I tried developing Ilford FP4 Plus in Ilford ID-11 recently.
I had shot a roll of film in my Zeiss Ikon Contessa LK, an early-1960s viewfinder camera with a coupled light meter. I enjoy using this camera for its big, bright viewfinder and smooth controls that all fall right to hand.
Its one fault is that rewinding can be challenging, and I’ve torn two rolls of film now, including this one. I’m sure this isn’t endemic to the camera line; it must be something wrong with mine specifically.
I had mixed results from this combo. I can’t tell whether the Contessa is overexposing, or I underdeveloped. The negatives have good density. And an old selenium meter tends to grow weaker with age, leading to underexposure.
There are so many variables in getting an image. When one doesn’t turn out, I can hardly tell what went wrong. It’s kind of frustrating. My Contessa isn’t getting any younger and may be showing signs of failure. Or I could have miscalculated the development time given that my developer was 22.4° Celsius thanks to the ambient temperature of my warm master bathroom.
I got okay tonality and sharpness with this film in ID-11. After I dialed in my development techniques, I got more pleasing results from HC-110. I like how HC-110 keeps for a good long time, and how little of the concentrate you need to develop a roll.
ID-11, and its Kodak analog D-76, is the developer most people start with and stay with, however. I can see why. Let’s say I left these in the developer for a little too little time. I still got images I could use. HC-110 and Rodinal have much shorter development times, which means it’s much more important to get the time right.
I bought a 1L packet of ID-11 and I’m burning through it quickly. I haven’t had enough time with this developer to evaluate it well. But I have fresh bottles of HC-110 and Rodinal waiting their turns. I have enough ID-11 to develop about one more roll, and after that it’s back to those other two developers.
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