in the 80’s, and it was intermittently soft at a bunch of setting!

      http://camera-wiki.org/wiki/Nikon_L35TWAF/L35TWAD/Tele%E2%80%A2Touch

    2. Jim Grey Avatar

      That’s just weird!

  3. Steve Mitchell Avatar

    You have got some good images as well as the not so good. The reds certainly pop with that ColorPlus – I do admit the Fuji C200 has always been more to my taste than the Kodak consumer films, but a really like Portra. I hope you figure out what is causing the softness!

    1. Jim Grey Avatar

      Yeah, I’m realizing I don’t like ColorPlus. Fortunately, I have only one roll left.

      1. P Avatar
        P

        ColorPlus is my favorite color negative film. That said, your images are grainier and more saturated than I’m used to seeing with it. I think this comes down to the lab. They seem to be over-sharpening your scans (which greatly exaggerates the grain) and boosting contrast beyond what is normal for ColorPlus. In my experience, ColorPlus is not an ultra-saturated film—not at all. That’s one of the reasons I like it. I’ve always gotten very natural, pastel-like colors with it, entirely unlike the modern Gold 200 which I find grotesquely over-saturated.

        1. Jim Grey Avatar

          You are probably right about the labs, P. I’ve had three different labs develop this film and I’ve gotten somewhat different looks from them all. However, I’ve not liked any of the looks I’ve gotten.

          I keep thinking about developing my own C41. Then I can control it. But ugh, controlling the temperature during development. More equipment, expense, and hassle. It’s just so convenient to drop my C41 into the mail.

          1. P Avatar
            P

            Yeah, developing color film doesn’t seem like it would be very enjoyable. Plus, as you know, scanning color negative stocks on consumer scanners comes with its own set of issues that really just don’t exist with black-and-white.

            By the way, it’s been a while since I sent any in, but Fulltone has always done a good job for me with ColorPlus in the past.

            1. Jim Grey Avatar

              Fulltone is one of the labs I’ve used. They probably did the best job of all. Lately I’ve been sending my C41 to Brooktree Film Lab in Decatur, IL – good pricing, fast turnaround.

  4. Darts and Letters Avatar
    Darts and Letters

    Expired film nonetheless, pretty enjoyable shots. That picture of the Bronco is cool, I feel like if I’d taken that picture the sky would’ve been lost in bright highlights. Do you remember at all what setting you chose for that? that’s the one thing that I’ve found that’s tough about shooting film, is not being able to have the details on how I had the camera set, I’ve always taken for granted that feedback. I’ve got a good memory, maybe I’ll start paying more attention to how I set the camera for certain pictures that I look forward to getting back later.

    1. Jim Grey Avatar

      This camera is a point and shoot, albeit a somewhat smart one. It chose all of the settings, and there’s no display telling you what they are!

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