I’m not loving Arista EDU 200 in LegacyPro L110 developer, a Kodak HC-110 clone. This time, my fixer was starting to exhaust. It affected the whole roll to varying extents. But a handful of photos turned out all right enough, and I’m willing to make my claim based on them. Next time I use L110, I’m choosing a different film.
At least I had a good time with my Pentax ME and its 50mm f/1.7 SMC Pentax-M lens. Shooting the ME always brings me a little joy. Before the pandemic and the stay-at-home order, I’d been shooting my 35mm f/2.8 lens most of the time. I work in Downtown Indianapolis and that wider lens lets me get more in the frame without having to step into the busy street. But here in the vinyl village there’s plenty of room to roam. 50mm is perfect.
These are the best of the images from several lunchtime walks around my neighborhood. I just shot whatever. The shooting itself was therapeutic. I still have my vinyl-village project in mind, so whatever I shot I tried to grab lots of surrounding context.
Arista EDU 200 develops mighty fast in L110. Using Dilution B, 1:31, it develops in 3:30. My meager experience tells me that development times of under 5 minutes are not a great idea — there’s so little margin for timing error. Last time I worked around this by using Dilution E, 1:47. I didn’t love the results. This time I used Dilution H, 1:63. To get enough developer into the tank that it wouldn’t exhaust before developing finished, I had to use my 500ml tank rather than my 290ml tank.
The photo forums say that HC-110 (and I presume its clones) work well with Tri-X, HP5+, FP4+ — films with a traditional grain structure. Too bad I don’t have any of those films on hand. Arista EDU 200, which is Fomapan 200 in disguise, has more of a tabular grain structure I gather.
I’m realizing I’m still on my film-developing learning curve. I had only just started to get repeatable, decent results from Rodinal when I decided to plunge into L110. I’m so impulsive. I should have stuck with Rodinal until I mastered it.
My goal was to be able to develop a roll of Adox HR-50 I’m shooting. Rodinal is not recommended for that film; the Massive Dev Chart doesn’t even list this combo. After our discussion in the comments on my last L110 post, I ordered the Adox HR-DEV developer that is meant for HR-50 film. That ought to lead to the best possible results.
If you’re thinking, “What’s he bellyaching about? These are fine” — well, I don’t disagree with you. I’m not showing you the ones that didn’t work out at all, however.
I need to shoot up some film that’s expired but, since the garage fridge died, I can’t store cold anymore. I have a roll of original-emulsion Agfa APX100 left, and from what I hear that film was made for Rodinal. A reader sent me a roll of Arista Premium 100, which is said to be repackaged Kodak Plus-X. I’ve seen some samples of Plus-X in Rodinal in the forums and I love the look. I also have one last roll of Ferrania P30 Alpha to shoot. I tried that film in Rodinal before but the Rodinal was, surprisingly, exhausted. I’d like to give that film another go in fresh Rodinal.
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