Fomapan 400 is a film that’s new to me. My first time out with it I shot it at box speed, but shadows sometimes lacked detail. I thought it might help that to shoot the next roll at EI 200, so that’s what I did. I developed in LegacyPro L110, Dilution B, at the IS0 400 time. I scanned the negatives on my Minolta ScanDual II.
I used fresh L110 for this roll. I’d gotten dense negatives the last couple of rolls I developed with the L110 I had been using. It’s not impossible that the cameras were to blame; they were both essentially new to me and could have been overexposing. And I know L110, like any HC-110 clone, is said to perform like new for years. Still, I decided to remove this variable from the equation.
I shot around my neighborhood to fill in some gaps for the book project I’m working on. Even though the utilities are buried in my neighborhood, these ugly utility boxes appear between every pair of houses. They remind me of crooked, broken teeth. Someone who saw these photos in my Flickr stream said they reminded him of gravestones. I made these images with my Pentax KM and my 35mm f/2.8 SMC Pentax-A lens.
I switched to my 80-200mm f/4.5 SMC Pentax-M lens for the rest of the roll. There were a few images I wanted to make where the long focal length would compress depth. On this first image in particular, I got shallower depth of field than I wanted. I’m trying to show the a long row of these petroleum pipeline markers.
These all turned out reasonably well. At box speed, I liked the contrast I got. These are flatter, even after boosting contrast in Photoshop. But the shadows aren’t blocked up, and the middle grays are pleasing.
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