In the early 1980s camera makers finally figured out how to make loading 35mm film foolproof. Meanwhile, thanks to the 35mm SLR, 35mm film had taken on the aura of quality photography. These two things finally killed the 126 and 110 film formats and opened the floodgates for 30 years of 35mm point-and-shoot cameras from bare bones basic to highly capable and fully featured. When Canon introduced the Snappy S in 1985, it was among the earliest basic 35mm point-and-shoots.
Canon’s rationale was simple: get Canon quality at an attractive price. On the street these could be had for $50-60, which is about $120-150 today. It offered middling specs, starting with a 35mm f/4.5 lens, a classic triplet of three elements in three groups. Everything from 1.5 feet is in focus. Exposure is automatic, but I couldn’t figure out what kind of system it uses. The shutter operates from 1/40 to 1/250 sec. Flash is integrated, and the camera automatically winds and rewinds film. A red light blinks in the viewfinder when there isn’t enough light. Two AAA batteries power everything. You could get your Snappy S in black, red, green, or yellow.
Mine came to me with the flash broken: plastic cover missing, flash unit dangling. The seller disclosed that, but I didn’t notice it in the listing. The flash even flashed, but I didn’t try it more than once because it didn’t seem quite safe. Also, as I used the camera, the auto-winder got weaker and weaker. The batteries were fresh, so I assume this old, cheap camera is just on its last leg. But it wasn’t objectionable to use that way.
This camera sparked no joy, but there was nothing unpleasant about it. Frame, press the button, off you go. I was a teenager when this camera was new and I would have been perfectly happy with one had I been able to afford one then. It would have been a giant step up from the truly lousy 110 camera that was my main camera.
If you like point-and-shoot cameras, also see my reviews of the Kodak VR35 K40 (here), the Yashica T2 (here), the Canon AF35ML (here), the Pentax IQZoom EZY (here), the Olympus Stylus (here), the Olympus Stylus Epic Zoom 80 (here), and the Nikon Zoom Touch 400 (here). Or check out all of my camera reviews here.
I loaded some Fujicolor 200 into it and took it out into my shrunken world. We were all still encouraged to stay home, or close to home, thanks to the COVID-19 pandemic. I spent most of my time in the nearby shopping centers looking for colorful subjects.
The Snappy S drank in the color and asked for more.
Everything’s good and sharp.
The Snappy S weighs essentially nothing. I wrapped its long strap around my right hand and carried it about easily. In its time, I would have been very pleased to have a camera like this.
All was not perfect with the Snappy S, however. You have to look at the viewfinder perfectly straight on or you will misframe. Here, I thought I had the full Cracker Barrel in the frame.
Here, I thought I had the entire awning over the gas pumps in the frame.
Also, the viewfinder is massively inaccurate. I put just the tail end of my car in this frame. Look at how much more the Snappy S actually sees.
Also, straight horizontal lines wind up slightly wavy. Notice the line that is the top of this wall.
This photo shows it too, especially on the top sill of the garage on the right. Is this a lens aberration? Or does the camera not hold the film perfectly flat?
To see more from this camera, check out my Canon Snappy S gallery.
The Canon Snappy S was a pretty good inexpensive point-and-shoot camera in its time. It wasn’t perfect, but I’ll bet most people who bought these neither noticed nor cared.
But because mine has two key issues that spell its imminent demise, I’m about to do something I’ve never done before after reviewing a camera. I’m going to put it into the trash.
If you like old film cameras, check out all of my reviews here!
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